Usuário:Teófilo Moraes Guimarães/Relação de filmes
1911Editar
- 1911 – La digue de Abel Gance
1912Editar
- 1912 – El aniversario del fallecimiento de la suegra de Enhart de los Hermanos Alva
- 1912 – Il y a des pieds au plafond de Abel Gance
- 1912 – La pierre philosophe de Abel Gance
- 1912 – Le masque d’horreur de Abel Gance
- 1912 – Le nègre Blanc de Abel Gance
1915Editar
- 1915 – A Moreninha de Antônio Leal
- 1915 – L’énigme de dix heures de Abel Gance
- 1915 – L’héroïsme de Paddy de Abel Gance
- 1915 – La fleur des ruines de Abel Gance
- 1915 – La folie du Docteur Tube de Abel Gance
- 1915 – Lénigme de dix heures de Abel Gance
- 1915 – Strass et Compagnie de Abel Gance
- 1915 – Un drame au château d’Acre de Abel Gance
1916Editar
- 1916 – Ce que les Flots Racontent de Abel Gance
- 1916 – Fioritures de Abel Gance
- 1916 – Le fou de la Falaise de Abel Gance
- 1916 – Le périscope de Abel Gance
- 1916 – Les gaz mortels de Abel Gance
1917Editar
- 1917 – A Marked Man (Preito de um Foragido) de John Ford
- 1917 – Alma de sacrificio de Joaquín Coss
- 1917 – Barberousse de Abel Gance
- 1917 – Bucking Broadway de John Ford
- 1917 – Cheyenne’s Pal de John Ford
- 1917 – En defensa propia de Joaquín Coss
- 1917 – Iracema de Vittorio Capellaro
- 1917 – La luz, tríptico de la vida moderna de J. Jamet (Manuel de la Bandera o Ezequiel Carrasco)
- 1917 – La soñadora de Eduardo Arozamena e Enrique Rosas
- 1917 – La tigresa de Mimí Derba e Enrique Rosas
- 1917 – La zone de la mort de Abel Gance
- 1917 – Le droit à la vie de Abel Gance
- 1917 – Mater dolorosa de Abel Gance
- 1917 – Red Saunders Plays Cupid de John Ford
- 1917 – Straight Shooting (O Último Cartucho) de John Ford
- 1917 – Tabaré de Luis Lezama
- 1917 – Tepeyac de José Manuel Ramos, Carlos E. González e Fernando Sáyago
- 1917 – The Cattie War de John Ford
- 1917 – The Cost of a Kiss de Adrian Brunel
- 1917 – The Scrapper de John Ford
- 1917 – The Secret Man (O Fugitivo) de John Ford
- 1917 – The Soul Herder (Arrebanhador de Almas) de John Ford
- 1917 – The Tornado (O Furacão) de John Ford
- 1917 – The Trail of Hate de John Ford
- 1917 – The Trail of Shadows de John Ford
1918Editar
- 1918 – A Woman’s Fool (Nas Malhas de Cupido) de John Ford
- 1918 – Delirium de John Ford
- 1918 – Ecce Homo de Abel Gance
- 1918 – Hell Bent (A Recompensa) de John Ford
- 1918 – La dixième symphonie de Abel Gance
- 1918 – Santa de Luis G. Peredo
- 1918 – The Hill Billy (A Onda da Indignação) de John Ford
- 1918 – The Phantom Riders (Rosa do Paraíso) de John Ford
- 1918 – The Scarlet Drop (Pingo de Sangue) de John Ford
- 1918 – Thieves’ Gold (Quando se Ama) de John Ford
- 1918 – Three Mounted Men (Os Três Cavaleiros) de John Ford
- 1918 – Wild Women (Reino Venturoso) de John Ford
1919Editar
- 1919 – A Fight for Love (Uma Contenda de Amor) de John Ford
- 1919 – A Gun Fightin’ Gentlemen (Dignidade) de John Ford
- 1919 – Bare Fists (A Promessa) de John Ford
- 1919 – By Indian Post (O Índio Correio) de John Ford
- 1919 – El automóvil gris de Enrique Rosas, Joaquín Coss e Juan Canals de Homs
- 1919 – Gun Law de John Ford
- 1919 – J’accuse! de Abel Gance
- 1919 – Madame Du Berry de Ernst Lubitsch
- 1919 – Marked Men (Homens Marcados) de John Ford
- 1919 – Rider of the Law (Expiação) de John Ford
- 1919 – Riders of Vengeance (Cavaleiros da Vindita) de John Ford
- 1919 – Roped (Loteria Matrimonial) de John Ford
- 1919 – The Ace of the Saddle (Ação Fecunda) de John Ford
- 1919 – The Craving de John Ford
- 1919 – The Fighting Brothers (Luta Entre Irmãos) de John Ford
- 1919 – The Gun Packer de John Ford
- 1919 – The Last Outlaw de John Ford
- 1919 – The Outcasts of Poker Flat (O Caminheiro) de John Ford
- 1919 – The Rustlers de John Ford
1920Editar
- 1920 – Bookworms (curta) de Adrian Brunel
- 1920 – Five Pounds Reward (curta) de Adrian Brunel
- 1920 – Hasta después de la muerte de Ernesto Vollrath
- 1920 – Hitchin’ Posts (No Campo de Honra) de John Ford
- 1920 – Just Pals (Camaradas) de John Ford
- 1920 – The Bump de Adrian Brunel
- 1920 – The Girl in Number 29 (A Dama do Nº 29) de John Ford
- 1920 – The Prince of Avenue A (Doce Atrocidade) de John Ford
- 1920 – The Temporary Lady de Adrian Brunel
- 1920 – Twice Two de Adrian Brunel
1921Editar
- 1921 – Action (Ação Enérgica) de John Ford
- 1921 – De raza azteca de Guillermo "Indio" Calles e Miguel Contreras Torres
- 1921 – Desperate Trails (Pista Inapagável) de John Ford
- 1921 – Jackie (A Dançarina) de John Ford
- 1921 – Sure Fire (Fogo Certeiro) de John Ford
- 1921 – The Big Punch (Amor Maternal) de John Ford
- 1921 – The Freeze-Out (O Chicote do Amor) de John Ford
- 1921 – The Wallop (Corações Independentes) de John Ford
- 1921 – Too Many Cooks de Adrian Brunel
1922Editar
- 1922 – El hombre sin patria de Miguel Contreras Torres
- 1922 – Little Miss Smiles (Senhorita Sorriso) de John Ford
- 1922 – Silver Wings (Veneração Extrema) de John Ford
- 1922 – The Village Blacksmith (O Ferreiro da Aldeia) de John Ford
1923Editar
- 1923 – Almas tropicales de Manuel R. Ojeda e Miguel Contreras Torres
- 1923 – Atavismo de Gustavo Sáenz de Sicilia
- 1923 – Cameo Kirby (Sota, Cavalo e Rei) de John Ford
- 1923 – El hijo de la loca de José S. Ortiz
- 1923 – Hoodman Blind (Cegueira Humana) de John Ford
- 1923 – Jolly de Mario Camerini
- 1923 – La Roue de Abel Gance
- 1923 – North of Hudson Bay (Jornada da Morte) de John Ford
- 1923 – The Face On the Bar-Room Floor (O Romance de um Pintor Célebre) de John Ford
- 1923 – The Man Without Desire de Adrian Brunel
- 1923 – The Shimmy Sheik (curta) de Adrian Brunel
- 1923 – Three Jumps Ahead (Descendo Abismos) de John Ford
- 1923 – Two-Chinned Chow (curta) de Adrian Brunel
- 1923 – Walli de Mario Camerini
- 1923 – Yes, We Have No - ! (curta) de Adrian Brunel
1924Editar
- 1924 – Au secours! de Abel Gance
- 1924 – Catherine de Jean Renoir
- 1924 – Crossing the Great Sagrada (curta) de Adrian Brunel
- 1924 – Hearts of Oak (Amor, Juventude e Sacrifício) de John Ford
- 1924 – La casa dei pulcini de Mario Camerini
- 1924 – Lovers in Araby de Adrian Brunel
- 1924 – Saetta, principe per un giorno de Mario Camerini
- 1924 – Sheer Trickery de Adrian Brunel
- 1924 – The Iron Horse de John Ford
- 1924 – The Pathetic Gazette de Adrian Brunel
1925Editar
- 1925 – A Typical Budget (curta) de Adrian Brunel
- 1925 – Battling Bruisers de Adrian Brunel
- 1925 – Cut It Out de Adrian Brunel
- 1925 – Kentucky Pride (Puro-Sangue) de John Ford
- 1925 – La Fille de l’eau de Jean Renoir
- 1925 – Lightin’ (O Coração Não Envelhece) de John Ford
- 1925 – So This Is Jollygood de Adrian Brunel
- 1925 – Thank You (Agradecido) de John Ford
- 1925 – The Blunderland of Big Game de Adrian Brunel
- 1925 – The Fighting Heart (Coração Intrépido) de John Ford
- 1925 – Voglio tradire mio marito de Mario Camerini
1926Editar
- 1926 – 3 Bad Men (Três Homens Maus) de John Ford
- 1926 – Faust (Fausto) de F.W. Murnau
- 1926 – Maciste contro lo sceicco de Mario Camerini
- 1926 – Nana de Jean Renoir
- 1926 – Tartuff (Tartufo) de F.W. Murnau
- 1926 – The Blue Eagle (A Águia Azul) de John Ford
- 1926 – The Shamrock Handicap (A Folha de Trevo) de John Ford
1927Editar
- 1927 – Blighty de Adrian Brunel
- 1927 – El león de (la) Sierra Morena de Miguel Contreras Torres
- 1927 – El puño de hierro de Gabriel García Moreno
- 1927 – El tren fantasma de Gabriel García Moreno
- 1927 – Jaws of Steel de Ray Enright
- 1927 – Marquitta de Jean Renoir
- 1927 – Metropolis (Metrópolis) de Fritz Lang
- 1927 – Napoléon de Abel Gance
- 1927 – Sur un air de Charleston de Jean Renoir
- 1927 – The Girl from Chicago (Uma Pequena de Fora) de Ray Enright
- 1927 – Tracked by the Police de Ray Enright
- 1927 – Upstream (A Torrente da Fama) de John Ford
- 1927 – Wings (Asas) de William A. Wellman
1928Editar
- 1928 – Domestic Troubles de Ray Enright
- 1928 – El secreto de la abuela de Cándida Beltrán Rendón
- 1928 – Four Sons (Quatro Filhos) de John Ford
- 1928 – Hangman’s House (Justiça do Amor) de John Ford
- 1928 – Kif Tebbi de Mario Camerini
- 1928 – La Petite marchande d’allumettes de Jean Renoir
- 1928 – Land of the Silver Fox de Ray Enright
- 1928 – Marines et cristeaux de Abel Gance
- 1928 – Mother Machree (Minha Mãe/ Sacrifício) de John Ford
- 1928 – Napoleon’s Barber (O Barbeiro de Napoleão) de John Ford
- 1928 – Riley the Cop (Polícia Solteirão) de John Ford
- 1928 – Sicilia (documentário) de Mario Camerini
- 1928 – The Constant Nymph de Adrian Brunel
- 1928 – The Little Wildcat de Ray Enright
- 1928 – The Vortex de Adrian Brunel
- 1928 – Tire au flanc de Jean Renoir
- 1928 – Un chien andalou de Luis Buñuel
1929Editar
- 1929 – Kid Gloves de Ray Enright
- 1929 – Le Bled de Jean Renoir
- 1929 – Le Tournoi dans la cité de Jean Renoir
- 1929 – Limite de Mário Peixoto
- 1929 – Rotaie de Mario Camerini
- 1929 – Salute (Em Continência) de John Ford
- 1929 – Skin Deep de Ray Enright
- 1929 – Stolen Kisses de Ray Enright
- 1929 – Strong Boy (O Moço Forte) de John Ford
- 1929 – The Black Watch (A Guarda Negra) de John Ford
- 1929 – The Crooked Billet de Adrian Brunel
- 1929 – The Virginian de Victor Fleming
1930Editar
- 1930 – À propos de Nice de Jean Vigo
- 1930 – Accusée, levez-vous! de Maurice Tourneur
- 1930 – All Quiet on the Western Front (Brasil: Sem Novidades no Front /Portugal: Nada de Novo no Front) de Lewis Milestone
- 1930 – Amor de Apache de Luiz de Barros
- 1930 – Amor e Patriotismo de Achille Tartari
- 1930 – Animal Crackers (Os Galhofeiros) de Victor Heerman
- 1930 – Às Armas de Octávio Gabus Mendes
- 1930 – Au bonheur des dames de Julien Duvivier
- 1930 – Bagunça de Américo de Freitas
- 1930 – Born Reckless (Galanteador Audaz) de John Ford
- 1930 – Call of the West de Albert Ray
- 1930 – Dancing Sweeties de Ray Enright
- 1930 – Der Blaue Engel (O Anjo Azul) de Josef von Sternberg
- 1930 – El precio de un beso de James Tinling
- 1930 – Erros da Mocidade de Caetano Matanó
- 1930 – Eufêmia de Francisco Madrigano
- 1930 – For the Defense de John Cromwell
- 1930 – For the Love o’ Lil de James Tinling
- 1930 – Golden Dawn de Ray Enright
- 1930 – Hell’s Angels de Howard Hughes
- 1930 – L’âge d’or de Luis Buñuel
- 1930 – L’amour chante de Robert Florey
- 1930 – L’arlésienne de Jacques de Baroncelli
- 1930 – Lábios Sem Beijos de Humberto Mauro
- 1930 – Love in the Rough de Charles Reisner
- 1930 – Luzes Que Se Apagam de José Medina
- 1930 – Madam Satan de Cecil B. DeMille
- 1930 – Man to Man de Allan Dwan
- 1930 – Men Without Law de Louis King
- 1930 – Men Without Women (Homens sem Mulheres) de John Ford
- 1930 – Messalina de Luiz de Barros
- 1930 – Meu Primeiro Amor de Ruy Galvão
- 1930 – No Cenário da Vida de Luiz Maranhão e Jota Soares
- 1930 – O Destino das Rosas de Ary Severo
- 1930 – O Mistério do Dominó Preto de Cléo de Verberena
- 1930 – One Mad Kiss de James Tinling
- 1930 – Perante Deus de José Silva
- 1930 – Playing Around de Mervyn LeRoy
- 1930 – Rosas de Nossa Senhora de Pasquale di Lorenzo
- 1930 – Scarlet Pages de Ray Enright
- 1930 – Shadow Ranch de Louis King
- 1930 – Song of the West de Ray Enright
- 1930 – Symphony in Two Flats de Gareth Gundrey
- 1930 – The Bad One de George Fitzmaurice
- 1930 – The Big Trail (A Grande Jornada) de Raoul Walsh e Louis R. Louffler
- 1930 – The Dawn Trail de Christy Cabanne
- 1930 – The Great Game de Jack Raymond
- 1930 – The Lone Rider de Louis King
- 1930 – The Message (Curta) de Sewell Collins
- 1930 – The Mother’s Cry de Hobart Henley
- 1930 – The Night Porter de Sewell Collins
- 1930 – The Sea Bat de Wesley Ruggles
- 1930 – The Spoilers de Edward Carewe
- 1930 – The Utah Kid de Richard Thorpe
- 1930 – Thread o’ Scarlet de Peter Godfrey
- 1930 – Top Speed de Mervyn LeRoy
- 1930 – Tormenta de Arthur Serra
- 1930 – Up the River de John Ford
- 1930 – What a Widow! de Allan Dwan
- 1930 – Zemlya (Terra) de Aleksandr Dovzhenko
1931Editar
- 1931 – À nous la liberté de René Clair
- 1931 – Après l’amour de Léonce Perret
- 1931 – Arrowsmith (Médico e Amante) de John Ford
- 1931 – Atout coeur de Henry Roussel
- 1931 – Autour d’une enquête de Henri Chomette
- 1931 – Big Business Girl de William A. Seiter
- 1931 – Border Law de D. Ross Lederman
- 1931 – Branded de D. Ross Lederman
- 1931 – Cavalier of the West de John P. McCarthy
- 1931 – Chances de Allan Dwan
- 1931 – Cimarron de Wesley Ruggles
- 1931 – City Lights (Luzes da Cidade) de Charles Chaplin
- 1931 – Cracked Nuts de Edward F. Cline
- 1931 – Desert Vengeance de Louis King
- 1931 – Die Försterchristl de Frederic Zelnik
- 1931 – [[Dirigible] de Frank Capra
- 1931 – Dr. Josser, K.C. de Milton Rosmer
- 1931 – Dracula de George Melford e Enrique Tovar Ávalos
- 1931 – Dracula de Tod Browning
- 1931 – Dragnet Patrol de Frank R. Strayer
- 1931 – Expensive Women de Hobart Henley
- 1931 – Figaro e la sua gran giornata de Mario Camerini
- 1931 – Five Star Final de Mervyn LeRoy
- 1931 – Frankenstein de James Whale
- 1931 – Freighters of Destiny de Fred Allen
- 1931 – God’s Country and the Man de John P. McCarthy
- 1931 – Graft de William Christy Cabanne
- 1931 – Honor of the Family de Lloyd Bacon
- 1931 – I Like Your Nerve de William McGann
- 1931 – L’amour à l’américaine de Claude Heymann
- 1931 – L’amoureuse aventure de Wilhelm Thiele
- 1931 – La Chienne (A Cadela) de Jean Renoir
- 1931 – La Fin du monde de Abel Gance
- 1931 – La riva dei bruti de Mario Camerini
- 1931 – La vecchia signora de Amleto Palermi
- 1931 – Le million de René Clair
- 1931 – Les amours de minuit de Marc Allégret
- 1931 – Limite de Mario Peixoto
- 1931 – Little Caesar (Alma no Lodo) de Mervyn LeRoy
- 1931 – Local Boy Makes Good de Mervyn LeRoy
- 1931 – M (M, o Vampiro de Dusseldorf) de Fritz Lang
- 1931 – Night Nurse de William A. Wellman
- 1931 – Oklahoma Jim de Harry L. Fraser
- 1931 – On purge bébé de Jean Renoir
- 1931 – One Way Trail de Ray Taylor
- 1931 – Out of the Blue de Gene Gerrard e J.O.C. Orton
- 1931 – Pleasure de Otto Brower
- 1931 – Range Feud de D. Ross Lederman
- 1931 – Rich and Strange de Alfred Hitchcock
- 1931 – Ridin’ For Justice de D. Ross Lederman
- 1931 – Seas Beneath (Sob as Ondas) de John Ford
- 1931 – Shotgun Pass de Robert Quigley
- 1931 – Smart Money de Alfred E. Green
- 1931 – Sous les verrous de James Parrott
- 1931 – Sunshine Susie de Victor Saville
- 1931 – Tell England de Anthony Asquith e Geoffrey Barkas
- 1931 – The Avenger de R. William Neill
- 1931 – The Brat (A Garota) de John Ford
- 1931 – The Calendar de T. Hayes Hunter
- 1931 – The Criminal Code de Howard Hawks
- 1931 – The Deadline de Lambert Hillyer
- 1931 – The Deceiver de Louis King
- 1931 – The Fighting Marshal de D. Ross Lederman
- 1931 – The Fighting Sheriff de Louis King
- 1931 – The Flood de James Tinling
- 1931 – The Ghost Train de Walter Forde
- 1931 – The Guilty Generation de Rowland V. Lee
- 1931 – The Happy Ending de Millard Webb
- 1931 – The Mad Genius de Michael Curtiz
- 1931 – The Man They Couldn’t Arrest de T. Hayes Hunter
- 1931 – The Miracle Woman de Frank Capra
- 1931 – The Nevada Buckaroo de John P. McCarthy
- 1931 – The Public Defender de J. Walter Ruben
- 1931 – The Public Enemy (O Inimigo Público) de William A. Wellman
- 1931 – The Ringer de Walter Forde
- 1931 – The Skin Game de Alfred Hitchcock
- 1931 – The Sleeping Cardinal de Leslie S. Hiscott
- 1931 – The Speckled Band de Jack Raymond
- 1931 – The Sport of Kings de Victor Saville
- 1931 – The Star Witness de William A. Wellman
- 1931 – The Stronger Sex de Gareth Gundrey
- 1931 – The Texas Ranger de D. Ross Lederman
- 1931 – The Yellow Ticket de Raoul Walsh
- 1931 – Third Time Lucky de Walter Forde
- 1931 – Tonight or Never de Mervyn LeRoy
- 1931 – Two Crowded Hours de Michael Powell
- 1931 – Who Killed Doc Robin? de W.P. Kellino
- 1931 – Wicked de Allan Dwan
- 1931 – Young Donovan's Kid de Fred Niblo
1932Editar
- 1932 – ¡Que viva México! (1930-1932) de Serguei M. Eisenstein
- 1932 – A Farewell to Arms (Adeus às Armas) de Frank Borzage
- 1932 – A Successful Calamity de John G. Adolfi
- 1932 – Adhémar Lampiot de Christian-Jaque
- 1932 – Airmail (Asas Heróicas) de John Ford
- 1932 – Alias the Doctor de Lloyd Bacon e Michael Curtiz
- 1932 – Allo Berlin? Ici Paris! de Julien Duvivier
- 1932 – Alma do Brasil de Líbero Luxardo
- 1932 – Ariane, jeune fille russe de Paul Czinner
- 1932 – Au nom de la loi de Maurice Tourneur
- 1932 – Aux urnes, citoyens! de Jean Hémard
- 1932 – Behind the Mask de John Francis Dillon
- 1932 – Border Devils de William Nigh
- 1932 – Boudu sauvé des eaux (Boudu Salvo das Águas) de Jean Renoir
- 1932 – Broadway to Cheyenne de Harry L. Fraser
- 1932 – Business and Pleasure de David Butler
- 1932 – Canção da Primavera de Fábio Cintra
- 1932 – Chotard et Cie de Jean Renoir
- 1932 – Cornered de Reeves Eason
- 1932 – Crashin’ Broadway de John P. McCarthy
- 1932 – Crooner de Lloyd Bacon
- 1932 – Daring Danger de D. Ross Lederman
- 1932 – Der Sieger de Hans Hinrich
- 1932 – Due cuori felici de Baldassarre Negroni
- 1932 – El caballero de la noche de James Tinling
- 1932 – Fera da Mata de Waldemar P. Zornig
- 1932 – Fighting Fool de Lambert Hillyer
- 1932 – Fighting For Justice de Otto Brower
- 1932 – Flesh (Carne) de John Ford
- 1932 – Forbidden Trail de Lambert Hillyer
- 1932 – Freaks (Monstros) de Tod Browning
- 1932 – Ghost Valley de Fred Allen
- 1932 – Gli uomini, che mascalzoni! de Mario Camerini
- 1932 – Glos pustyni de Michal Waszynski
- 1932 – Grand Hotel (Grande Hotel) de Edmund Goulding
- 1932 – Hello Trouble de Lambert Hillyer
- 1932 – Her First Affaire de Allan Dwan
- 1932 – Hidden Valley de Robert N. Bradbury
- 1932 – I Am a Fugitive from a Chain Gang (O Fugitivo) de Mervyn LeRoy
- 1932 – Klondike de Phil Rosen
- 1932 – L’affaire est dans le sac de Pierre Prévert
- 1932 – L’agence O-Kay de André Chotin
- 1932 – L’athlète incomplet de Claude Autant-Lara
- 1932 – L’Atlantide de Georg Wilhelm Pabst
- 1932 – L’ultima avventura de Mario Camerini
- 1932 – La Nuit du carrefour de Jean Renoir
- 1932 – La segretaria per tutti de Amleto Palermi
- 1932 – Las hurdes (Tierra sin pan) de Luis Buñuel
- 1932 – Le vainqueur de Hans Hinrich
- 1932 – Lelícek ve sluzbách Sherlocka Holmese de Carl Lamac
- 1932 – Love Me Tonight (Ama-Me esta Noite) de Rouben Mamoulian
- 1932 – Mater dolorosa de Abel Gance
- 1932 – McKenna of the Mounted de D. Ross Lederman
- 1932 – Me and My Gal (Eu e Minha Pequena) de Raoul Walsh
- 1932 – Miss Pinkerton de Lloyd Bacon
- 1932 – Night World de Hobart Henley
- 1932 – Odisséia de Uma Vida de Luiz Maranhão
- 1932 – One Man Law de Lambert Hillyer
- 1932 – One Way Passage de Tay Garnett
- 1932 – Pecado da Vaidade de Eduardo Abelim
- 1932 – Play-Girl de Ray Enright
- 1932 – Riders of the Desert de Robert N. Bradbury
- 1932 – Riding Tornado de D. Ross Lederman
- 1932 – Rome Express de Walter Forde
- 1932 – Sally of the Subway de George B. Seitz
- 1932 – Santa de Antonio Moreno
- 1932 – Scarface (Scarface: A Vergonha de uma Nação) de Howard Hawks e Richard Rosson
- 1932 – Self Defense de Phil Rosen
- 1932 – Shanghai Express (O Expresso de Xangai) de Josef von Sternberg
- 1932 – South of the Rio Grande de Lambert Hillyer
- 1932 – Tarzan the Ape Man (Tarzan, o Homem Macaco) de W.S. Van Dyke
- 1932 – Tell Me Tonight de Anatole Litvak
- 1932 – Texas Buddies de Robert N. Bradbury
- 1932 – Texas Cyclone de D. Ross Lederman
- 1932 – The Boiling Point de George Melford
- 1932 – The Crash de William Dieterle
- 1932 – The Famous Ferguson Case
- 1932 – The Fighting Champ de John P. McCarthy
- 1932 – The Frightened Lady de T. Hayes Hunter
- 1932 – The Hound of the Baskervilles de Gareth Gundrey
- 1932 – The Last Frontier de Spencer Gordon Bennet e Thomas Storey
- 1932 – The Man from Hell’s Edges de Robert N. Bradbury
- 1932 – The Mask of Fu Manchu de Charles Vidor e King Vidor
- 1932 – The Midshipmaid de Albert de Courville
- 1932 – The Miracle Man de Norman Z. McLeod
- 1932 – The Missing Rembrandt de Leslie S. Hiscott
- 1932 – The Most Dangerous Game de Ernest B. Schoedsack e Irving Pichel
- 1932 – The Mummy de Karl Freund
- 1932 – The Night Rider de Fred C. Newmeyer e William Nigh
- 1932 – The Old Dark House de James Whale
- 1932 – The Sign of Four: Sherlock Holmes' Greatest Case de Graham Cutts
- 1932 – The Tenderfoot (Valente Como Trinta) de Ray Enright
- 1932 – The Western Code de J.P. McCarthy
- 1932 – There Goes the Bride de Albert de Courville
- 1932 – Trouble in Paradise (Ladrão de Alcova) de Ernst Lubitsch
- 1932 – Two-Fisted Law de D. Ross Lederman
- 1932 – Um Bravo do Nordeste de Nelson Chagas
- 1932 – Um Rapaz de Valor de Ary Severo
- 1932 – Vampyr (O Vampiro) de Carl Theodor Dreyer
- 1932 – Vlastelin byta de Aleksandr Ptushko
- 1932 – Week-End Marriage de Thornton Freeland
- 1932 – While Paris Sleeps de Allan Dwan
- 1932 – White Eagle de Lambert Hillyer
- 1932 – White Face de T. Hayes Hunter
- 1932 – Wild Horse Mesa de Henry Hathaway
- 1932 – Winner Take All de Roy Del Ruth
- 1932 – Without Honor de William Nigh
1933Editar
- 1933 – A Voz do Carnaval de Humberto Mauro e Adhemar Gonzaga
- 1933 – Alô, Alô, Brasil de Wallace Downey
- 1933 – Blondie Johnson de Ray Enright
- 1933 – Cento di questi giorni de Mario Camerini
- 1933 – Doctor Bull (Doutor Bull) de John Ford
- 1933 – El compadre Mendoza de Fernando de Fuentes
- 1933 – Follow the Lady de Adrian Brunel
- 1933 – Ganga Bruta de Humberto Mauro
- 1933 – Havana Widows (Viúvas de Havana) de Ray Enright
- 1933 – I’m an Explosive de Adrian Brunel
- 1933 – Je vous aimerai toujours de Mario Camerini
- 1933 – La llorona de Ramón Peón
- 1933 – La mujer del puerto de Arcady Boytler
- 1933 – Le Maître de forges de Abel Gance
- 1933 – Little Napoleon (curta) de Adrian Brunel
- 1933 – Madame Bovary de Jean Renoir
- 1933 – Pilgrimage (Peregrinação) de John Ford
- 1933 – Profanación de Chano Urueta
- 1933 – T’amerò sempre de Mario Camerini
- 1933 – Taxi to Paradise (curta) de Adrian Brunel
- 1933 – The Laughter of Fools de Adrian Brunel
- 1933 – The Silk Express (Expresso de Seda) de Ray Enright
- 1933 – Tomorrow at Seven de Ray Enright
- 1933 – Two Wives for Henry de Adrian Brunel
- 1933 – Zéro de conduit de Jean Vigo
1934Editar
- 1934 – Badger’s Green de Adrian Brunel
- 1934 – Come le foglie de Mario Camerini
- 1934 – Dames de Ray Enright
- 1934 – Dos monjes de Juan Bustillo Oro
- 1934 – El fantasma del convento de Fernando de Fuentes
- 1934 – Fiera di tipi de Antonio Leonviola
- 1934 – Giallo de Mario Camerini
- 1934 – I’ve Got Your Number (Amor Por Telefone) de Ray Enright
- 1934 – Il cappello a tre punte de Mario Camerini
- 1934 – Important People de Adrian Brunel
- 1934 – Janitzio de Carlos Navarro
- 1934 – Judge Priest (O Juiz Priest) de John Ford
- 1934 – La Dame aux camélias de Abel Gance
- 1934 – La mia vita sei tu de Pietro Francisci
- 1934 – Madame Bovary de Jean Renoir
- 1934 – Menace de Adrian Brunel
- 1934 – Mujeres sin alma de Ramón Peón
- 1934 – Mystery Mountain de Otto Brower e B. Reeves Eason
- 1934 – Napoléon Bonaparte de Abel Gance
- 1934 – Patricio miró a una estrella de José Luis Sáenz de Heredia
- 1934 – Poliche de Abel Gance
- 1934 – Rapsodia in Roma de Pietro Francisci
- 1934 – The Circus Clown de Ray Enright
- 1934 – The Lost Patrol (A Patrulha Perdida) de John Ford
- 1934 – The St. Louis Kid de Ray Enright
- 1934 – The World Moves On (A Marcha dos Século) de John Ford
- 1934 – Twenty Million Sweethearts (Vinte Milhões de Namoradas) de Ray Enright
- 1934 – Zouzou de Marc Allégret
1935Editar
- 1935 – Alibi Ike (Esfarrapando Desculpas) de Ray Enright
- 1935 – Alô, Alô Carnaval de Adhemar Gonzaga
- 1935 – City of Beautiful Nonsense de Adrian Brunel
- 1935 – Cross Currents de Adrian Brunel
- 1935 – El misterio del rostro pálido de Juan Bustillo Oro
- 1935 – Jérôme Perreau héros des barricades de Abel Gance
- 1935 – Kleine Mutti (A Mamãezinha) de Henry Koster
- 1935 – La hija de Juan Simón de José Luis Sáenz de Heredia
- 1935 – Le Roman d’un jeune homme pauvre de Abel Gance
- 1935 – Les yeux noirs de Viktor Tourjansky
- 1935 – Los muertos hablan de Gabriel Soria
- 1935 – Lucrèce Borgia de Abel Gance
- 1935 – Luponini (El terror de Chicago) de José Bohr
- 1935 – Más allá de la muerte de Adela Sequeyro
- 1935 – Miss Pacific Fleet de Ray Enright
- 1935 – Steamboat Round the Bend de John Ford
- 1935 – The Informer (O Delator) de John Ford
- 1935 – The Invader de Adrian Brunel
- 1935 – The Whole Town’s Walking (O Homem que Nunca Pecou) de John Ford
- 1935 – Toni de Jean Renoir
- 1935 – Traveling Saleslady de Ray Enright
- 1935 – Vámonos con Pancho Villa de Fernando de Fuentes
- 1935 – Vanity de Adrian Brunel
- 1935 – Variety de Adrian Brunel
- 1935 – We’re in the Money (Dinheiro Em Penca) de Ray Enright
- 1935 – While Parents Sleep de Adrian Brunel
- 1935 – While the Patient Slept (Enquanto o Doente Dormia) de Ray Enright
1936Editar
- 1936 – ¿Quién me quiere a mí? de José Luis Sáenz de Heredia
- 1936 – Allá en el Rancho Grande de Fernando de Fuentes
- 1936 – China Clipper (O Titã dos Ares) de Ray Enright
- 1936 – Darò un milione de Mario Camerini
- 1936 – Das Hofkonzert de Douglas Sirk
- 1936 – Earthworm Tractors (Tirando o Pé da Lama) de Ray Enright
- 1936 – General Spanky (O Grande Generalzinho) de Fred Newmeyer e Gordon Douglas
- 1936 – Il grande appello de Mario Camerini
- 1936 – La Vie est à nous de Jean Renoir
- 1936 – Le Crime de Monsieur Lange (O Crime do sr.Lange) de Jean Renoir
- 1936 – Le Voleur de femmes de Abel Gance
- 1936 – Les Bas-fonds (Bas-fonds) de Jean Renoir
- 1936 – Love at Sea de Adrian Brunel
- 1936 – Ma non è una cosa seria de Mario Camerini
- 1936 – Mary of Scotland (Mary Stuart, Rainha da Escócia) de John Ford
- 1936 – Partie de campagne (Um Dia no Campo) de Jean Renoir
- 1936 – Prison Breaker de Adrian Brunel
- 1936 – Sant Tukaram de Vishnupant Govind Damle e Sheikh Fattelal
- 1936 – Sing Me a Love Song (Canta-me os Teus Amores) de Ray Enright
- 1936 – Snowed Under de Ray Enright
- 1936 – The Plough and the Stars (Horas Amargas) de John Ford
- 1936 – The Prisoner of Shark Island (O Prisioneiro da Ilha dos Tubarões) de John Ford
- 1936 – Three Smart Girls (3 Pequenas do Barulho) de Henry Koster
- 1936 – Un grand amour de Beethoven de Abel Gance
1937Editar
- 1937 – 27 rue de la Paix de Richard Pottier
- 1937 – Águila o sol de Arcady Boytler
- 1937 – Back in Circulation (Silêncio Que Condena) de Ray Enright
- 1937 – Il signor Max de Mario Camerini
- 1937 – La Grande illusion (A Grande Ilusão) de Jean Renoir
- 1937 – La Marseillaise (A Marselhesa) de Jean Renoir
- 1937 – La mujer de nadie de Adela Sequeyro
- 1937 – One Hundred Men and a Girl (Cem Homens e Uma Menina} de Henry Koster
- 1937 – Ready, Willing and Able (Amores de Opereta) de Ray Enright
- 1937 – Slim (Alta Tensão) de Ray Enright
- 1937 – Swing Your Lady (É Tudo Dança) de Ray Enright
- 1937 – The Hurricane (O Furacão) de John Ford
- 1937 – The Singing Marine (Cancioneiro Naval) de Ray Enright
- 1937 – Wee Willie Winkie (A Queridinha do Vovô) de John Ford
1938Editar
- 1938 – Der Mann, der nicht nein sagen kann de Mario Camerini
- 1938 – Diablillos de arrabal de Adela Sequeyro
- 1938 – Four Men and a Prayer (Quatro Homens e Uma Prece) de John Ford
- 1938 – Going Places (Coragem a Muque) de Ray Enright
- 1938 – Gold Diggers in Paris (Cavadoras de Ouro em Paris) de Ray Enright
- 1938 – Hard to Get de Ray Enright
- 1938 – J’accuse! de Abel Gance
- 1938 – La Bête humaine (A Besta Humana) de Jean Renoir
- 1938 – La Marseillaise (A Marselhesa) de Jean Renoir
- 1938 – Submarine Patrol (Patrulha Submarina) de John Ford
- 1938 – The Rage of Paris (A Sensação de Paris) de Henry Koster
- 1938 – The Rebel Son de Adrian Brunel
1939Editar
- 1939 – Angels Wash Their Faces (Anjos de Cara Limpa) de Ray Enright
- 1939 – Drums Along the Mohawk (Ao Rufar dos Tambores) de John Ford
- 1939 – First Love (Primeiro Amor) de Henry Koster
- 1939 – I grandi magazzini de Mario Camerini
- 1939 – Il documento de Mario Camerini
- 1939 – La Règle du jeu (A Regra do Jogo) de Jean Renoir
- 1939 – Louise de Abel Gance
- 1939 – Naughty But Nice (O Queridinho das Titias) de Ray Enright
- 1939 – On Your Toes (A Bailarina Russa) de Ray Enright
- 1939 – Onde Estás, Felicidade? de Mesquitinha
- 1939 – Stagecoach (Brasil: No tempo das diligências /Portugal: A cavalgada heróica) de John Ford
- 1939 – The Lion Has Wings de Adrian Brunel
- 1939 – The Oklahoma Kid (A Lei do Mais Forte) de Lloyd Bacon
- 1939 – Three Smart Girls Grow Up (Meninas Endiabradas) de Henry Koster
- 1939 – Yamilé sous les cèdres de Charles d’Espinay
- 1939 – Young Mr. Lincoln (Brasil: A Mocidade de Lincoln /Portugal: A Grande Esperança) de John Ford
- 1939 – Zenobia (Zenóbia) de Gordon Douglas
1940Editar
- 1940 – ¡Que viene mi marido! de Chano Urueta
- 1940 – ¿Dónde está tu mujer? de Gastón Mayol
- 1940 – 21 Days de Basil Dean
- 1940 – A Dispatch from Reuter’s de William Dieterle
- 1940 – Adventures of Red Ryder (Seriado) de William Witney
- 1940 – Ahí está el detalle de Juan Bustillo Oro
- 1940 – Amami, Alfredo! de Carmine Gallone
- 1940 – An Angel from Texas de Ray Enright
- 1940 – Angels Over Broadway de Ben Hecht e Lee Garmes
- 1940 – Argila de Humberto Mauro
- 1940 – Aus erster Ehe de Paul Verhoeven (II)
- 1940 – Before I Hang de Nick Grinde
- 1940 – Bitter Sweet de W.S. Van Dyke
- 1940 – Black Friday de Arthur Lubin
- 1940 – Blondie on a Budget de Frank R. Strayer
- 1940 – British Intelligence de Terrell O. Morse
- 1940 – Brother Rat and a Baby (Cadetes em Apuros) de Ray Enright
- 1940 – Centomila dollari de Mario Camerini
- 1940 – Christmas in July de Preston Sturges
- 1940 – Colorado de Joseph Kane
- 1940 – Covered Wagon Days de George Sherman
- 1940 – Dance, Girl, Dance (A Vida É uma Dança)
- 1940 – Dark Command (Comando Negro) de Raoul Walsh
- 1940 – Das Abenteuer geht weiter de Carmine Gallone
- 1940 – Doomed to Die de William Nigh
- 1940 – Drums of Fu Manch (Os Tambores de Fu Manchu) de William Witney
- 1940 – East of the River de Alfred E. Green
- 1940 – El monje loco de Alejandro Galindo
- 1940 – Foreign Correspondent (Correspondente Estrangeiro) de Alfred Hitchcock
- 1940 – Gaslight (À Meia Luz) de Thorold Dickinson
- 1940 – Gli ultimi della strada de Domenico Paolella
- 1940 – Golden Gloves de Edward Dmytryk e Felix E. Feist
- 1940 – Grand Ole Opry de Frank McDonald
- 1940 – Green Hell de James Whale
- 1940 – Heroes of the Saddle de William Witney
- 1940 – His Girl Friday (Jejum de Amor)
- 1940 – Hi-Yo Silver de William Witney
- 1940 – If I Had My Way de David Butler
- 1940 – King of the Royal Mounted de William Witney
- 1940 – Kit Carson de George B. Seitz
- 1940 – Knute Rockne All American de Lloyd Bacon e William K. Howard
- 1940 – L’ispettore Vargas de Gianni Franciolini
- 1940 – La figlia del corsaro verde de Enrico Guazzoni
- 1940 – La fille du puisatier de Marcel Pagnol
- 1940 – La peccatrice de Amleto Palermi
- 1940 – Little Orvie de Ray McCarey
- 1940 – Lone Star Raiders de George Sherman
- 1940 – Los de abajo de Chano Urueta
- 1940 – Lucky Cisco Kid de H. Bruce Humberstone
- 1940 – Lucky Partners de Lewis Milestone
- 1940 – Lucrezia Borgia de Hans Hinrich
- 1940 – Maddalena... zero in condotta (Madalena, Zero em Comportamento) de Vittorio De Sica
- 1940 – Manon Lescaut de Carmine Gallone
- 1940 – Melodie eterne de Carmine Gallone
- 1940 – Melody Ranch de Joseph Santley
- 1940 – Mine in vista de Francesco De Robertis
- 1940 – Money and the Woman de William K. Howard
- 1940 – Music in My Heart de Joseph Santley
- 1940 – Mysterious Doctor Satan (Seriado) de William Witney
- 1940 – Nessa no chikai de Kunio Watanabe
- 1940 – Northwest Mounted Police (Legião de Heróis) de Cecil B. de Mille
- 1940 – Oklahoma Renegades de Nate Watt
- 1940 – Oltre l’amore de Carmine Gallone
- 1940 – Paradis perdu de Abel Gance
- 1940 – Pastor Hall de Roy Boulting
- 1940 – Pazza di gioia de Carlo Ludovico Bragaglia
- 1940 – Pioneers of the West de Lester Orlebeck
- 1940 – Queen of the Mob de James P. Hogan
- 1940 – Rangers of Fortune de Sam Wood
- 1940 – Rebecca (Rebecca, a Mulher Inesquecível) de Alfred Hitchcock
- 1940 – Return to Yesterday de Robert Stevenson
- 1940 – River’s End (O Segredo de Um Morto) de Ray Enright
- 1940 – Rocky Mountain Rangers de George Sherman
- 1940 – Rose scarlatte de Vittorio De Sica
- 1940 – Sailor’s Lady de Allan Dwan
- 1940 – Sailors Three de Walter Forde
- 1940 – Saloon Bar de Walter Forde
- 1940 – Santa Fe Trail de Michael Curtiz
- 1940 – Saps at Sea ( Marujos Improvisados) de Gordon Douglas
- 1940 – Sei bambine e il Perseo de Giovacchino Forzano
- 1940 – Spare a Copper de John Paddy Carstairs
- 1940 – Spring Parade (A Parada da Primavera) de Henry Koster
- 1940 – Stagecoach War de Lesley Selander
- 1940 – Stranger on the Third Floor de Boris Ingster
- 1940 – Susan and God de George Cukor
- 1940 – Teddy the Rough Rider (curta) de Ray Enright
- 1940 – Texas Rangers Ride Again de James P. Hogan
- 1940 – The Ape de William Nigh
- 1940 – The Bank Dick (O Guarda) de Edward F. Cline
- 1940 – The Border Legion de Joseph Kane
- 1940 – The Carson City Kid de Joseph Kane
- 1940 – The Case of the Frightened Lady de George King
- 1940 – The Devil Bat de Jean Yarbrough
- 1940 – The Door with Seven Locks de Norman Lee
- 1940 – The Fatal Hour de William Nigh
- 1940 – The Ghost Breakers de George Marshall
- 1940 – The Girl Who Forgot de Adrian Brunel
- 1940 – The Grapes of Wrath (As vinhas da ira) de John Ford
- 1940 – The House of Seven Gables de Joe May
- 1940 – The Lady in Question de Charles Vidor
- 1940 – The Letter (A Carta) de William Wyler
- 1940 – The Long Voyage Home (A longa Viagem de Volta) de John Ford
- 1940 – The Man Who Talked Too Much de Vincent Sherman
- 1940 – The Man with Nine Lives de Nick Grinde
- 1940 – The Mortal Storm (Tempestades d’alma) de Frank Borzage
- 1940 – The Philadelphia Story (Núpcias de Escândalo)de George Cukor
- 1940 – The Proud Valley de Pen Tennyson
- 1940 – The Quarterback de H. Bruce Humberstone
- 1940 – The Ranger and the Lady de Joseph Kane
- 1940 – The Saint Takes Over de Jack Hively
- 1940 – The Saint’s Double Trouble de Jack Hively
- 1940 – The Sea Hawk (O Gavião do Mar) de Michael Curtiz
- 1940 – The Sky's the Limit de Edward H. Griffith
- 1940 – The Thief of Bagdad de Ludwig Berger, Michael Powell, Tim Whelan, Alexander Korda, Zoltan Korda e William Cameron Menzies
- 1940 – The Trail Blazers de George Sherman
- 1940 – They Drive By Night de Raoul Walsh
- 1940 – Those Were the Days! de Theodore Reed
- 1940 – Trail of the Vigilantes de Allan Dwan
- 1940 – Troppo tardi t’ho conosciuta de Emanuele Caracciolo e Carmine Gallone
- 1940 – Un bebé de contrabando de Eduardo Morera
- 1940 – Un señor mucamo de Enrique Santos Discépolo
- 1940 – Una romantica avventura de Mario Camerini
- 1940 – Under Texas Skies de George Sherman
- 1940 – Une idée à l’eau de Jean-Paul Le Chanois
- 1940 – Virginia City (Caravana do Ouro) de Michael Curtiz
- 1940 – Wagons Westward de Lew Landers
- 1940 – Weltrekord im Seitensprung de Georg Zoch
- 1940 – Yo hablo... de Enrique Gándara
- 1940 – You’ll Find Out de David Butler
- 1940 – Young Bill Hickok de Joseph Kane
- 1940 – Young Buffalo Bill de Joseph Kane
- 1940 – Young People de Allan Dwan
1941Editar
- 1941 – ¡A mi no me mire usted! de José Luis Sáenz de Heredia
- 1941 – ¡Delirio! de Arturo García Buhr
- 1941 – ‘Pimpernel’ Smith de Leslie Howard
- 1941 – 40,000 Horsemen de Charles Chauvel
- 1941 – 49th Parallel (Paralelo 49) de Michael Powell
- 1941 – A Date with the Falcon de Irving Reis
- 1941 – Adventures of Captain Marvel de William Witney
- 1941 – Affectionately Yours de Lloyd Bacon
- 1941 – Águila Blanca de Carlos Hugo Christensen
- 1941 – All That Money Can Buy de William Dieterle
- 1941 – Among the Living de Stuart Heisler
- 1941 – Bad Man of Deadwood de Joseph Kane
- 1941 – Bad Men of Missouri (Três Homens Maus) de Ray Enright
- 1941 – Beatrice Cenci de Guido Brignone
- 1941 – Belle Starr de Irving Cummings
- 1941 – Blood and Sand de Rouben Mamoulian
- 1941 – Blossoms in the Dust (Flores do Pó) de Mervyn LeRoy
- 1941 – Broadway Limited (Trem de Luxo) de Gordon Douglas
- 1941 – Buy Me That Town de Eugene Forde
- 1941 – Canal Report (documentário) de John Ford
- 1941 – Caught in the Act de Jean Yarbrough
- 1941 – Citizen Kane (Cidadão Kane) de Orson Welles
- 1941 – Cuando los hijos se van de Juan Bustillo Oro
- 1941 – Dick Tracy vs. Crime Inc. de William Witney
- 1941 – Dive Bomber de Michael Curtiz
- 1941 – Due cuori sotto sequestro de Carlo Ludovico Bragaglia
- 1941 – Edizione straordinaria de Pietro Francisci
- 1941 – Father Steps Out de Jean Yarbrough
- 1941 – Flight from Destiny de Vincent Sherman
- 1941 – Footsteps in the Dark de Lloyd Bacon
- 1941 – Gangs of Sonora de John English
- 1941 – Genroku Chûshingura de Kenji Mizoguchi
- 1941 – Go West Young Lady (Amazona Apaixonada) de Frank Strayer
- 1941 – Henry Aldrich for President de Hugh Bennett
- 1941 – Here Comes Mr. Jordan (Que Espere o céu) de Alexander Hall
- 1941 – High Sierra (Seu Último Refúgio) de Raoul Walsh
- 1941 – How Green Was My Valley (Brasil: Como Era Verde o Meu Vale /Portugal: O Vale Era Verde) de John Ford
- 1941 – I promessi sposi de Mario Camerini
- 1941 – I Wanted Wings de Mitchell Leisen
- 1941 – Il re del circo de Tullio Covaz e Hans Hinrich
- 1941 – Il vetturale del San Gottardo de Hans Hinrich e Ivo Illuminati
- 1941 – In Old Cheyenne de Joseph Kane
- 1941 – It Started with Eve (Raio de Sol) de Henry Koster
- 1941 – Jesse James at Bay de Joseph Kane
- 1941 – Jungle Girl de William Witney
- 1941 – King of the Texas Rangers de William Witney
- 1941 – King of the Zombies de Jean Yarbrough
- 1941 – L’ an 40 de Fernand Rivers
- 1941 – L’acrobate de Jean Boyer
- 1941 – L’amante segreta de Carmine Gallone
- 1941 – L’amore canta de Ferdinando Maria Poggioli
- 1941 – L’assassinat du Père Noël de Christian-Jaque
- 1941 – L’avventuriera del piano di sopra de Raffaello Matarazzo
- 1941 – La casa del rencor de Gilberto Martínez Solares
- 1941 – La isla de la Pasión (Clipperton) de Emilio Fernández
- 1941 – La liga de las canciones de Chano Urueta
- 1941 – La Vénus aveugle de Abel Gance
- 1941 – La vuelta del charro negro de Raúl de Anda
- 1941 – Last of the Duanes de James Tinling
- 1941 – Law of the Tropics (Se a Lua Contasse) de Ray Enright
- 1941 – Let's Go Collegiate de Jean Yarbrough
- 1941 – Life with Henry de Theodore Reed
- 1941 – Lihim de Lamberto V. Avellana
- 1941 – Look Who’s Laughing de Allan Dwan
- 1941 – Man Hunt de Fritz Lang
- 1941 – Million Dollar Baby de Curtis Bernhardt
- 1941 – Mr. And Mrs. Smith (Um Casal do Barulho) de Alfred Hitchcock
- 1941 – Nevada City de Joseph Kane
- 1941 – Niagara Falls (O Intrometido) de Gordon Douglas
- 1941 – Night of January 16th de William Clemens
- 1941 – No Hands on the Clock de Frank McDonald
- 1941 – Nothing But the Truth de Elliott Nugent
- 1941 – Old Mother Riley’s Circus de Thomas Bentley
- 1941 – Old Mother Riley’s Ghosts de John Baxter
- 1941 – Pacific Blackout de Ralph Murphy
- 1941 – Pals of the Pecos de Lester Orlebeck
- 1941 – Piccolo mondo antico de Mario Soldati
- 1941 – Prairie Pioneers de Lester Orlebeck
- 1941 – Primo amore de Carmine Gallone
- 1941 – Quiet Wedding de Anthony Asquith
- 1941 – Rage in Heaven de W.S. Van Dyke, Robert B. Sinclair e Richard Thorpe
- 1941 – Rancho Alegre de Rolando Aguilar
- 1941 – Red River Valley de Joseph Kane
- 1941 – Riders of Death Valley (Os Cavaleiros da Morte) (Seriado) de Ford Beebe e Ray Taylor
- 1941 – Riders of the Purple Sage de James Tinling
- 1941 – Rise and Shine de Allan Dwan
- 1941 – Robin Hood of the Pecos de Joseph Kane
- 1941 – Rush Hour de Anthony Asquith
- 1941 – Saddlemates de Lester Orlebeck
- 1941 – Sergeant York (Sargento York) de Howard Hawks
- 1941 – Sheriff of Tombstone de Joseph Kane
- 1941 – Ships with Wings de Sergei Nolbandov
- 1941 – Singapore Woman de Jean Negulesco
- 1941 – South of Panama de Jean Yarbrough
- 1941 – Strange Alibi de D. Ross Lederman
- 1941 – Sullivan’s Travels (Contrastes Humanos) de Preston Sturges
- 1941 – Sundown de Henry Hathaway
- 1941 – Suspicion (Suspeita) de Alfred Hitchcock
- 1941 – Swamp Water (O Segredo do Pântano) de Jean Renoir e Irving Pichel
- 1941 – Tarzan’s Secret Treasure (O Tesouro de Tarzan) de Richard Thorpe
- 1941 – Teresa Venerdì de Vittorio De Sica
- 1941 – The Body Disappears de D. Ross Lederman
- 1941 – The Common Touch de John Baxter
- 1941 – The Devil Commands de Edward Dmytryk
- 1941 – The Feminine Touch de W.S. Van Dyke
- 1941 – The Flame of New Orleans de René Clair
- 1941 – The Gang's All Here de Jean Yarbrough
- 1941 – The Gay Falcon de Irving Reis
- 1941 – The Ghost of St. Michael’s de Marcel Varnel
- 1941 – The Ghost Train de Walter Forde
- 1941 – The Lady Eve (As Três Noites de Eva) de Preston Sturges
- 1941 – The Maltese Falcon (Relíquia Macabra) de John Huston
- 1941 – The Monster and the Girl de Stuart Heisler
- 1941 – The Parson of Panamint de William C. McGann
- 1941 – The Prime Minister de Thorold Dickinson
- 1941 – The Saint in Palm Springs de Jack Hively
- 1941 – The Sea Wolf (O Lobo do Mar) de Michael Curtiz
- 1941 – The Seventh Survivor de Leslie S. Hiscott
- 1941 – The Shanghai Gesture de Joseph von Sternberg
- 1941 – The Shepherd of the Hills de Henry Hathaway
- 1941 – The Smiling Ghost' de Lewis Seiler
- 1941 – The Son of Monte Cristo de Rowland V. Lee
- 1941 – The Strawberry Blonde de Raoul Walsh
- 1941 – The Tell-Tale Heart (curta) de Jules Dassin
- 1941 – The Wagons Roll at Night (Tragédia no Circo) de Ray Enright
- 1941 – The Wolf Man (O Lobisomem) de George Waggner
- 1941 – They Died with Their Boots On (O Intrépido General Custer) de Raoul Walsh
- 1941 – Thieves Fall Out de Ray Enright
- 1941 – Throwing a Party (curta) de Ray Enright
- 1941 – Tobacco Road (Caminho Áspero) de John Ford
- 1941 – Todake no kyodai de Yasujirô Ozu
- 1941 – Top Sergeant Mulligan de Jean Yarbrough
- 1941 – Tosca de Jean Renoir
- 1941 – Tower of Terror de Lawrence Huntington
- 1941 – Turned Out Nice Again de Marcel Varnel
- 1941 – Último refugio de John Reinhardt
- 1941 – Un bebé de París de Manuel Romero
- 1941 – Un hombre bueno de Carlos Torres Ríos
- 1941 – Un pobre rico de Julio Irigoyen
- 1941 – Una novia en apuros de John Reinhardt
- 1941 – Una vez en la vida de Carlos Borcosque
- 1941 – Uomini sul fondo de Francesco De Robertis
- 1941 – Veinte años y una noche de Alberto de Zavalía
- 1941 – Volver a vivir de Adelqui Millar
- 1941 – Western Union de Fritz Lang
- 1941 – Yo quiero morir contigo de Mario Soffici
- 1941 – Yo quiero ser bataclana de Manuel Romero
- 1941 – You’ll Never Get Rich de Sidney Lanfield
1942Editar
- 1942 – ¡Gaucho! de Leopoldo Torres Ríos
- 1942 – ¿Dónde estás amor de mi vida que no te puedo encontrar? de Juan José Jusid
- 1942 – 27 millones de José Bohr
- 1942 – À vos ordres, Madame de Jean Boyer
- 1942 – Alfa Tau! de Francesco De Robertis
- 1942 – Annette et la dame blonde de Jean Dréville
- 1942 – Arabian Nights de John Rawlins
- 1942 – Bengasi de Augusto Genina
- 1942 – Between Us Girls (Fruta Cobiçada) de Henry Koster
- 1942 – Captains of the Clouds de Michael Curtiz
- 1942 – Casablanca de Michael Curtiz
- 1942 – Cat People (Sangue de Pantera) de Jacques Tourneur
- 1942 – Chichi ariki de Yasujirô Ozu
- 1942 – Commandos Strike at Dawn de John Farrow
- 1942 – Criminal Investigator de Jean Yarbrough
- 1942 – Der Fall Rainer de Paul Verhoeven (II)
- 1942 – Der große Schatten de Paul Verhoeven (II)
- 1942 – Desperate Journey de Raoul Walsh
- 1942 – Die Nacht in Venedig de Paul Verhoeven (II)
- 1942 – Don Cesare di Bazan de Riccardo Freda
- 1942 – El baisano Jalil de Joaquín Pardavé
- 1942 – El conde de Montecristo de Chano Urueta
- 1942 – En el último piso de Catrano Catrani
- 1942 – Escape from Crime de D. Ross Lederman
- 1942 – Flying Tigers de David Miller
- 1942 – Freckles Comes Home de Jean Yarbrough
- 1942 – Friendly Enemies de Allan Dwan
- 1942 – Gentleman Jim de Raoul Walsh
- 1942 – Giacomo l’idealista de Alberto Lattuada
- 1942 – Hände hoch de Alfred Weidenmann
- 1942 – Heart of the Golden West de Joseph Kane
- 1942 – Her Cardboard Lover de George Cukor
- 1942 – Here We Go Again de Allan Dwan
- 1942 – Highways by Night de Peter Godfrey
- 1942 – Historia de un gran amor de Julio Bracho
- 1942 – I bambini ci guardano de Vittorio De Sica
- 1942 – I sette peccati de Ladislao Kish
- 1942 – Il mercante di schiave de Duilio Coletti
- 1942 – Jungle Book (Mogli, o Menino Lobo) de Zoltan Korda
- 1942 – King of the Mounties de William Witney
- 1942 – L’âge d’or de Jean de Limur
- 1942 – L’amant de Bornéo de René Le Hénaff
- 1942 – L’arlésienne de Marc Allégret
- 1942 – L’assassin a peur la nuit de Jean Delannoy
- 1942 – L’assassin habite au 21 de Henri-Georges Clouzot
- 1942 – L’uomo venuto dal mare de Belisario L. Randone e Roberto de Ribón
- 1942 – La contessa Castiglione de Flavio Calzavara
- 1942 – La fausse maîtresse de André Cayatte
- 1942 – La guardia del corpo de Carlo Ludovico Bragaglia
- 1942 – La maestrina de Giorgio Bianchi
- 1942 – La rueda de la vida de Eusebio Fernández Ardavín
- 1942 – La vírgen morena de Gabriel Soria
- 1942 – Law of the Jungle de Jean Yarbrough
- 1942 – Le due orfanelle de Carmine Gallone
- 1942 – Les affaires sont les affaires de Jean Dréville
- 1942 – Lone Star Ranger de James Tinling
- 1942 – Luisa Sanfelice de Leo Menardi
- 1942 – Lure of the Islands de Jean Yarbrough
- 1942 – Man from Cheyenne de Joseph Kane
- 1942 – Man from Headquarters de Jean Yarbrough
- 1942 – Men of Texas (Falsos Patriotas) de Ray Enright
- 1942 – My Gal Sal de Irving Cummings
- 1942 – Nazi Agent (A Sombra do Passado) de Jules Dassin
- 1942 – Now, Voyager (A Estranha Passageira) de Irving Rapper
- 1942 – Odessa in fiamme de Carmine Gallone
- 1942 – One of Our Aircraft is Missing (E Um dos Nossos Aviões Não Regressou) de Michael Powell e Emeric Pressburger
- 1942 – Outlaws of Pine Ridge de William Witney
- 1942 – Overland Stagecoach de Sam Newfield
- 1942 – Perils of Nyoka de William Witney
- 1942 – Police Bullets de Jean Yarbrough
- 1942 – Priorities on Parade de Albert S. Rogell
- 1942 – Quiet Please, Murder de John Larkin
- 1942 – Raza de José Luis Sáenz de Heredia
- 1942 – Regina di Navarra de Carmine Gallone
- 1942 – Reunion in France (Uma Aventura em Paris) de Jules Dassin
- 1942 – Ridin’ Down the Canyon de Joseph Kane
- 1942 – Rita da Cascia de Leon Viola
- 1942 – Romance on the Range de Joseph Kane
- 1942 – Saboteur (Sabotador) de Alfred Hitchcock
- 1942 – Se io fossi onesto de Carlo Ludovico Bragaglia
- 1942 – Seven Sweethearts de Frank Borzage
- 1942 – Sex Hygiene (documentário) de John Ford
- 1942 – Sherlock Holmes and the Voice of Terror (Sherlock Holmes e a Voz do Terror) de John Rawlins
- 1942 – She's in the Army de Jean Yarbrough
- 1942 – Sin Town (Cidade da Perdição) de Ray Enright
- 1942 – Son of Fury: The Story of Benjamin Blake de John Cromwell
- 1942 – Sons of the Pioneers de Joseph Kane
- 1942 – So's Your Aunt Emma! de Jean Yarbrough
- 1942 – South of Santa Fe de Joseph Kane
- 1942 – Springtime in the Rockies de Irving Cummings
- 1942 – Spy Smasher de William Witney
- 1942 – Star Spangled Rhythm de George Marshall e A. Edward Sutherland
- 1942 – Street of Chance de Jack Hively
- 1942 – Sundown Jim de James Tinling
- 1942 – Sunset on the Desert de Joseph Kane
- 1942 – Sunset Serenade de Joseph Kane
- 1942 – Suspected Person de Lawrence Huntington
- 1942 – Tales of Manhattan de Julien Duvivier
- 1942 – Tarzan’s New York Adventure (Tarzan Contra o Mundo) de Richard Thorpe
- 1942 – Tentazione de Aldo Frosi e Hans Hinrich
- 1942 – The Affairs of Martha (Sua Criada Obrigada) de Jules Dassin
- 1942 – The Battle of Midway (documentário) de John Ford
- 1942 – The Big Blockade de Charles Frend
- 1942 – The Black Sheep of Whitehall de Basil Dearden e Will Hay
- 1942 – The Black Swan de Henry King
- 1942 – The Boogie Man Will Get You de Lew Landers
- 1942 – The Day Will Dawn de Harold French
- 1942 – The Devil with Hitler (Ao Diabo com Hitler) de Gordon Douglas
- 1942 – The Devil’s Trail de Lambert Hillyer
- 1942 – The Falcon Takes Over de Irving Reis
- 1942 – The Falcon's Brother de Stanley Logan
- 1942 – The First of the Few de Leslie Howard
- 1942 – The Fleet’s In de Victor Schertzinger
- 1942 – The Foreman Went to France de Charles Frend
- 1942 – The Forest Rangers (Clarão no Horizonte) de George Marshall
- 1942 – The Girl from Alaska de William Witney
- 1942 – The Glass Key (Capitulou Sorrindo) de Stuart Heisler
- 1942 – The Goose Steps Out de Basil Dearden e Will Hay
- 1942 – The Great Gildersleeve (Então, Casa ou Não Casa?) de Gordon Douglas
- 1942 – The Magnificent Ambersons (Soberba) de Orson Welles, Fred Fleck e Robert Wise
- 1942 – The Moon and Sixpence de Albert Lewin
- 1942 – The Next of Kin de Thorold Dickinson
- 1942 – The Night Has Eyes de Leslie Arliss
- 1942 – The Palm Beach Story (Mulher de Verdade) de Preston Sturges
- 1942 – The Remarkable Andrew de Stuart Heisler
- 1942 – The Spoilers (A Indomável) de Ray Enright
- 1942 – The Young Mr. Pitt de Carol Reed
- 1942 – The Yukon Patrol de William Witney
- 1942 – This Above All (Isto Acima de Tudo) de Anatole Litvak
- 1942 – This Gun for Hire (Alma Torturada) de Frank Tuttle
- 1942 – Thunder Rock de Roy Boulting
- 1942 – To Be or Not to Be (Ser ou não Ser) de Ernst Lubitsch
- 1942 – Tokyo Report (documentário) de John Ford
- 1942 – Tomorrow We Live de Edgar G. Ulmer
- 1942 – Torpedo Squadron (documentário) de John Ford
- 1942 – True to the Army de Albert S. Rogell
- 1942 – Un garibaldino al convento (Recordações de um Amor) de Vittorio De Sica
- 1942 – Un nuevo amanecer de Carlos Borcosque
- 1942 – Una luz en la ventana de Manuel Romero
- 1942 – Una storia d’amore de Mario Camerini
- 1942 – Uncensored de Anthony Asquith
- 1942 – Une femme disparaît de Jacques Feyder
- 1942 – Unpublished Story de Harold French
- 1942 – Vacaciones en el otro mundo de Mario Soffici
- 1942 – Ven... mi corazón te llama de Manuel Romero
- 1942 – Via delle Cinque Lune de Luigi Chiarini
- 1942 – Vidas marcadas de Daniel Tinayre
- 1942 – Wake Island (Nossos Mortos Serão Vingados) de John Farrow
- 1942 – Went the Day Well? de Alberto Cavalcanti
- 1942 – Wild Bill Hickok Rides (Tropel de Vingadores) de Ray Enright
- 1942 – Yankee Doodle Dandy (A Canção da Vitória) de Michael Curtiz
- 1942 – Yo conocí a esa mujer de Carlos Borcosque
- 1942 – You Were Never Lovelier de William A. Seiter
1943Editar
- 1943 – ¡Qué lindo es Michoacán! de Ismael Rodríguez
- 1943 – ‘Gung Ho!’: The Story of Carlson’s Makin Island Raiders (A Batalha Final) de Ray Enright
- 1943 – 16 años de Carlos Hugo Christensen
- 1943 – À la belle frégate de Albert Valentin
- 1943 – A Lady Takes a Chance (O Cowboy e a Granfina) de William A. Seiter
- 1943 – Adémaï bandit d’honneur de Gilles Grangier
- 1943 – Adieu Léonard de Pierre Prévert
- 1943 – Adrien de Fernandel
- 1943 – Air Force (Águias Americanas) de Howard Hawks
- 1943 – Appointment in Berlin de Alfred E. Green
- 1943 – Après l’orage de Pierre-Jean Ducis
- 1943 – Arlette et l’amour de Robert Vernay
- 1943 – Around the World de Allan Dwan
- 1943 – Au bonheur des dames de André Cayatte
- 1943 – Ave sin nido de Chano Urueta
- 1943 – Aventuras de Cucuruchito y Pinocho de Carlos Véjar hijo
- 1943 – Behind the Rising Sun de Edward Dmytryk
- 1943 – Bombardier de Richard Wallace
- 1943 – Bordertown Gun Fighters de Howard Bretherton
- 1943 – Calling Dr. Death de Reginald Le Borg
- 1943 – Calling Wild Bill Elliott de Spencer Gordon Bennet
- 1943 – Corvette K-225 de Richard Rosson e Howard Hawks
- 1943 – Cosmo Jones, Crime Smasher de James Tinling
- 1943 – Crash Dive de Archie Mayo
- 1943 – Daredevils of the West de John English
- 1943 – Death Rides the Plains de Sam Newfield
- 1943 – Death Valley Manhunt de John English
- 1943 – December 7th (documentário) de John Ford
- 1943 – Destination Tokyo de Delmer Daves
- 1943 – Distinto amanecer de Julio Bracho
- 1943 – Doña Bárbara de Fernando de Fuentes
- 1943 – Edge of Darkness de Lewis Milestone
- 1943 – Ein glücklicher Mensch de Paul Verhoeven (II)
- 1943 – El espectro de la novia de René Cardona
- 1943 – El misterioso señor Marquina de Chano Urueta
- 1943 – Fires Were Started de Humphrey Jennings
- 1943 – Flor silvestre de Emilio Fernández
- 1943 – Follow the Band de Jean Yarbrough
- 1943 – For Whom the Bell Tolls (Por Quem os Sinos Dobram) de Sam Wood
- 1943 – Frauen sind keine Engel de Willi Forst
- 1943 – Frontera Sur de Belisario García Vilar
- 1943 – Gangway for Tomorrow de John H. Auer
- 1943 – Gelosia de Ferdinando Maria Poggioli
- 1943 – Get Going de Jean Yarbrough
- 1943 – Giacomo l’idealista de Alberto Lattuada
- 1943 – Gildersleeve on Broadway de Gordon Douglas
- 1943 – Gildersleeve’s Bad Day (O Homenzinho Está de Azar) de Gordon Douglas
- 1943 – G-men vs. the Black Dragon de William Witney
- 1943 – Good Luck, Mr. Yates (A Injúria) de Ray Enright
- 1943 – Good Morning, Judge de Jean Yarbrough
- 1943 – Grattacieli de Guglielmo Giannini
- 1943 – Guadalajara de Chano Urueta
- 1943 – Harlem de Carmine Gallone
- 1943 – Hi'ya, Sailor de Jean Yarbrough
- 1943 – Honeymoon Lodge de Edward C. Lilley
- 1943 – How’s About It de Erle C. Kenton
- 1943 – I bambini ci guardano de Vittorio De Sica
- 1943 – I nostri sogni de Vittorio Cottafavi
- 1943 – I Walked with a Zombie (A Morta-Viva) de Jacques Tourneur
- 1943 – Ibn el sahara de Ibrahim Lama
- 1943 – In Old Oklahoma (Quando a Mulher se Atreve) de Albert S. Rogell
- 1943 – Journey Into Fear de Norman Foster e Orson Welles
- 1943 – L’ippocampo de Gian Paolo Rosmino e Vittorio De Sica
- 1943 – La Boîte aux rêves de Yves Allégret
- 1943 – La juventud manda de Carlos F. Borcosque
- 1943 – Law of the Saddle de Melville De Lay
- 1943 – Le Capitaine Fracasse de Abel Gance
- 1943 – Les ailes blanches de Robert Péguy
- 1943 – Les anges du péché de Robert Bresson
- 1943 – Les Petites du quai aux fleurs de Marc Allégret
- 1943 – Lifeboat (Um Barco e Nove Destinos) de Alfred Hitchcock
- 1943 – María Candelaria (Xochimilco) de Emilio Fernández
- 1943 – Mexicanos al grito de guerra de Ismael Rodríguez
- 1943 – México de mis recuerdos de Juan Bustillo Oro
- 1943 – Mission to Moscow de Michael Curtiz
- 1943 – Moleque Tião de José Carlos Burle
- 1943 – Nessuno torna indietro de Alessandro Blasetti
- 1943 – No matarás de Chano Urueta
- 1943 – No Time for Love de Mitchell Leisen
- 1943 – Non sono superstizioso... ma! de Carlo Ludovico Bragaglia
- 1943 – Northern Pursuit de Raoul Walsh
- 1943 – Ossessione (Obsessão) de Luchino Visconti
- 1943 – Overland Mail Robbery de John English
- 1943 – Paris After Dark de Léonide Moguy
- 1943 – Pierre et Jean de André Cayatte
- 1943 – Pistol Packin’ Mama de Frank Woodruff
- 1943 – Raiders of Red Gap de Sam Newfield
- 1943 – Revenge of the Zombies de Steve Sekely
- 1943 – Riding High de George Marshall
- 1943 – Rita da Cascia de Antonio Leonviola
- 1943 – San Demetrio, London de Charles Frend e Robert Hamer
- 1943 – Sant’Elena, piccola isola de Umberto Scarpelli e Renato Simoni
- 1943 – Santa de Norman Foster e Alfredo Gómez de la Vega
- 1943 – Secret Service in Darkest Africa (Adaga de Salomão) (Seriado) de Spencer Gordon Bennet
- 1943 – Shadow of a Doubt (A Sombra de Uma Dúvida) de Alfred Hitchcock
- 1943 – She’s for Me de Reginald Le Borg
- 1943 – Sherlock Holmes and the Secret Weapon (Sherlock Holmes E a Arma Secreta) de Roy William Neill
- 1943 – Sherlock Holmes Faces Death (Sherlock Holmes Enfrenta a Morte) de Roy William Neill
- 1943 – Sherlock Holmes in Washington (Sherlock Holmes Em Washington) de Roy William Neill
- 1943 – Silent Witness de Jean Yarbrough
- 1943 – So's Your Uncle de Jean Yarbrough
- 1943 – South West Pacific de Ken G. Hall
- 1943 – Stella de Benito Perojo
- 1943 – Sugata Sanshiro (A Saga do Judô) de Akira Kurosawa
- 1943 – T'amerò sempre de Mario Camerini
- 1943 – Tarzan Triumphs (O Triunfo de Tarzan) de Wilhelm Thiele
- 1943 – Tarzan’s Desert Mystery (Tarzan e o Terror do Deserto) de Wilhelm Thiele
- 1943 – Tender Comrade de Edward Dmytryk
- 1943 – The Amazing Mrs. Holliday de Jean Renoir
- 1943 – The Bells Go Down de Basil Dearden
- 1943 – The Black Raven de Sam Newfield
- 1943 – The Constant Nymph de Edmund Goulding
- 1943 – The Dancing Masters de Malcolm St. Clair
- 1943 – The Demi-Paradise de Anthony Asquith
- 1943 – The Dummy Talks de Oswald Mitchell
- 1943 – The Gentle Sex de Leslie Howard e Maurice Elvey
- 1943 – The Ghost Ship (O Fantasma dos Mares) de Mark Robson
- 1943 – The Good Fellows de Jo Graham
- 1943 – The Iron Major (O Forjador de Homens) de Ray Enright
- 1943 – The Kansan de George Archainbaud
- 1943 – The Lamp Still Burns de Maurice Elvey
- 1943 – The Life and Death of Colonel Blimp (Coronel Blimp: Vida e Morte) de Michael Powell e Emeric Pressburger
- 1943 – The Mad Ghoul de James P. Hogan
- 1943 – The Man from Thunder River de John English
- 1943 – The Man in Grey de Leslie Arliss
- 1943 – The New Lot de Carol Reed
- 1943 – The North Star de Lewis Milestone
- 1943 – The Ox-Bow Incident (Consciências Mortas)
- 1943 – The Rear Gunner (curta) de Ray Enright
- 1943 – The Seventh Victim (A Sétima Vítima) de Mark Robson
- 1943 – The Silver Fleet de Vernon Sewell e Gordon Wellesley
- 1943 – They Came to Blow Up America
- 1943 – They Met in the Dark de Carl Lamac
- 1943 – This Is the Army de Michael Curtiz
- 1943 – This Land Is Mine (Esta Terra É Minha) de Jean Renoir
- 1943 – Tomorrow We Live de George King
- 1943 – Tres hermanos de José Benavides hijo
- 1943 – Tristi amori de Carmine Gallone
- 1943 – Un atardecer de amor de Rogelio Geissmann
- 1943 – Una carta de amor de Miguel Zacarías
- 1943 – Undercover de Sergei Nolbandov
- 1943 – Une étoile au soleil de André Zwoboda
- 1943 – Une femme dans la nuit de Edmond T. Gréville
- 1943 – Une vie de chien de Maurice Cammage
- 1943 – Untel père et fils de Julien Duvivier
- 1943 – Valle negro de Carlos Borcosque
- 1943 – Wagon Tracks West de Howard Bretherton
- 1943 – Warn That Man de Lawrence Huntington
- 1943 – We Dive at Dawn de Anthony Asquith
- 1943 – We Sail at Midnight (documentário) de John Ford
- 1943 – White Savage de Arthur Lubin
- 1943 – Wild Horse Rustlers de Sam Newfield
- 1943 – Wolves of the Range de Sam Newfield
- 1943 – Yellow Canary de Herbert Wilcox
- 1943 – You’re a Lucky Fellow, Mr. Smith de Felix E. Feist
- 1943 – Young Ideas (Cuidado com Mamãe) de Jules Dassin
1944Editar
- 1944 – A Menina da Rádio de Arthur Duarte
- 1944 – A Night of Adventure de Gordon Douglas
- 1944 – Abroad with Two Yanks de Allan Dwan
- 1944 – Action in Arabia de Léonide Moguy
- 1944 – Allergic to Love de Edward C. Lilley
- 1944 – Amores de ayer de Ismael Rodríguez
- 1944 – Beneath Western Skies de Spencer Gordon Bennet
- 1944 – Bluebeard de Edward G. Ulmer
- 1944 – Boss of Boomtown de Ray Taylor
- 1944 – Brazil de Joseph Santley
- 1944 – Bugambilia de Emilio Fernández
- 1944 – Call of the South Seas de John English
- 1944 – Can’t Help Singing de Frank Ryan
- 1944 – Christmas Holiday (Férias de Natal ) de Robert Siodmak
- 1944 – Cobra Woman (Mulher Satânica) de Robert Siodmak
- 1944 – Coup de tête de René Le Hénaff
- 1944 – Cover Girl de Charles Vidor
- 1944 – Das Konzert de Paul Verhoeven (II)
- 1944 – Double Indemnity (Pacto de Sangue) de Billy Wilder
- 1944 – Ein Blick zurück de Gerhard Menzel
- 1944 – El camino de los gatos de Chano Urueta
- 1944 – El corsario negro de Chano Urueta
- 1944 – El Escándalo de José Luis Sáenz de Heredia
- 1944 – El museo del crimen de René Cardona
- 1944 – Escándalo de estrellas de Ismael Rodríguez
- 1944 – Étoile sans lumière de Marcel Blistène
- 1944 – Frenchman’s Creek de Mitchell Leisen
- 1944 – Gaslight (À Meia-Luz) de George Cukor
- 1944 – Gildersleeve’s Ghost de Gordon Douglas
- 1944 – Girl Rush de Gordon Douglas
- 1944 – Goodnight, Sweetheart de Joseph Santley
- 1944 – Gran premio de Giuseppe Musso Jr. e Umberto Scarpelli
- 1944 – Hidden Valley Outlaws de Howard Bretherton
- 1944 – Hollywood Canteen de Delmer Daves
- 1944 – House of Frankenstein de Erle C. Kenton
- 1944 – I bambini ci guardano (A Culpa dos Pais) de Vittorio De Sica
- 1944 – Ichiban utsukushiku de Akira Kurosawa
- 1944 – In Society de Jean Yarbrough
- 1944 – It Happened Tomorrow de René Clair
- 1944 – Ivan Groznyj I (Ivan, o Terrível: Parte 1) de Sergei M. Eisenstein
- 1944 – Ivan Groznyj II (Ivan, o Terrível: Parte II) de Sergei M. Eisenstein
- 1944 – Janie de Michael Curtiz
- 1944 – Junge Adler de Alfred Weidenmann
- 1944 – L’aventure est au coin de la rue de Jacques Daniel-Norman
- 1944 – La barraca de Roberto Gavaldón
- 1944 – La mujer sin cabeza de René Cardona
- 1944 – La porta del cielo de Vittorio De Sica
- 1944 – La rabouilleuse de Fernand Rivers
- 1944 – La torre de los siete jorobados de Edgar Neville
- 1944 – Ladies Courageous de John Rawlins
- 1944 – Lake Placid Serenade de Steve Sekely
- 1944 – Las abandonadas de Emilio Fernández
- 1944 – Laura de Otto Preminger
- 1944 – Le bossu de Jean Delannoy
- 1944 – Lights of Old Santa Fe de Frank McDonald
- 1944 – Marine Raiders de Harold D. Schuster
- 1944 – Marshal of Reno de Wallace Grissell
- 1944 – Me ha besado un hombre de Julián Soler
- 1944 – Meet Me in St. Louis (Agora Seremos Felizes)
- 1944 – Ministry of Fear (Quando Desceram as Sombras) de Fritz Lang
- 1944 – Mojave Firebrand de Spencer Gordon Bennet
- 1944 – Moon Over Las Vegas de Jean Yarbrough
- 1944 – Mrs. Parkington de Tay Garnett
- 1944 – Murder in the Blue Room de Leslie Goodwins
- 1944 – Murder, My Sweet de Edward Dmytryk
- 1944 – Music for Millions (Música Para Milhões) de Henry Koster
- 1944 – Nebbie sul mare de Marcello Pagliero e Hans Hinrich
- 1944 – Nevada de Edward Killy
- 1944 – Ni pobre, ni rico, sino todo lo contrario de Ignacio F. Iquino
- 1944 – One Mysterious Night (O Caso do Diamante Azul) de Budd Boetticher
- 1944 – Orosia de Florián Rey
- 1944 – Passage to Marseille (Passagem Para Marselha) de Michael Curtiz
- 1944 – Phantom Lady de Robert Siodmak
- 1944 – Philharmoniker de Paul Verhoeven (II)
- 1944 – Pride of the Plains de Wallace Fox
- 1944 – Quartieri alti de Mario Soldati
- 1944 – Riders of the Santa Fe de Wallace Fox
- 1944 – Salute to France de Jean Renoir
- 1944 – Sheriff of Sundown de Lesley Selander
- 1944 – Silver City Kid de John English
- 1944 – Since You Went Away (Desde Que Partiste) de John Cromwell, Edward F. Cline, Tay Garnett e David O. Selznick
- 1944 – Sorelle Materassi de Ferdinando Maria Poggioli
- 1944 – South of Dixie de Jean Yarbrough
- 1944 – Stagecoach to Monterey de Lesley Selander
- 1944 – Storm Over Lisbon de George Sherman
- 1944 – Summer Storm de Douglas Sirk
- 1944 – Tall in the Saddle de Edwin L. Marin
- 1944 – Tawny Pipit de Bernard Miles e Charles Saunders
- 1944 – The Agitator de John Harlow
- 1944 – The Big Bonanza de George Archainbaud
- 1944 – The Canterville Ghost (O Fantasma de Canterville) de Jules Dassin
- 1944 – The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France (Henrique V) de Laurence Olivier
- 1944 – The Climax de George Waggner
- 1944 – The Doughgirls de James V. Kern
- 1944 – The Falcon in Hollywood (O Falcão em Hollywood) de Gordon Douglas
- 1944 – The Halfway House de Basil Dearden e Alberto Cavalcanti
- 1944 – The Laramie Trail de John English
- 1944 – The Lodger de John Brahm
- 1944 – The Missing Juror (O Aviso da Morte) de Budd Boetticher
- 1944 – The Mummy's Ghost de Reginald Le Borg
- 1944 – The Old Texas Trail de Lewis D. Collins
- 1944 – The Pearl of Death de Roy William Neill
- 1944 – The Rats of Tobruk de Charles Chauvel
- 1944 – The Scarlet Claw de Roy William Neill
- 1944 – The Spider Woman (Sherlock Holmes e a Mulher Aranha) de Roy William Neill
- 1944 – The Tiger Woman (Seriado) de Spencer Gordon Bennet e Wallace Grissell
- 1944 – The Way Ahead de Carol Reed
- 1944 – The Whistler de William Castle
- 1944 – The Woman in the Window (Um Retrato de Mulher) de Fritz Lang
- 1944 – They Came to a City de Basil Dearden
- 1944 – Thirty Seconds Over Tokyo (Trinta Segundos Sobre Tóquio) de Mervyn LeRoy
- 1944 – This Happy Breed de David Lean
- 1944 – Time Flies de Walter Forde
- 1944 – To Have and Have Not (Uma Aventura na Martinica) de Howard Hawks
- 1944 – Trigger Trail de Lewis D. Collins
- 1944 – Tucson Raiders de Spencer Gordon Bennet
- 1944 – Twilight on the Prairie de Jean Yarbrough
- 1944 – Two Fathers de Anthony Asquith
- 1944 – Two Thousand Women de Frank Launder
- 1944 – Uma mujer en un taxi de José Forgués
- 1944 – Un muchacho de Buenos Aires de Julio Irigoyen
- 1944 – Uncertain Glory de Raoul Walsh
- 1944 – Up in Mabel’s Room de Allan Dwan
- 1944 – Veinticuatro horas en la vida de una mujer de Carlos Borcosque
- 1944 – Waterloo Road de Sidney Gilliat
- 1944 – Weekend Pass de Jean Yarbrough
- 1944 – When Strangers Marry de William Castle
- 1944 – Youth on Trial de Budd Boetticher
- 1944 – Youth Runs Wild de Mark Robson
1945Editar
- 1945 – A Bell For Adano (O Sino de Adano) de Henry King
- 1945 – A Guy, a Gal and a Pal de Budd Boetticher
- 1945 – A Tree Grows in Brooklyn (Laços Humanos) de Elia Kazan
- 1945 – A Walk in the Sun de Lewis Milestone
- 1945 – All’ombra della gloria de Pino Mercanti
- 1945 – Allotment Wives de William Nigh
- 1945 – Along the Navajo Trail de Frank McDonald
- 1945 – Apology for Murder de Sam Newfield
- 1945 – Back to Bataan de Edward Dmytryk
- 1945 – Bambú de José Luis Sáenz de Heredia
- 1945 – Bandits of the Badlands de Thomas Carr
- 1945 – Bells of Rosarita de Frank McDonald
- 1945 – Bewitched de Arch Oboler
- 1945 – Beyond the Pecos de Lambert Hillyer
- 1945 – Blithe Spirit de David Lean
- 1945 – Both Barrels Blazing de Derwin Abrahams
- 1945 – Brewster’s Millions de Allan Dwan
- 1945 – Cadetes de la naval de Fernando Palacios
- 1945 – Camino de Sacramento de Chano Urueta
- 1945 – Campeón sin corona de Alejandro Galindo
- 1945 – Captain Kidd de Rowland V. Lee
- 1945 – Capullito de alhelí de Fernando Soler
- 1945 – China Sky (Céu da China) de Ray Enright
- 1945 – Colorado Pioneers de R.G. Springsteen
- 1945 – Como yo te queria de Raphael J. Sevilla
- 1945 – Conflict de Curtis Bernhardt
- 1945 – Cornered de Edward Dmytryk
- 1945 – Corpus Christi Bandits de Wallace Grissell
- 1945 – Dai'iman fi qalbi de Salah Abouseif
- 1945 – Dakota de Joseph Kane
- 1945 – Detour (Curva do Destino) de Edgar G. Ulmer
- 1945 – Die Schenke zur ewigen Liebe de Alfred Weidenmann
- 1945 – Dillinger de Max Nosseck
- 1945 – Don’t Fence Me In de John English
- 1945 – Due lettere anonime de Mario Camerini
- 1945 – El destino se disculpa de José Luis Sáenz de Heredia
- 1945 – El que murio de amor de Migue Morayta
- 1945 – El recuerdo de aquella noche de Chano Urueta
- 1945 – Éramos seis de Carlos Borcosque
- 1945 – Escape in the Fog (Crime nas Brumas) de Budd Boetticher
- 1945 – Estaba escrito de Alejandro Ulloa
- 1945 – Fallen Angel de Otto Preminger
- 1945 – First Yank into Tokyo (Invasão Atômica) Gordon Douglas
- 1945 – Frontier Gal de Charles Lamont
- 1945 – Getting Gertie’s Garter de Allan Dwan
- 1945 – God Is My Co-Pilot de Robert Florey
- 1945 – Hangover Square de John Brahm
- 1945 – Here Come the Co-eds de Jean Yarbrough
- 1945 – I figli della laguna de Francesco De Robertis
- 1945 – I Know Where I’m Going! (Sei Onde Fica o Paraíso)
- 1945 – I Love a Mystery de Henry Levin
- 1945 – I’ll Be Seeing You de William Dieterle
- 1945 – Il canto della vita de Carmine Gallone
- 1945 – Il cinema delle meraviglie de Pietro Benedetti, Pietro Francisci e Antonio Rubino
- 1945 – Il mondo vuole così de Giorgio Bianchi
- 1945 – Isle of the Dead (A Ilha dos Mortos) de Mark Robson
- 1945 – Johnny Angel de Edwin L. Marin
- 1945 – L’ange qu’on m’a donné de Jean Choux
- 1945 – La freccia nel fianco de Alberto Lattuada e Mario Costa
- 1945 – La perla de Emilio Fernández
- 1945 – La porta del cielo de Vittorio De Sica
- 1945 – Lady on a Train de Charles David
- 1945 – Las cinco advertencias de Satanás de Julián Soler
- 1945 – Law of the Badlands de Jack Scholl
- 1945 – Lawless Empire de Vernon Keays
- 1945 – Le jugement dernier de René Chanas
- 1945 – Le mystère Saint-Val de René Le Hénaff
- 1945 – Le Pays sans étoiles de Georges Lacombe
- 1945 – Les Enfants du Paradis (O Boulevard do Crime) de Marcel Carné
- 1945 – Lo que va de ayer a hoy de Juan Bustillo Oro
- 1945 – Lo sbaglio di essere vivo de Carlo Ludovico Bragaglia
- 1945 – Man Alive (O Fantasma Amoroso) de Ray Enright
- 1945 – Man from Oklahoma de Frank McDonald
- 1945 – Mildred Pierce (Almas em Suplício) de Michael Curtiz
- 1945 – My Name is Julia Ross de Joseph H. Lewis
- 1945 – Nagma-E-Sahra de Master Bhagwan
- 1945 – No Trampolim da Vida de Franz Eichhorn
- 1945 – Non canto più de Riccardo Freda
- 1945 – O Cortiço de Luiz de Barros
- 1945 – Objective Burma! de Raoul Walsh
- 1945 – On Stage Everybody de Jean Yarbrough
- 1945 – One Way to Love (O Escorpião Vermelho) de Ray Enright
- 1945 – Oregon Trail de Thomas Carr
- 1945 – Outlaws of the Rockies de Ray Nazarro
- 1945 – Painted Boats de Charles Crichton
- 1945 – Palillo Vargas Heredia de Carlos Véjar hijo
- 1945 – Pepita Jiménez de Emilio Fernández
- 1945 – Perfect Strangers de Alexander Korda
- 1945 – Pink String and Sealing Wax de Robert Hamer
- 1945 – Pride of the Marines de Delmer Daves
- 1945 – Pursuit to Algiers de Roy William Neill
- 1945 – Quartieri alti de Mario Soldati
- 1945 – Renegades of the Rio Grande de Howard Bretherton
- 1945 – Rhapsody in Blue de Irving Rapper
- 1945 – Roma, Città Aperta (Roma, Cidade Aberta) de Roberto Rossellini
- 1945 – Rough Riders of Cheyenne de Thomas Carr
- 1945 – Roughly Speaking de Michael Curtiz
- 1945 – Rustlers of the Badlands de Derwin Abrahams
- 1945 – Salome Where She Danced de Charles Lamont
- 1945 – San Antonio de David Butler e Raoul Walsh
- 1945 – Scarlet Street de Fritz Lang
- 1945 – Silence...antenne (curta) de René Lucot
- 1945 – Sing Your Way Home de Anthony Mann
- 1945 – Spellbound (Quando Fala o Coração) de Alfred Hitchcock
- 1945 – State Fair (Corações Enamorados) de Walter Lang
- 1945 – Steppin’ in Society de Alexander Esway
- 1945 – Sunset in El Dorado de Frank McDonald
- 1945 – Swing Out, Sister de Edward C. Lilley
- 1945 – Tarzan and the Amazons (Tarzan e as Amazonas) de Kurt Neumann
- 1945 – Tell It to a Star de Frank McDonald
- 1945 – That Night with You de William A. Seiter
- 1945 – The Affairs of Susan de William A. Seiter
- 1945 – The Battle of San Pietro (A Batalha de San Pietro)
- 1945 – The Body Snatcher (O Túmulo Vazio) de Robert Wise
- 1945 – The Cheaters de Joseph Kane
- 1945 – The Echo Murders de John Harlow
- 1945 – The Fleet That Came to Stay (curta) de Budd Boetticher
- 1945 – The Great Flamarion de Anthony Mann
- 1945 – The Horn Blows at Midnight de Raoul Walsh
- 1945 – The House of Fear de Roy William Neill
- 1945 – The Lost Weekend (Farrapo Humano)
- 1945 – The Naughty Nineties de Jean Yarbrough
- 1945 – The Picture of Dorian Gray de Albert Lewin
- 1945 – The Rake’s Progress de Sidney Gilliat
- 1945 – The Return of the Durango Kid de Derwin Abrahams
- 1945 – The Seventh Veil de Compton Bennett
- 1945 – The Southerner (Amor à Terra) de Jean Renoir
- 1945 – The Strange Affair of Uncle Harry de Robert Siodmak
- 1945 – The Topeka Terror de Howard Bretherton
- 1945 – The Way to the Stars de Anthony Asquith
- 1945 – The Wicked Lady de Leslie Arliss
- 1945 – The Woman in Green de Roy William Neill
- 1945 – They Were Expendable (Fomos os Sacrificados) de John Ford
- 1945 – Those Endearing Young Charms de Lewis Allen
- 1945 – Tonight and Every Night de Victor Saville
- 1945 – Tora no o wo fumu otokotachi (Os Homens Que Pisaram na Cauda do Tigre) de Akira Kurosawa
- 1945 – Trail of Kit Carson de Lesley Selander
- 1945 – Tutta la città canta de Riccardo Freda
- 1945 – Un dia con el diablo de Miguel M. Delgado
- 1945 – Una mujer sin importancia de Luis José Bayón Herrera
- 1945 – Under Western Skies de Jean Yarbrough
- 1945 – Utah de John English
- 1945 – Villa Rica del Espíritu Santo de Benito Perojo
- 1945 – Vingt-quatre heures de la vie d’un clown de Jean –Pierre Melville
- 1945 – Wander of the Wasteland de Wallace Grissell e Edward Killy
- 1945 – West of the Pecos de Edward Killy
- 1945 – Where Do We Go from Here? de Gregory Ratoff e George Seaton
- 1945 – Within These Walls de H. Bruce Humberstone
- 1945 – Zoku Sugata Sanshiro de Akira Kurosawa
- 1945 – Zombies on Broadway (Zombies na Broadway) de Gordon Douglas
1946Editar
- 1946 – A Letter for Evie (Uma Carta Para Evie) de Jules Dassin
- 1946 – Aquila nera de Riccardo Freda
- 1946 – Asu o tsukuru hitobito de Akira Kurosawa
- 1946 – Dick Tracy vs. Cueball (O Punhal Sangrento) de Gordon Douglas
- 1946 – El Castillo de Rochal de Juan Xiol
- 1946 – Enamorada de Emilio Fernández
- 1946 – Gran Casino de Luis Buñuel
- 1946 – Il sole sorge ancora de Aldo Vergano
- 1946 – Io t’ho incontrata a Napoli de Pietro Francisci
- 1946 – L’angelo e il diavolo de Mario Camerini
- 1946 – L’elisir d’amore de Mario Costa
- 1946 – La otra de Roberto Gavaldón
- 1946 – La prigioniera dell’isola (La danse de mort) de Marcel Cravenne
- 1946 – Les Portes de la nuit de Marcel Carné
- 1946 – Los tres García de Ismael Rodríguez
- 1946 – Lucia di Lammermoor de Piero Ballerini
- 1946 – María Fernanda la jerezana de Enrique García Herreros
- 1946 – My Darling Clementine (Paixão de Fortes) de John Ford
- 1946 – O Ébrio de Gilda Abreu
- 1946 – Preludio d’amore de Giovanni Paolucci
- 1946 – San Quentin de Gordon Douglas
- 1946 – The Diary of a Chambermaid (Segredos de Alcova) de Jean Renoir
- 1946 – Two Sisters from Boston (O Rouxinol Mentiroso) de Henry Koster
- 1946 – Two Smart People (Algemas Para Dois) de Jules Dassin
- 1946 – Waga seishun ni kuinashi (Não Lamento Minha Juventude) de Akira Kurosawa
1947Editar
- 1947 – A Man About the House de Leslie Arliss
- 1947 – Antoine et Antoinette de Jacques Becker
- 1947 – Brute Force (Brutalidade) de Jules Dassin
- 1947 – Coroner Creek (Águas Sangrentas) de Ray Enright
- 1947 – El muro (curta metragem) de Leopoldo Torre Nilsson
- 1947 – El niño perdido de Humberto Gómez Landero
- 1947 – Gángsters contra charros de Juan Orol
- 1947 – I cavalieri dalle maschere nere de Pino Mercanti
- 1947 – Il principe ribelle de Pino Mercanti
- 1947 – La diosa arrodillada de Roberto Gavaldón
- 1947 – La figlia del capitano de Mario Camerini
- 1947 – La signora delle camelie de Carmine Gallone
- 1947 – Le avventure di Pinocchio de Gianetto Guardone
- 1947 – Le Silence de la mer de Jean-Pierre Melville
- 1947 – Mariona Rebul de José Luis Sáenz de Heredia
- 1947 – Músico, poeta y loco de Humberto Gómez Landero
- 1947 – Natale al campo 119 de Pietro Francisci
- 1947 – Nosotros los pobres de Ismael Rodríguez
- 1947 – Pagliacci de Mario Costa
- 1947 – Return of the Bad Men (A Volta dos Homens Maus) de Ray Enright
- 1947 – Río Escondido de Emilio Fernández
- 1947 – Subarashiki nichiyobi de Akira Kurosawa
- 1947 – Take My Life de Ronald Neame
- 1947 – The Fugitive (Domínio de Bárbaros) de John Ford
- 1947 – The Unfinished Dance (A Dança Inacabada) de Henry Koster
- 1947 – The Woman on the Beach (A Mulher Desejada) de Jean Renoir
- 1947 – Trail Street (O Passo do Ódio) de Ray Enright
- 1947 – Variety Girl de George Marshall
1948Editar
- 1948 – Albuquerque (Romântico Defensor) de Ray Enright
- 1948 – Assigned to Danger de Budd Boetticher
- 1948 – Aux yeux du souvenir de Jean Delannoy
- 1948 – Behind Locked Doors de Budd Boetticher
- 1948 – Calabacitas tiernas (¡Ay qué bonitas piernas!) de Gilberto Martínez Solares
- 1948 – Esquina bajan...! de Alejandro Galindo
- 1948 – Follie per l’opera de Mario Costa
- 1948 – Fort Apache (Brasil: Sangue de Herói /Portugal: Forte Apache) de John Ford
- 1948 – I Miserabili de Riccardo Freda
- 1948 – If You Knew Susie (Você Conhece Susie?) de Gordon Douglas
- 1948 – L’ebreo errante de Goffredo Alessandrini
- 1948 – L’Idole de Alexandre Esway
- 1948 – La mies es mucha de José Luis Sáenz de Heredia
- 1948 – Las aguas bajan negras de José Luis Sáenz de Heredia
- 1948 – Le Diable boiteux de Sacha Guitry
- 1948 – Les Amoureux sont seuls au monde de Henri Decoin
- 1948 – Les Souvenirs ne sont pas à vendre de Robert Hennion
- 1948 – Lola Casanova de Matilde Landeta
- 1948 – Los tres huastecos de Ismael Rodríguez
- 1948 – Maclovia de Emilio Fernández
- 1948 – Molti sogni per le strade de Mario Camerini
- 1948 – Pueblerina de Emilio Fernández
- 1948 – Salón México de Emilio Fernández
- 1948 – Terra Violenta de Edmond Bernoudy
- 1948 – The Black Arrow (Coração de Leão) de Gordon Douglas
- 1948 – The Kissing Bandit (Beijou-Me um Bandido) de Laszlo Benedek
- 1948 – The Luck of the Irish (O Toque Mágico) de Henry Koster
- 1948 – The Naked City (Cidade Nua) de Jules Dassin
- 1948 – Three Godfathers (Brasil: O Céu Mandou Alguém /Portugal: Os 3 Padrinhos) de John Ford
- 1948 – Una familia de tantas de Alejandro Galindo
- 1948 – Vertigine d’amore de Luigi Capuano
- 1948 – Walk a Crooked Mile (Espiões) de Gordon Douglas
- 1948 – Yoidore tenshi (O Anjo Embriagado) de Akira Kurosawa
1949Editar
- 1949 – 56, rue Pigalle de Willy Rozier
- 1949 – A Story of a Co-op (documentário) de Ishirô Honda
- 1949 – All the King’s Men (Brasil: A Grande Ilusão /Portugal: A Corrupção do Poder) de Robert Rossen
- 1949 – Antonio di Padova de Pietro Francisci
- 1949 – Aventurera de Alberto Gout
- 1949 – Black Midnight (O Chicote Fatal) de Budd Boetticher
- 1949 – Come to the Stable (Falam os Sinos) de Henry Koster
- 1949 – Cuori senza frontiere de Luigi Zampa
- 1949 – Doña Diabla de Tito Davison
- 1949 – Duelo en las montañas de Emilio Fernández
- 1949 – El gran calavera de Luis Buñuel
- 1949 – El rey del barrio de Gilberto Martínez Solares
- 1949 – Hallo, Fräulein! de Rudolf Jugert
- 1949 – Iracema de Vittorio Cardineli e Gino Talamo
- 1949 – La malquerida de Emilio Fernández
- 1949 – La Marie du port de Marcel Carné
- 1949 – La negra Angustias de Matilde Landeta
- 1949 – La oveja negra de Ismael Rodríguez
- 1949 – La Ville et ses chansons (curta) de Jacques Planche
- 1949 – Lo sparviero del Nilo de Giacomo Gentilomo
- 1949 – Maya de Raymond Bernard
- 1949 – Monastero di Santa Chiara de Mario Sequi
- 1949 – Montana (Montana, Terra Proibida) de Ray Enright
- 1949 – Mr. Soft Touch (A Vida É um Jogo) de Gordon Douglas e Henry Levin
- 1949 – No desearás la mujer de tu hijo de Ismael Rodríguez
- 1949 – Nora Inu (Cão Danado) de Akira Kurosawa
- 1949 – Port of New York (Porto de Nova York) de Laszlo Benedek
- 1949 – Rendez-vous de juillet de Jacques Becker
- 1949 – Riso amaro de Giuseppe De Santis
- 1949 – She Wore a Yellow Ribbon (Brasil: Legião Invencível /Portugal: Os Dominadores) de John Ford
- 1949 – Shizukanaru ketto (Duelo silencioso) de Akira Kurosawa
- 1949 – South of St. Louis (Mercadores de Intrigas) de Ray Enright
- 1949 – The Bishop’s Wife (Um Anjo Caiu do Céu) de Henry Koster
- 1949 – The Doolins of Oklahoma (A Lei É Implacável) de Gordon Douglas
- 1949 – The Inspector General (O Inspetor Geral) de Henry Koster
- 1949 – The Wolf Hunters (Caçadores de Lobo) de Budd Boetticher
- 1949 – Thieves' Highway (Mercado de Ladrões) de Jules Dassin
- 1949 – Una voce nel tuo cuore de Alberto D’Aversa
- 1949 – Vent’anni de Giorgio Bianchi
1950Editar
- 1950 – ¡Ay amor... cómo me has puesto! de Gilberto Martínez Solares
- 1950 – ¿Vendrás a medianoche? de Arturo García Buhr
- 1950 – 711 Ocean Drive de Joseph M. Newman
- 1950 – A Place in the Sun (Um Lugar Ao Sol) de George Stevens
- 1950 – Across the Badlands de Fred F. Sears
- 1950 – Adémaï au poteau-frontière de Paul Colline
- 1950 – Agnès de rien de Pierre Billon
- 1950 – Agustina de Aragón de Juan de Orduña
- 1950 – Al son del mambo de Chano Urueta
- 1950 – Alina de Giorgio Pàstina
- 1950 – All About Eve (A Malvada) de Joseph L. Manckiewicz
- 1950 – Amédée de Gilles Grangier
- 1950 – Amour et compagnie de Gilles Grangier
- 1950 – Armored Car Robbery de Richard Fleischer
- 1950 – Au revoir M. Grock de Pierre Billon
- 1950 – Aviso aos Navegantes de Watson Macedo
- 1950 – Baba Amin de Youssef Chahine
- 1950 – Backfire de Vincent Sherman
- 1950 – Barriera a Settentrione de Luis Trenker
- 1950 – Bells of Coronado (O Médico da Roça) de William Witney
- 1950 – Benvenuto, reverendo! de Aldo Fabrizi
- 1950 – Between Midnight and Dawn (A Patrulha da Morte) de Gordon Douglas
- 1950 – Beware of Blondie de Edward Bernds
- 1950 – Big Timber de Jean Yarbrough
- 1950 – Black Jack de Julien Duvivier e José Antonio Nieves Conde
- 1950 – Blondie’s Hero de Edward Bernds
- 1950 – Blue Grass of Kentucky de William Beaudine
- 1950 – Bomba and the Hidden City de Ford Beebe
- 1950 – Born to Be Bad de Nicholas Ray
- 1950 – Born Yesterday (Nascida Ontem) de George Cukor
- 1950 – Bright Leaf (Cinzas ao Vento) de Michael Curtiz
- 1950 – Buccaneer’s Girl de Frederick De Cordova
- 1950 – Bunco Squad de Herbert I. Leeds
- 1950 – Caged de John Cromwell
- 1950 – California Passage de Joseph Kane
- 1950 – Campane a martello de Luigi Zampa
- 1950 – Captive Girl de William Berke
- 1950 – Cavalcata d’eroi de Mario Costa
- 1950 – Cheaper By the Dozen (Papai Batuta) de Walter Lang
- 1950 – Cita con mi viejo corazón de Ferruccio Cerio
- 1950 – Code of the Silver Sage de Fred C. Brannon
- 1950 – Gunmen of Abilene de Fred C. Brannon
- 1950 – Colt .45 de Edwin L. Marin
- 1950 – Contro la legge de Flavio Calzavara
- 1950 – Covered Wagon Raid de R.G. Springsteen
- 1950 – Cuori senza frontiere de Luigi Zampa
- 1950 – Cuori sul mare de Giorgio Bianchi
- 1950 – D.O.A. (Com as Horas Contadas) de Rudolph Maté
- 1950 – Dakota Lil de Lesley Selander
- 1950 – Dark City de William Dieterle
- 1950 – Deadly Is the Female de Joseph H. Lewis
- 1950 – Devil’s Doorway de Anthony Mann
- 1950 – Dial 1119 de Gerald Mayer
- 1950 – Dick Barton At Bay de Godfrey Grayson
- 1950 – Døden er et kjærtegn de Edith Carlmar
- 1950 – Domenica d’agosto de Luciano Emmer
- 1950 – Don Juan de José Luis Sáenz de Heredia
- 1950 – Doña Perfecta de Alejandro Galindo
- 1950 – Donde nacen los pobres de Agustín P. Delgado
- 1950 – Due mogli sono troppe de Mario Camerini
- 1950 – Edge of Doom (Alma em Revolta) de Mark Robson
- 1950 – El amor no es negocio de Jaime Salvador
- 1950 – El crimen de Oribe de Leopoldo Torre Nilsson
- 1950 – El desalmado de Chano Urueta
- 1950 – El hombre sin rostro de Juan Bustillo Oro
- 1950 – El sakr de Salah Abouseif
- 1950 – El suavecito de Fernando Méndez
- 1950 – En la palma de tu mano de Roberto Gavaldón
- 1950 – Es kommt ein Tag de Rudolf Jugert
- 1950 – Father Makes Good de Jean Yarbrough
- 1950 – Francesco giullare di Dio de Roberto Rossellini
- 1950 – Frisco Tornado de R.G. Springsteen
- 1950 – Frontier Outpost de Ray Nazarro
- 1950 – Gesetz ohne Gnade de Harald Reinl
- 1950 – Golden Salamander (A Salamandra de Ouro) de Ronald Neame
- 1950 – Guilty Bystander de Joseph Lerner
- 1950 – Gunman in the Streets de Frank Tuttle
- 1950 – Harvey (Meu Amigo Harvey) de Henry Koster
- 1950 – Highway 301 de Andrew L. Stone
- 1950 – Hi-Jacked de Sam Newfield
- 1950 – House by the River de Fritz Lang
- 1950 – Hunt the Man Down de George Archainbaud
- 1950 – I cadetti di Guascogna de Mario Mattòli
- 1950 – I falsari de Franco Rossi
- 1950 – Il brigante Musolino de Mario Camerini
- 1950 – Il cammino della speranza de Pietro Germi
- 1950 – Il conte di Sant’Elmo de Guido Brignone
- 1950 – Il figlio di d’Artagnan de Riccardo Freda
- 1950 – Il ladro di Venezia de John Brham
- 1950 – Il leone di Amalfi de Pietro Francisci
- 1950 – Il mulatto de Francesco De Robertis
- 1950 – Il sentiero dell’odio de Sergio Grieco
- 1950 – Il voto de Mario Bonnard
- 1950 – In a Lonely Place (No Silêncio da Noite) de Nicholas Ray
- 1950 – Io sono il capataz de Giorgio Simonelli
- 1950 – Ise Island (documentário) de Ishirô Honda
- 1950 – Jaoz el arba de Fatin Abdel Wahab
- 1950 – Joe Palooka in Humphrey Takes a Chance de Jean Yarbrough
- 1950 – Joe Palooka Meets Humphrey de Jean Yarbrough
- 1950 – Juliette ou la Clé des songes de Marcel Carné
- 1950 – Jungle Jim in Pygmy Island de William Berke
- 1950 – Justice est faite de André Cayatte
- 1950 – Kansas Raiders (Os Cavaleiros da Bandeira Negra) de Ray Enright
- 1950 – Killer Shark (Mares Sangrentos) de Budd Boetticher
- 1950 – Kim de Victor Saville
- 1950 – Kiss Tomorrow Goodbye (O Amanhã Não Virá) de Gordon Douglas
- 1950 – L’inafferrabile 12 de Mario Mattòli
- 1950 – La gota de sangre de Chano Urueta
- 1950 – La honradez de la cerradura de Luis Escobar
- 1950 – La marca del Zorrillo de Gilberto Martínez Solares
- 1950 – La mujer de nadie de Gonzalo Degrás
- 1950 – La negra Angustias de Matilde Landeta
- 1950 – La Ronde de Max Ophüls
- 1950 – La strada buia de Sidney Salkow e Marino Girolami
- 1950 – Le 84 prend des vacances de Léo Joannon
- 1950 – Le sei mogli di Barbablù de Carlo Ludovico Bragaglia
- 1950 – Les anciens de Saint-Loup de Georges Lampin
- 1950 – Les aventuriers de l’air de René Jayet
- 1950 – Les enfants terribles de Jean –Pierre Melville
- 1950 – Lightning Guns de Fred F. Sears
- 1950 – Lo zappatore de Rate Furlan
- 1950 – Los Olvidados (Os Esquecidos) de Luis Buñuel
- 1950 – Luci del varietà de Alberto Lattuada e Federico Fellini
- 1950 – Marihuana de León Klimovsky
- 1950 – Mark of the Gorilla de William Berke
- 1950 – Meurtres? de Richard Pottier
- 1950 – Mi preferida de Chano Urueta
- 1950 – Miracolo a Milano de Vittorio De Sica
- 1950 – Miss Italia de Duilio Coletti
- 1950 – Montana de [[Ray Enright e Raoul Walsh
- 1950 – Munekata kyoudai de Yasujirô Ozu
- 1950 – My Blue Heaven (A Cegonha Demora-Se) de Henry Koster
- 1950 – Mystery Street de John Sturges
- 1950 – Night and the City (Sombras do Mal) de Jules Dassin
- 1950 – No desearás la mujer de tu hijo de Ismael Rodríguez
- 1950 – No Man of Her Own (Casei-me com um Morto) de Mitchell Leisen
- 1950 – No Way Out (O Ódio É Cego) de Joseph L. Mankiewicz
- 1950 – Non c’è pace tra gli ulivi de Giuseppe De Santis
- 1950 – North of the Great Divide de William Witney
- 1950 – Odette de Herbert Wilcox
- 1950 – Old Mother Riley, Headmistress de John Harlow
- 1950 – Once a Sinner de Lewis Gilbert
- 1950 – Operation Haylift de William Berke
- 1950 – Orphée (Orfeu) de Jean Cocteau
- 1950 – Outcasts of Black Mesa de Ray Nazarro
- 1950 – Panic in the Streets (Pânico nas Ruas) de Elia Kazan
- 1950 – Parigi è sempre Parigi de Luciano Emmer
- 1950 – Pasión jarocha de Carlos Véjar hijo
- 1950 – Pequeñeces... de Juan de Orduña
- 1950 – Pigalle Saint-Germain-des-Prés de André Berthomieu
- 1950 – Please Believe Me de Norman Taurog
- 1950 – Por la puerta falsa de Fernando de Fuentes
- 1950 – Pretty Baby de Bretaigne Windust
- 1950 – Quel fantasma di mio marito de Camillo Mastrocinque
- 1950 – Quicksand de Irving Pichel
- 1950 – Quinto patio de Raphael J. Sevilla
- 1950 – Raiders of Tomahawk Creek de Fred F. Sears
- 1950 – Rashōmon (Rashomon) de Akira Kurosawa
- 1950 – Revenue Agent de Lew Landers
- 1950 – Jungle Jim in Pygmy Island de William Berke
- 1950 – Rio Grande (Rio Bravo) de John Ford
- 1950 – Rocky Mountain (Olhando a Morte de Frente) de William Keighley
- 1950 – Rogues of Sherwood Forest (O Cavaleiro de Sherwood) de Gordon Douglas
- 1950 – Romanzo d’amore de Duilio Coletti
- 1950 – Rookie Fireman de Seymour Friedman
- 1950 – Room to Let de Godfrey Grayson
- 1950 – Rosauro Castro de Roberto Gavaldón
- 1950 – Rustlers on Horseback de Fred C. Brannon
- 1950 – Salt Lake Raiders de Fred C. Brannon
- 1950 – Sensualidad de Alberto Gout
- 1950 – September Affair de William Dieterle
- 1950 – Seven Days to Noon de John Boulting e Roy Boulting
- 1950 – Shakedown de Joseph Pevney
- 1950 – Short Grass de Lesley Selander
- 1950 – Shubun (O Escândalo) de Akira Kurosawa
- 1950 – Si me viera don Porfirio de Fernando Cortés
- 1950 – Sibuni aghani de Salah Abouseif
- 1950 – Side Street de Anthony Mann
- 1950 – Sideshow de Jean Yarbrough
- 1950 – Siempre tuya de Emilio Fernández
- 1950 – Sigillo rosso de Flavio Calzavara
- 1950 – Simbad el mareado de Gilberto Martínez Solares
- 1950 – Sobre las olas de Ismael Rodríguez
- 1950 – Someone at the Door de Francis Searle
- 1950 – Southside 1-1000 de Boris Ingster
- 1950 – Souvenirs perdus de Christian-Jaque
- 1950 – Square Dance Katy de Jean Yarbrough
- 1950 – Stage Fright (Pavor Nos Bastidores) de Alfred Hitchcock
- 1950 – Stage to Tucson (O Roubo das Diligencias) de Ralph Murphy
- 1950 – State Secret de Sidney Gilliat
- 1950 – Sunset Boulevard (Crepúsculo dos Deuses) de Billy Wilder
- 1950 – Sunset in the West de William Witney
- 1950 – Surrender de Allan Dwan
- 1950 – Susana (Carne y demonio) de Luis Buñuel
- 1950 – T’arravoniasmata de Maria Plyta
- 1950 – Take Me to Paris de Jack Raymond
- 1950 – T'arravoniasmata de Maria Plyta
- 1950 – Texas Dynamo de Ray Nazarro
- 1950 – The Asphalt Jungle (O Segredo das Jóias)
- 1950 – The Avengers de John H. Auer
- 1950 – The Big Cat de Phil Karlson
- 1950 – The Blue Lamp de Basil Dearden
- 1950 – The Breaking Point (Redenção Sangrenta) de Michael Curtiz
- 1950 – The Cariboo Trail de Edwin L. Marin
- 1950 – The Clouded Yellow (Nuvens de Desespero) de Ralph Thomas
- 1950 – The Damned Don't Cry de Vincent Sherman
- 1950 – The Du Pont Story de Wilhelm Thiele
- 1950 – The Elusive Pimpernel de Michael Powell e Emeric Pressburger
- 1950 – The File on Thelma Jordon (Confissão de Telma) de Robert Siodmak
- 1950 – The Fortunes of Captain Blood (As Aventuras do Capitão Blood) de Gordon Douglas
- 1950 – The Great Missouri Raid (A Vingança de Jesse James) de Gordon Douglas
- 1950 – The Great Plane Robbery de Edward L. Cahn
- 1950 – The Happiest Days of Your Life de Frank Launder
- 1950 – The Killer That Stalked New York de Earl McEvoy
- 1950 – The Lady Craved Excitement de Godfrey Grayson
- 1950 – The Lawless de Joseph Losey
- 1950 – The Lost Volcano de Ford Beebe
- 1950 – The Magnet de Charles Frend
- 1950 – The Man in Black de Francis Searle
- 1950 – The Man Who Cheated Himself de Felix E. Feist
- 1950 – The Nevadan (O Tesouro dos Bandoleiros) de Gordon Douglas
- 1950 – The Rossiter Case de Francis Searle
- 1950 – The Secret Fury de Mel Ferrer
- 1950 – The Sound of Fury de Cy Endfield
- 1950 – The Tattooed Stranger de Edward Montagne
- 1950 – The Woman in Question de Anthony Asquith
- 1950 – The Wooden Horse de Jack Lee e Ian Dalrymple
- 1950 – Timber Fury de Bernard B. Ray
- 1950 – Tony Draws a Horse de John Paddy Carstairs
- 1950 – Tototarzan de Mario Mattòli
- 1950 – Trail of Robin Hood de William Witney
- 1950 – Trail of the Rustlers de Ray Nazarro
- 1950 – Trigger, Jr. de William Witney
- 1950 – Trio de Ken Annakin e Harold French
- 1950 – Triple Trouble de Jean Yarbrough
- 1950 – Twilight in the Sierras de William Witney
- 1950 – Two Flags West (Entre Dois Juramentos) de Robert Wise
- 1950 – Un certain monsieur de Yves Ciampi
- 1950 – Un corazón en el ruedo de Miguel Morayta
- 1950 – Una noche en El Relámpago de Miguel Coronatto Paz
- 1950 – Una viuda casi alegre de Román Viñoly Barreto
- 1950 – Valentina de Manuel Romero
- 1950 – Víctimas del pecado de Emilio Fernández
- 1950 – Vigilante Hideout de Fred C. Brannon
- 1950 – Vita da cani de Mario Monicelli e Steno
- 1950 – Wabash Avenue (A Noiva Que Não Beija) de Henry Koster
- 1950 – Wagon Master (Caravana de Bravos) de John Ford
- 1950 – Waterfront de Michael Anderson
- 1950 – What the Butler Saw de Godfrey Grayson
- 1950 – When Willie Comes Marching Home (O Azar de Um Valente) de John Ford
- 1950 – Where Danger Lives de John Farrow
- 1950 – Where the Sidewalk Ends de Otto Preminger
- 1950 – Winchester ’73 de Anthony Mann
- 1950 – Woman on the Run de Norman Foster
- 1950 – Wyoming Mail (A Fogo e Sangue) de Reginald Le Borg
- 1950 – Yo quiero ser hombre de René Cardona
- 1950 – Yo quiero ser mala de René Cardona
- 1950 – Young Daniel Boone de Reginald Le Borg
- 1950 – Young Man with a Horn (Êxito Fugaz) de Michael Curtiz
1951Editar
- 1951 – ¡¡¡Mátenme porque me muero!!! de Ismael Rodríguez
- 1951 – ¡¿Qué te ha dado esa mujer?! de Ismael Rodríguez
- 1951 – ¡Qué hermanita! de Kurt Land
- 1951 – A Case for PC 49 de Francis Searle
- 1951 – A Millionaire for Christy de George Marshall
- 1951 – A Place in the Sun (Um Lugar ao Sol) de George Stevens
- 1951 – A Streetcar Named Desire (Uma Rua Chamada Pecado) de Elia Kazan
- 1951 – A Tale of Five Cities de Romolo Marcellini, Emil E. Reinert, Wolfgang Staudte, Montgomery Tully, Géza von Cziffra e Irma von Cube
- 1951 – A. T. M. A toda máquina! de Ismael Rodríguez
- 1951 – According to Mrs. Hoyle de Jean Yarbrough
- 1951 – Ace in the Hole (A Montanha dos Sete Abutres) de Billy Wilder
- 1951 – Achtung! Banditi! de Carlo Lizzani
- 1951 – Across the Wide Missouri de William A. Wellman
- 1951 – Adhémar ou le jouet de la fatalité de Fernandel
- 1951 – Adventures of Captain Fabian de William Marshall e Robert Florey
- 1951 – Alba de América de Juan de Orduña
- 1951 – Along the Great Divide (Embrutecidos Pela Violência) de Raoul Walsh
- 1951 – Amar fué su pecado de Rogelio A. González
- 1951 – Amor non ho... però... però de Giorgio Bianchi
- 1951 – Amore e sangue de Marino Girolami
- 1951 – An American in Paris (Brasil: Sinfonia de Paris /Portugal: Um Americano em Paris) de Vincente Minnelli
- 1951 – Andalousie de Robert Vernay
- 1951 – Anna de Alberto Lattuada
- 1951 – Annie of the Indies de Jacques Tourneur
- 1951 – Aoi shinju de Ishirô Honda
- 1951 – Appointment with Danger de Lewis Allen
- 1951 – Arizona Manhunt de Fred C. Brannon
- 1951 – Arrivano i nostri de Mario Mattòli
- 1951 – As Young As You Feel de Harmon Jones
- 1951 – Atoll K de Léo Joannon
- 1951 – Atto d’accusa de Giacomo Gentilomo
- 1951 – Au fil des ondes de Pierre Gautherin
- 1951 – Auguri e figli maschi de Giorgio Simonelli
- 1951 – Avalanche de Raymond Segard
- 1951 – Awaara de Raj Kapoor
- 1951 – Bakushû de Yasujirô Ozu
- 1951 – Belle Le Grand de Allan Dwan
- 1951 – Bellissima de Luchino Visconti
- 1951 – Best of the Badmen de William D. Russell
- 1951 – Bird of Paradise de Delmer Daves
- 1951 – Blue Blood de Lew Landers
- 1951 – Bodas de fuego de Marco Aurelio Galindo
- 1951 – Bonanza Town de Fred F. Sears
- 1951 – Bright Victory de Mark Robson
- 1951 – Buckaroo Sheriff of Texas de Philip Ford
- 1951 – Bullfighter and the Lady (Paixão de Toureiro) de Budd Boetticher
- 1951 – Buongiorno, elefante! de Gianni Franciolini
- 1951 – Call Me Mister de Lloyd Bacon
- 1951 – Cameriera bella presenza offresi... de Giorgio Pàstina
- 1951 – Camino del infierno de Miguel Morayta
- 1951 – Canasta uruguaya de René Cardona
- 1951 – Canzone di primavera de Mario Costa
- 1951 – Captain Horatio Hornblower (O Falcão dos Mares)
- 1951 – Carcerato de Armando Zorri
- 1951 – Casa Manana de Jean Yarbrough
- 1951 – Cavalry Scout de Lesley Selander
- 1951 – Cave of Outlaws (O Segredo da Caverna) de William Castle
- 1951 – Cloudburst de Francis Searle
- 1951 – Come Fill the Cup (Degradação Humana) de Gordon Douglas
- 1951 – Corazón de fiera de Ernest Cortázar
- 1951 – Core ’ngrato de Guido Brignone
- 1951 – Corky of Gasoline Alley de Edward Bernds
- 1951 – Cry Danger (Golpe do Destino) de Robert Parrish
- 1951 – Darling, How Could You! de Mitchell Leisen
- 1951 – David and Bathsheba de Henry King
- 1951 – Dear Brat de William A. Seiter
- 1951 – Death of a Salesman (A Morte do Caixeiro Viajante) de Laszlo Benedek
- 1951 – Decision Before Dawn de Anatole Litvak
- 1951 – Del can-can al mambo de Chano Urueta
- 1951 – Desert of Lost Men de Harry Keller
- 1951 – Detective Story de William Wyler
- 1951 – Die Göttin von Rio Beni de Franz Eichhorn
- 1951 – Drums in the Deep South de William Cameron Menzies
- 1951 – Eine Frau mit Herz de Rudolf Jugert
- 1951 – El ceniciento de Gilberto Martínez Solares
- 1951 – El chucho el Remendado de Gilberto Martínez Solares
- 1951 – El derecho de nacer de Zacarías Gómez Urquiza
- 1951 – El gran Galeoto de Rafael Gil
- 1951 – El marido de mi novia de René Cardona
- 1951 – El pendiente de León Klimovsky
- 1951 – El revoltoso de Gilberto Martínez Solares
- 1951 – El sueño de Andalucía de Luis Lucia
- 1951 – Elephant Stampede de Ford Beebe
- 1951 – Ella y yo de Miguel M. Delgado
- 1951 – Elopement (O Gênio e os Fugitivos) de Henry Koster
- 1951 – En la palma de tu mano de Roberto Gavaldón
- 1951 – Enrico Caruso, leggenda di una voce de Giacomo Gentilomo
- 1951 – Entre abogados te veas de Adolfo Fernández Bustamante
- 1951 – Era lui... sì! sì! de Vittorio Metz, Marcello Marchesi e Marino Girolami
- 1951 – Fixed Bayonets de Samuel Fuller
- 1951 – Flaming Feather (Flechas Incendiárias) de Ray Enright
- 1951 – Flying Leathernecks de Nicholas Ray
- 1951 – Follow the Sun de Sidney Lanfield
- 1951 – Force of Arms (Quando Passar a Tormenta) de Michael Curtiz
- 1951 – Fort Dodge Stampede de Harry Keller
- 1951 – Fort Savage Raiders de Ray Nazarro
- 1951 – Fourteen Hours de Henry Hathaway
- 1951 – Fury of the Congo de William Berke
- 1951 – Gasoline Alley de Edward Bernds
- 1951 – Gibier de potence de André Baud e Roger Richebé
- 1951 – Gli amanti di Ravello de Luigi Capuano
- 1951 – Go For Broke! de Robert Pirosh
- 1951 – Gold Raiders de Edward Bernds
- 1951 – Golden Girl de Lloyd Bacon
- 1951 – Hakuchi (Hakuchi, o Idiota) de Akira Kurosawa
- 1951 – Half Angel de Richard Sale
- 1951 – Halls of Montezuma de Lewis Milestone
- 1951 – Havana Rose de William Beaudine
- 1951 – He Ran All the Way de John Berry
- 1951 – Heart of the Rockies de William Witney
- 1951 – His Kind of Woman (Seu Tipo de Mulher) de John Farrow e Richard Fleischer
- 1951 – Hollywood Story de William Castle
- 1951 – House On Telegraph Hill de Robert Wise
- 1951 – I Can Get It For You Wholesale de Michael Gordon
- 1951 – I due derelitti de Flavio Calzavara
- 1951 – I lykaina de Maria Plyta
- 1951 – I Want You (Não Quero Dizer-te Adeus) de Mark Robson
- 1951 – I Was a Communist for the F.B.I. (Fui Comunista Para o FBI) de Gordon Douglas
- 1951 – I’d Climb the Highest Mountain de Henry King
- 1951 – I’ll Never Forget You de Roy Baker
- 1951 – I’ll See You in My Dreams (Sonharei com Você) de Michael Curtiz
- 1951 – Ibn el Nil de Youssef Chahine
- 1951 – Il capitano di Venezia de Gianni Puccini
- 1951 – Il conte di Sant’Elmo de Guido Brignone
- 1951 – Il Cristo proibito de Curzio Malaparte
- 1951 – Il mago per forza de Vittorio Metz, Marcello Marchesi e Marino Girolami
- 1951 – Il padrone del vapore de Mario Mattòli
- 1951 – Il tradimento de Riccardo Freda
- 1951 – In Old Amarillo de William Witney
- 1951 – Incantesimo tragico de Mario Sequi
- 1951 – Jim Thorpe -- All-American (O Homem de Bronze) de Michael Curtiz
- 1951 – Journal d’un cure de campagne (Diário de um Padre) de Robert Bresson
- 1951 – Jungle Manhunt de Lew Landers
- 1951 – K - Das Haus des Schweigens de Hans Hinrich
- 1951 – Katie Did It de Frederick De Cordova
- 1951 – Kentucky Jubilee de Ron Ormond
- 1951 – L’amant de paille de Gilles Grangier
- 1951 – L’auberge rouge de Claude Autant-Lara
- 1951 – L’Homme de ma vie de Guy Lefranc
- 1951 – L’ultima sentenza de Mario Bonnard
- 1951 – La ausente de Julio Bracho
- 1951 – La città si difende de Pietro Germi
- 1951 – La duquesa del Tepetate de Juan José Segura
- 1951 – La estatua de carne de Chano Urueta
- 1951 – La famiglia Passaguai de Aldo Fabrizi
- 1951 – La hija del engaño de Luis Buñuel
- 1951 – La Muerte Enamorada de Ernesto Cortázar
- 1951 – La noche avanza de Roberto Gavaldón
- 1951 – La paura fa 90 de Giorgio Simonelli
- 1951 – La Señora de Fátima de Rafael Gil
- 1951 – La strada finisce sul fiume de Luigi Capuano
- 1951 – La vendetta di Aquila Nera de Riccardo Freda
- 1951 – La vendetta di una pazza de Pino Mercanti
- 1951 – La vida color de rosa de León Klimovsky
- 1951 – Las mujeres de mi general de Ismael Rodríguez
- 1951 – Le due verità de Antonio Leonviola
- 1951 – Lebbra bianca de Enzo Trapani
- 1951 – Les Amants de bras-mort de Marcello Pagliero
- 1951 – Les Sept Péchés capitaux de Georges Lacombe
- 1951 – Let’s Make It Legal de Richard Sale
- 1951 – Little Egypt de Frederick De Cordova
- 1951 – Lodo y armiño de Juan José Ortega
- 1951 – Los enredos de una gallega de Fernando Soler
- 1951 – Love Nest de Joseph Newman
- 1951 – Luci del varietà de Federico Fellini e Alberto Lattuada
- 1951 – Lucky Nick Cain de Joseph Newman
- 1951 – M de Joseph Losey
- 1951 – Maior Que o Ódio de José Carlos Burle
- 1951 – Mamma mia, che impressione! de Roberto Savarese e Vittorio De Sica
- 1951 – Manos de seda de Chano Urueta
- 1951 – María morena de José María Forqué e Pedro Lazaga
- 1951 – Meet Me After the Show de Richard Sale
- 1951 – Menores de edad de Miguel M. Delgado
- 1951 – Meshi (Vida de Casado) de Mikio Naruse
- 1951 – Messalina de Carmine Gallone
- 1951 – Mi mujer no es mía de Fernando Soler
- 1951 – Milano miliardaria de Vittorio Metz, Marcello Marchesi e Marino Girolami
- 1951 – Miracolo a Milano (Milagre em Milão) de Vittorio De Sica
- 1951 – Missing Women de Philip Ford
- 1951 – Mon ami Pierre de [[Paula Neurisse e Louis Félix
- 1951 – Monte de piedad de Carlos Véjar hijo
- 1951 – Mr. Belvedere Rings the Bell (O Gênio Vai ao Colégio) de Henry Koster
- 1951 – Mujeres sin mañana de Tito Davison
- 1951 – Nacht am Mont-Blanc de Harald Reinl
- 1951 – Nachts auf den Straßen de Rudolf Jugert
- 1951 – Night Riders of Montana de Fred C. Brannon
- 1951 – No Highway (Na Estrada do Céu) de Henry Koster
- 1951 – No Questions Asked de Harold F. Kress
- 1951 – Nosotras las sirvientas de Zacarías Gómez Urquiza
- 1951 – O.K. Nerone de Mario Soldati
- 1951 – Oh! Susanna de Joseph Kane
- 1951 – Ombre sul Canal Grande de Glauco Pellegrini
- 1951 – On the Riviera de Walter Lang
- 1951 – One Wild Oat de Charles Saunders
- 1951 – Only the Valiant (Resistência Heroica) de Gordon Douglas
- 1951 – Pals of the Golden West de William Witney
- 1951 – Pandora and the Flying Dutchman (Os Amores de Pandora) de Albert Lewin
- 1951 – Paraíso robado de Julio Bracho
- 1951 – Parigi è sempre Parigi de Luciano Emmer
- 1951 – Passage West de Lewis R. Foster
- 1951 – Pecos River de Fred F. Sears
- 1951 – People Will Talk de Joseph L. Mankiewicz
- 1951 – Peregrina de Chano Urueta
- 1951 – Pickup de Hugo Haas
- 1951 – Pool of London de Basil Dearden
- 1951 – Por querer a una mujer de Ernesto Cortázar
- 1951 – Prairie Roundup de Fred F. Sears
- 1951 – Presença de Anita de Ruggero Jacobbi
- 1951 – Quo vadis? de Mervyn LeRoy
- 1951 – Rawhide de Henry Hathaway
- 1951 – Reunion in Reno de Kurt Neumann
- 1951 – Rich, Young and Pretty de Norman Taurog
- 1951 – Ridin’ the Outlaw Trail de Fred F. Sears
- 1951 – Roadblock de Harold Daniels
- 1951 – Rough Riders of Durango de Fred C. Brannon
- 1951 – Salvate mia figlia de Sergio Corbucci
- 1951 – Schatten über Neapel de Hans Wolff
- 1951 – Scrooge de Brian Desmond Hurst
- 1951 – Senza bandiera de Lionello De Felice
- 1951 – Serenata en Acapulco de Chano Urueta
- 1951 – Servicio en la mar de Luis Suárez de Lezo
- 1951 – Signori in carrozza de Luigi Zampa
- 1951 – Sirocco de Curtis Bernhardt
- 1951 – Skadeskutt de Edith Carlmar
- 1951 – Snake River Desperadoes de Fred F. Sears
- 1951 – Sommarlek (Juventude) de Ingmar Bergman
- 1951 – South of Caliente de William Witney
- 1951 – Spoilers of the Plains de William Witney
- 1951 – St. Benny the Dip de Edgar G. Ulmer
- 1951 – Strangers on a Train (Pacto Sinistro) de Alfred Hitchcock
- 1951 – Subida al cielo de Luis Buñuel
- 1951 – Suburbio de León Klimovsky
- 1951 – Take Care of My Little Girl de Jean Negulesco
- 1951 – Tales of Robin Hood de James Tinling
- 1951 – Target Unknown (Mártires da Traição) de George Sherman
- 1951 – Tarzan’s Peril (Tarzan na Terra Selvagem) de Byron Haskin
- 1951 – Teresa de Fred Zinnemann
- 1951 – The 13th Letter de Otto Preminger
- 1951 – The Adventurers de David MacDonald
- 1951 – The African Queen (Uma Aventura na África) de John Huston
- 1951 – The Big Carnival (A Montanha dos Sete Abutres) de Billy Wilder
- 1951 – The Black Widow de Vernon Sewell
- 1951 – The Browning Version de Anthony Asquith
- 1951 – The Cimarron Kid (O Último Duelo) de Budd Boetticher
- 1951 – The Dakota Kid de Philip Ford
- 1951 – The Dark Light de Vernon Sewell
- 1951 – The Dark Man de Jeffrey Dell
- 1951 – The Day the Earth Stood Still (O Dia em Que a Terra Parou) de Robert Wise
- 1951 – The Desert Fox: The Story of Rommel de Henry Hathaway
- 1951 – The Franchise Affair de Lawrence Huntington
- 1951 – The Frogmen de Lloyd Bacon
- 1951 – The Galloping Major de Henry Cornelius
- 1951 – The Girl On the Bridge de Hugo Haas
- 1951 – The Great Missouri Raid (A Vinganca de Jesse James) de Gordon Douglas
- 1951 – The Guy Who Came Back de Joseph Newman
- 1951 – The House in the Square (Jamais Te Esquecerei) de Roy Ward Baker
- 1951 – The Importance of Being Earnest (A Importância de Ser Honesto) de Anthony Asquith
- 1951 – The Last Outpost de Lewis R. Foster
- 1951 – The Lavender Hill Mob (O Mistério da Torre) de Charles Crichton
- 1951 – The Law and the Lady de Edwin H. Knopf
- 1951 – The Lion Hunters de Ford Beebe
- 1951 – The Magic Box de John Boulting
- 1951 – The Man in the White Suit de Alexander Mackendrick
- 1951 – The Man Who Cheated Himself de Felix E. Feist
- 1951 – The Man with My Face de Edward Montagne
- 1951 – The Medium de Gian Carlo Menotti
- 1951 – The Mob de Robert Parrish
- 1951 – The Model and the Marriage Broker de George Cukor
- 1951 – The Prowler de Joseph Losey
- 1951 – The Racket de John Cromwell, Mel Ferrer, Tay Garnett, Nicholas Ray e Sherman Todd
- 1951 – The River (O Rio Sagrado) de Jean Renoir
- 1951 – The Rossiter Case de Francis Searle
- 1951 – The Scarlet Thread de Lewis Gilbert
- 1951 – The Sea Hornet de Joseph Kane
- 1951 – The Secret of Convict Lake (Mulheres em Perigo) de Michael Gordon
- 1951 – The Six Men de Michael Law
- 1951 – The Strange Door de Joseph Pevney
- 1951 – The Strip de László Kardos
- 1951 – The Sword of D’Artagnan (A Espada de D'Artagnan) (FTV) de Budd Boetticher
- 1951 – The Sword of Monte Cristo de Maurice Geraghty
- 1951 – The Tales of Hoffmann de Michael Powell e Emeric Pressburger
- 1951 – The Well de Leo C. Popkin e Russell Rouse
- 1951 – The Wild Blue Yonder de Allan Dwan
- 1951 – There Is Another Sun de Lewis Gilbert
- 1951 – This Is Korea! (documentário) de John Ford
- 1951 – To Have and To Hold de Godfrey Grayson
- 1951 – Tom Brown’s Schooldays de Gordon Parry
- 1951 – Tomorrow is Another Day de Felix E. Feist
- 1951 – Trieste mia! de Mario Costa
- 1951 – Trotacalles de Matilde Landeta
- 1951 – Two of a Kind de Henry Levin
- 1951 – Un grand patron de Yves Ciampi
- 1951 – Una bruna indiavolata de Carlo Ludovico Bragaglia
- 1951 – Una mujer sin amor de Luis Buñuel
- 1951 – Una noche cualquiera de Luis Mottura
- 1951 – Una viuda sin sostén de René Cardona
- 1951 – Under the Gun de Ted Tetzlaff
- 1951 – Vacanze col gangster de Dino Risi
- 1951 – Valley of Eagles de TerenceYoung
- 1951 – Vedi Napoli e poi muori de Riccardo Freda
- 1951 – Vivir un instante de Tulio Demicheli
- 1951 – Volver a la vida de Carlos Borcosque
- 1951 – Vuelva el sábado de René Cardona
- 1951 – Wells Fargo Gunmaster de Philip Ford
- 1951 – Westward the Women (Caravana Maldita) de William A. Wellman
- 1951 – When Worlds Collide (O Fim do Mundo) de Rudolph Maté
- 1951 – Where No Vultures Fly de Harry Watt
- 1951 – Whispering Smith Hits London de Francis Searle
- 1951 – White Corridors de Pat Jackson
- 1951 – Wings of Danger de Terence Fisher
- 1951 – Yo soy el criminal de Alberto Du Bois
- 1951 – You’re in the Navy Now (Agora Estamos na Marinha) de Henry Hathaway
1952Editar
- 1952 – ¡Qué rico el mambo! de Mario C. Lugones
- 1952 – 13 East Street de Robert S. Baker
- 1952 – 5 Fingers (Cinco Dedos) de Joseph L. Mankiewicz
- 1952 – A fil di spada de Carlo Ludovico Bragaglia
- 1952 – Adieu Paris de Claude Heymann
- 1952 – Adorables créatures de Christian-Jaque
- 1952 – Affair in Trinidad (Uma Viúva em Trinidad) de Vincent Sherman
- 1952 – African Treasure de Ford Beebe
- 1952 – Against all flags (Contra Todas as Bandeiras) de George Sherman
- 1952 – Agence matrimoniale de Jean-Paul Le Chanois
- 1952 – Allô... je t’aime de André Berthomieu
- 1952 – Al-muharrij al-Kabir de Youssef Chahine
- 1952 – Alraune de Arthur Maria Rabenalt
- 1952 – Altri tempi (episódio: Il processo di Frine) de Alessandro Blasetti
- 1952 – Angel Face (Alma em Pânico) de Otto Preminger
- 1952 – Angélica de Alfredo B. Crevenna
- 1952 – Angelo tra la folla de Francesco De Robertis
- 1952 – Arctic Flight de Lew Landers
- 1952 – Assignment-Paris de Robert Parrish e Phil Karlson
- 1952 – Au coeur de la Casbah de Pierre Cardinal
- 1952 – Avec André Gide de Marc Allégret
- 1952 – Baghdad de Nanabhai Bhatt
- 1952 – Barbed Wire de George Archainbaud
- 1952 – Battles of Chief Pontiac (As Batalhas do Chefe Pontiac) de Felix Feist
- 1952 – Beit al ashbah de Fatin Abdel Wahab
- 1952 – Belles On Their Toes de Henry Levin
- 1952 – Bend of the River (...E o Sangue Semeou a Terra) de Anthony Mann
- 1952 – Beware, My Lovely de Harry Horner
- 1952 – Big Jim McLain de Edward Ludwig
- 1952 – Black Hills Ambush de Harry Keller
- 1952 – Blackhawk: Fearless Champion of Freedom de Fred F. Sears
- 1952 – Bloodhounds of Broadway de Harmon Jones
- 1952 – Bomba and the Jungle Girl de Ford Beebe
- 1952 – Border Saddlemates de William Witney
- 1952 – Brave Warrior de Spencer Gordon Bennet
- 1952 – Bronco Buster (Desafio) de Budd Boetticher
- 1952 – Buongiorno, elefante! de Gianni Francioli
- 1952 – Camicie rosse de Goffredo Alessandrini
- 1952 – Canto da Saudade de Humberto Mauro
- 1952 – Canzoni di mezzo secolo de Domenico Paolella
- 1952 – Captive of Billy the Kid de Fred C. Brannon
- 1952 – Carrie de William Wyler
- 1952 – Cartas a Ufemia de José Díaz Morales
- 1952 – Cinque poveri in automobile de Mario Mattòli
- 1952 – Clash by Night de Fritz Lang
- 1952 – Colorado Sundown de William Witney
- 1952 – Cronaca di un delitto de Mario Sequi
- 1952 – De Madrid al cielo de Rafael Gil
- 1952 – Deadline – U.S.A. de Richard Brooks
- 1952 – Death of an Angel de Charles Saunders
- 1952 – Der Herrgottschnitzer von Ammergau de Harald Reinl
- 1952 – Desperadoes’ Outpost de Philip Ford
- 1952 – Die Försterchristl de Arthur Maria Rabelnat
- 1952 – Diplomatic Courier de Henry Hathaway
- 1952 – Don Juan Tenorio de Alejandro Perla
- 1952 – Don’t Bother to Knock de Roy Baker
- 1952 – Dortoir des grandes de Henri Decoin
- 1952 – Dos tipos de cuidado de Ismael Rodríguez
- 1952 – Dramma sul Tevere de Tanio Boccia
- 1952 – Dreamboat de Claude Binyon
- 1952 – È arrivato l’accordatore de Duilio Coletti
- 1952 – El bello durmiente de Gilberto Martínez Solares
- 1952 – El bruto de Luis Buñuel
- 1952 – El cuarto cerrado de Chano Urueta
- 1952 – El hub bahdala de Salah Abouseif
- 1952 – El luchador fenomeno de Fernando Cortés
- 1952 – El osta Hassan de Salah Abouseif
- 1952 – El rebozo de Soledad de Roberto Gavaldón
- 1952 – El túnel de León Klimovsky
- 1952 – El ustaza Fatma de Fatin Abdel Wahab
- 1952 – Él de Luis Buñuel
- 1952 – Ellos nos hicieron así de Mario Soffici
- 1952 – Ergastolo de Luigi Capuano
- 1952 – Ésta es mi vida de Román Viñoly Barreto
- 1952 – Europa ’51 de Roberto Rossellini
- 1952 – Fanfan la Tulipe de Christian-Jaque
- 1952 – Fort Osage de Lesley Selander
- 1952 – Francis Goes to West Point de Arthur Lubin
- 1952 – Gift Horse de Compton Bennett
- 1952 – Gli uomini non guardano il cielo de Umberto Scarpelli
- 1952 – Harem Girl de Edward Bernds
- 1952 – Has Anybody Seen My Gal? (Sinfonia Prateada) de Douglas Sirk
- 1952 – Hay un niño en su futuro de Fernando Cortés
- 1952 – High Noon (Brasil: Matar ou Morrer /Portugal: O Comboio Apitou Três Vezes) de Fred Zinnemann
- 1952 – Hinter Klostermauern de Harald Reinl
- 1952 – Hold That Line de William Beaudine
- 1952 – Horizons West (Império do Pavor) de Budd Boetticher
- 1952 – Huracán Ramírez de Joselito Rodríguez
- 1952 – I Confess (A Tortura da Suspeita) de Alfred Hitchcock
- 1952 – I Dream of Jeanie (Oh! Susanna... Uma Canção de Amor Eterno) de Allan Dwan
- 1952 – I morti non pagano tasse de Sergio Grieco
- 1952 – Ich heiße Niki de Rudolf Jugert
- 1952 – Ikiru (Viver) de Akira Kurosawa
- 1952 – Il boia di Lilla (Milady et les mousquetaires) de Vittorio Cottafavi
- 1952 – Il est minuit, Docteur Schweitzer de André Haguet
- 1952 – Il mercante di Venezia de Pierre Billon
- 1952 – Il sogno di Zorro de Mario Soldati
- 1952 – Illusion in Moll de Rudolf Jugert
- 1952 – Inazuma de Mikio Naruse
- 1952 – Inganno de Guido Brignone
- 1952 – Ivanhoe de Richard Thorpe
- 1952 – Jack and the Beanstalk de Jean Yarbrough
- 1952 – Japanese War Bride de King Vidor
- 1952 – Jeux Interdits (Brinquedo Proibido) de René Clément
- 1952 – Jumping Jacks (Malucos no Ar) de Norman Taurog
- 1952 – Jungle Jim in the Forbidden Land de Lew Landers
- 1952 – Kangaroo de Lewis Milestone
- 1952 – Kansas City Confidential (Os Quatro Desconhecidos) de Phil Karlson
- 1952 – L’agonie des aigles de Jean Alden-Delos
- 1952 – L’amour n’est pas un péché de Claude Cariven
- 1952 – L’amour toujours l’amour de Maurice de Canonge
- 1952 – L’amour, Madame de Gilles Grangier
- 1952 – L’eterna catena de Oreste Biancoli
- 1952 – L’ora della verità de Jean Delannoy
- 1952 – La colpa di una madre de Carlo Duse
- 1952 – La estrella de Sierra Morena de Ramón Torrado
- 1952 – La favorita de Cesare Barlacchi
- 1952 – La figlia del diavolo de Primo Zeglio
- 1952 – La forza del destino de Carmine Gallone
- 1952 – La fugue de Monsieur Perle de Pierre Gaspard-Huit e Roger Richebé
- 1952 – La hermana San Sulpicio de Luis Lucia
- 1952 – La leggenda del piave de Riccardo Freda
- 1952 – La mano que aprieta de Enrique Carreras
- 1952 – La mentira de Juan José Ortega
- 1952 – La miel se fue de la luna de Julián Soler
- 1952 – La Muta di Portici de Giorgio Ansoldi
- 1952 – La parda Flora de León Klimovsky
- 1952 – La regina di Saba de Pietro Francisci
- 1952 – La Tratta delle bianche (Mercado de Mulheres) de Luigi Comencini
- 1952 – La voce del sangue de Pino Mercanti
- 1952 – Lady in the Iron Mask de Ralph Murphy
- 1952 – Laka yom ya zalem de Salah Abouseif
- 1952 – Laramie Mountains de Ray Nazarro
- 1952 – Last Train from Bombay de Fred F. Sears
- 1952 – Le due verità de Antonio Leonviola
- 1952 – Le meravigliose avventure di Guerrin Meschino de Pietro Francisci
- 1952 – Le petit monde de Don Camillo de Julien Duvivier
- 1952 – Le plus heureux des hommes de Yves Ciampi
- 1952 – Le Ragazze di piazza di Spagna de Luciano Emmer
- 1952 – Leadville Gunslinger de Harry Keller
- 1952 – Les Amants de la villa Borghèse de Gianni Franciolini
- 1952 – Les Belles de nuit de René Clair
- 1952 – Les Miserables de Lewis Milestone
- 1952 – Lo sai che i papaveri de Marcello Marchesi e Vittorio Metz
- 1952 – Los hijos de nadie (Dos caminos) de Carlos Véjar hijo
- 1952 – Los ojos dejan huellas de José Luis Sáenz de Heredia
- 1952 – Lost in Alaska de Jean Yarbrough
- 1952 – Luna de sangre de Francisco Rovira Beleta
- 1952 – Lure of the Wilderness de Jean Negulesco
- 1952 – Lydia Bailey de Jean Negulesco
- 1952 – Macao de Josef von Sternberg, Mel Ferrer, Nicholas Ray e Robert Stevenson
- 1952 – Manchas de sangre en la luna de Edward Dein e Luis Marquina
- 1952 – Mara Maru de Gordon Douglas
- 1952 – Me traes de un ala de Gilberto Martínez Solares
- 1952 – Meu Destino É Pecar de Manuel Peluffo
- 1952 – Mi campeón de Chano Urueta
- 1952 – Mi esposa y la otra de Alfredo B. Crevenna
- 1952 – Minato e kita otoko de Ishirô Honda
- 1952 – Modelo 19 de Armando Couto
- 1952 – Moglie per una notte de Mario Camerini
- 1952 – Monkey Business de Howard Hawks
- 1952 – Montana Belle de Allan Dwan
- 1952 – Música, mujeres y amor de Chano Urueta
- 1952 – Musuko no seishun de Masaki Kobayashi
- 1952 – Mutiny de Edward Dmytryk
- 1952 – My Cousin Rachel (Eu Te Matarei, Querida) de Henry Koster
- 1952 – My Pal Gus de Robert Parrish
- 1952 – My Wife’s Best Friend de Richard Sale
- 1952 – Nangoku no hada de Ishirô Honda
- 1952 – Never Look Back de Francis Searle
- 1952 – Night Stage to Galveston de George Archainbaud
- 1952 – Night Without Sleep de Roy Baker
- 1952 – Noi due soli de Marino Girolami, Marcello Marchesi e Vittorio Metz
- 1952 – Non è vero... ma ci credo de Sergio Grieco
- 1952 – Nous sommes tous des assassins de André Cayatte
- 1952 – O Canto do Mar de Alberto Cavalcanti
- 1952 – O vaftistikos de Maria Plyta
- 1952 – O. Henry’s Full House de Henry Koster, Henry Hathaway, Jean Negulesco, Howard Hawks e Henry King
- 1952 – Ochazuke no aji de Yasujirô Ozu
- 1952 – Old Oklahoma Plains de William Witney
- 1952 – On Dangerous Ground (Cinzas Que Queimam) de Nicholas Ray
- 1952 – One Minute to Zero (Muralhas de Sangue) de Tay Garnett
- 1952 – Outlaw Women de Sam Newfield e Ron Ormond
- 1952 – Paco, el elegante de Adolfo Fernández Bustamante
- 1952 – Papà diventa mamma de Aldo Fabrizi
- 1952 – Papà ti ricordo de Mario Volpi
- 1952 – Parigi è sempre Parigi de Luciano Emmer
- 1952 – Paris chante toujours! de Pierre Montazel
- 1952 – Penne nere de Oreste Biancoli
- 1952 – Pentimento de Mario Costa
- 1952 – Phone Call From a Stranger (Telefonema de Um Estranho) de Jean Negulesco
- 1952 – Pony Soldier de Joseph M. Newman
- 1952 – Porque peca la mujer de René Cardona
- 1952 – Primo premio Mariarosa de Sergio Grieco
- 1952 – Rashõmon de Akira Kurosawa
- 1952 – Red Ball Express (Arrancada da Morte) de Budd Boetticher
- 1952 – Red Skies of Montana de Joseph M. Newman
- 1952 – Red Snow de Boris Petroff
- 1952 – Return of the Texan de Delmer Daves
- 1952 – Ride the Man Down (Marcado para Morrer) de Joseph Kane
- 1952 – Robinson Crusoe (Adventures of Robinson Crusoe) de Luis Buñuel
- 1952 – Rose of Cimarron de Harry Keller
- 1952 – Rostros olvidados de Julio Bracho
- 1952 – Ruby Gentry (A Fúria do Desejo) de King Vidor
- 1952 – Sai Da Frente de Abílio Pereira de Almeida
- 1952 – Saikaku ichidai onna (A Vida de O’Haru) de Kenji Mizoguchi
- 1952 – Scandal Sheet (Escândalo) de Phil Karlson
- 1952 – Se le pasó la mano de Julián Soler
- 1952 – Sensualità de Clemente Fracassi
- 1952 – Serenata amara de Pino Mercanti
- 1952 – Shadow in the Sky (A Chuva Me Persegue) de Fred M. Wilcox
- 1952 – Shrimati Ji de I.S. Johar
- 1952 – Si muero antes de despertar de Carlos Hugo Christensen
- 1952 – Singin’ in the Rain (Cantando na Chuva) de Stanley Donen e Gene Kelly
- 1952 – Smoky Canyon de Fred F. Sears
- 1952 – Something For the Birds (Falsa Verdade) de Robert Wise
- 1952 – Something to Live For (Na Voragem do Vício) de George Stevens
- 1952 – Son of Ali Baba (O Filho de Ali Baba) de Kurt Neumann
- 1952 – Son of Paleface de Frank Tashlin
- 1952 – Sor intrépida de Rafael Gil
- 1952 – South Pacific Trail de William Witney
- 1952 – Stars and Stripes Forever (Marcha Triunfal) de Henry Koster
- 1952 – Stolen Face de Terence Fisher
- 1952 – Sudden Fear (Precipicios d’Alma) de David Miller
- 1952 – Tall Headlines de Terence Young
- 1952 – Tarzan’s Savage Fury (Tarzan e a Fúria Selvagem) de Cyril Endfield
- 1952 – The Bad and the Beautiful (Assim Estava Escrito) de Vincente Minnelli
- 1952 – The Battle at Apache Pass (A Revolta dos Peles Vermelhas) de George Sherman
- 1952 – The Big Sky (O Rio da Aventura) de Howard Hawks
- 1952 – The Big Trees de Felix E. Feist
- 1952 – The Black Castle (O Castelo do Pavor) de Nathan Juran
- 1952 – The Captive City (Cidade Cativa) de Robert Wise
- 1952 – The Card (Às Voltas Com 3 Mulheres) de Ronald Neame
- 1952 – The Cimarron Kid (O Último Duelo) de Budd Boetticher
- 1952 – The Flanagan Boy de Reginald Le Borg
- 1952 – The Frightened Man de John Gilling
- 1952 – The Gambler and the Lady de Patrick Jenkins, Terence Fisher e Sam Newfield
- 1952 – The Gentle Gunman de Basil Dearden
- 1952 – The Hawk of Wild River de Fred F. Sears
- 1952 – The I Don’t Care Girl de Lloyd Bacon
- 1952 – The Importance of Being Earnest (A Importância de Ser Honesto) de Anthony Asquith
- 1952 – The Iron Mistress (Nenhuma Mulher Vale Tanto) de Gordon Douglas
- 1952 – The Jazz Singer (O Cantor de Jazz) de Michael Curtiz
- 1952 – The Jungle de William Berke
- 1952 – The Kid from Broken Gun de Fred F. Sears
- 1952 – The Lady in the Fog de Sam Newfield
- 1952 – The Last Musketeer de William Witney
- 1952 – The Last Page de Terence Fisher
- 1952 – The Light Touch de Richard Brooks
- 1952 – The Lost Hours de David MacDonald
- 1952 – The Lusty Men de Nicholas Ray e Robert Parrish
- 1952 – The Man Who Watched Trains Go By de Harold French
- 1952 – The Merry Widow (A Viúva Alegre) de Curtis Bernhardt
- 1952 – The Narrow Margin (Rumo ao Inferno) de Richard Fleischer
- 1952 – The Outcasts of Poker Flat de Joseph M. Newman
- 1952 – The Pace That Thrills de Leon Barsha
- 1952 – The Pickwick Papers de Noel Langley
- 1952 – The Pride of St.Louis de Harmon Jones
- 1952 – The Quiet Man (Brasil: Depois do Vendaval /Portugal: O Homem Tranquilo) de John Ford
- 1952 – The Raiders de Lesley Selander
- 1952 – The Rough, Tough West de Ray Nazarro
- 1952 – The Secret People de Thorold Dickson
- 1952 – The Sniper de Edward Dmytryk
- 1952 – The Snows of Kilimanjaro (As Neves do Kilimanjaro) de Henry King
- 1952 – The Sound Barrier (Sem Barreira no Céu) de David Lean
- 1952 – The Star de Stuart Heisler
- 1952 – The Steel Trap de Andrew Stone
- 1952 – The Stolen Plans de James Hill
- 1952 – The Story of Will Rogers (A História de Will Rogers) de Michael Curtiz
- 1952 – The Stranger Left No Card (Curta) de Wendy Toye
- 1952 – The Thief of Venice de John Brahm
- 1952 – The Treasure of Lost Canyon (O Tesouro Perdido) de Ted Tetzlaff
- 1952 – The Turning Point de William Dieterle
- 1952 – The Voice of Merrill de John Gilling
- 1952 – The WAC from Walla Walla de William Witney
- 1952 – Thunderbirds de John H. Auer
- 1952 – Thundering Caravans de Harry Keller
- 1952 – Tico-Tico no Fubá de Adolfo Celli
- 1952 – Torpedo Alley de Lew Landers
- 1952 – Tragico ritorno de Pier Luigi Faraldo
- 1952 – Tre storie proibite de Augusto Genina
- 1952 – Treasure Hunt de John Paddy Carstairs
- 1952 – Trent’s Last Case de Herbert Wilcox
- 1952 – Último dia de Antonio Román
- 1952 – Umberto D. de Vittorio De Sica
- 1952 – Un guapo del 900 de Lucas Demare
- 1952 – Un ladro in paradiso de Domenico Paolella
- 1952 – Vendetta... sarda de Mario Mattòli
- 1952 – Venetian Bird de Ralph Thomas
- 1952 – Vigilantes y ladrones de Carlos Rinaldi
- 1952 – Viva Zapata! de Elia Kazan
- 1952 – Vive como sea de René Cardona
- 1952 – Voodoo Tiger de Spencer Gordon Bennet
- 1952 – Vuelva el primero! de Kurt Land
- 1952 – Wagons West de Ford Beebe
- 1952 – Wait Till the Sun Shines, Nellie de Henry King
- 1952 – Way of a Gaucho de Jacques Tourneur
- 1952 – We’re Not Married de Edmund Goulding
- 1952 – What Price Glory? (Sangue Por Glória) de John Ford
- 1952 – Whispering Smith Hits London de Francis Searle
- 1952 – Who Goes There! de Anthony Kimmins
- 1952 – Wild Horse Ambush de Fred C. Brannon
- 1952 – Wild Stallion de Lewis D. Collins
- 1952 – Wings of Danger de Terence Fisher
- 1952 – Wir tanzen auf dem Regenbogen de Carmine Gallone
- 1952 – With a Song in My Heart de Walter Lang
- 1952 – Without Warning! de Arnold Laven
- 1952 – Woman of the North Country de Joseph Kane
- 1952 – Yankee Buccaneer (O Capitão Pirata) de Frederick De Cordova
- 1952 – Yo fui una callejera de Joselito Rodríguez
1953Editar
- 1953 – ¡Bienvenido Mister Marshall! de Luis García Berlanga
- 1953 – ¡Qué noche de casamiento! de Enrique Carreras
- 1953 – 36 Hours de Montgomery Tully
- 1953 – 99 River Street de Phil Karlson
- 1953 – A Blueprint For Murder (Um Plano Sinistro) de Andrew L. Stone
- 1953 – A Perilous Journey de R.G. Springsteen
- 1953 – Abbott and Costello Meet Dr. Jekyll and Mr. Hyde de Charles Lamont
- 1953 – Abid el mal de Fatin Abdel Wahab
- 1953 – Abismos de pasión de Luis Buñuel
- 1953 – Aeropuerto de Luís Lucia
- 1953 – Africa sotto i mari de Giovanni Roccardi
- 1953 – Agulha no Palheiro de Alex Viany
- 1953 – Alerte au sud de Jean-Devaivre
- 1953 – All I Desire (Desejo Atroz) de Douglas Sirk
- 1953 – All the Brothers Were Valiant (Todos os Irmãos Eram Valentes) de Richard Thorpe
- 1953 – Amarti è il mio peccato de Sergio Grieco
- 1953 – Ambush at Tomahawk Gap (Os Mal Encarados) de Fred F. Sears
- 1953 – Amore in città de Federico Fellini, Carlo Lizzani, Cesare Zavattini, Dino Risi, Michelangelo Antonioni, Alberto Lattuada e Francesco Maselli
- 1953 – Amore rosso de Aldo Vergano
- 1953 – Anna perdonami de Tanio Boccia
- 1953 – Anni facili de Luigi Zampa
- 1953 – Appointment in Honduras (Almas Selvagens) de Jacques Tourneur
- 1953 – Arlette erobert Paris de Viktor Tourjansky
- 1953 – Au diable la vertu de Jean Laviron
- 1953 – Auf der grünen Wiese de Fritz Böttger
- 1953 – Bandits of the West de Harry Keller
- 1953 – Beat the Devil (O Diabo Riu por Último) de John Huston
- 1953 – Bellezze in moto-scooter de Carlo Campogalliani
- 1953 – Calamity Jane (Ardida Como Pimenta) de David Butler
- 1953 – Call Me Madam de Walter Lang
- 1953 – Capitan Fantasma de Primo Zeglio
- 1953 – Captain John Smith and Pocahontas (Flechas Flamejantes) de Lew Landers
- 1953 – Cento anni d’amore de Lionello De Felice
- 1953 – Ci troviamo in galleria de Mauro Bolognini
- 1953 – City Beneath the Sea (Cidade Submersa) de Budd Boetticher
- 1953 – City That Never Sleeps (A Cidade Que Não Dorme) de John H. Auer
- 1953 – Clipped Wings de Edward Bernds
- 1953 – Code Two de Fred M. Wilcox
- 1953 – Condannatelo! de Luigi Capuano
- 1953 – Count the Hours de Don Siegel
- 1953 – Cry of the Hunted (Jornada Cruel) de Joseph Lewis
- 1953 – Dangerous Crossing (Trágica Aventura) de Joseph M. Newman
- 1953 – Dangerous When Wet de Charles Walters
- 1953 – Decameron Nights de Hugo Fregonese
- 1953 – Del rancho a la televisión de Ismael Rodríguez
- 1953 – Der Klosterjäger de Harald Reinl
- 1953 – Di qua di là del piave de Guido Leoni
- 1953 – Die Junggesellenfalle de Fritz Böttger
- 1953 – Do Bigha Zamin de Bimal Roy
- 1953 – Dos tipos de cuidado de Ismael Rodríguez
- 1953 – Down Laredo Way de William Witney
- 1953 – Dramma nella Kasbah de Edoardo Anton e Ray Enright
- 1953 – Due notti con Cleopatra de Mario Mattòli
- 1953 – E Napoli canta de Aldo Grottini
- 1953 – East of Sumatra (Ao Sul de Sumatra) de Budd Boetticher
- 1953 – Ein Herz spielt falsch de Rudolf Jugert
- 1953 – El Alaméin de Fred F. Sears
- 1953 – El corazón y la espada de Edward Dein e Carlos Véjar hijo
- 1953 – El fantasma se enamora de Rafael Portillo
- 1953 – El hijo del crack de Leopoldo Torre Nilsson
- 1953 – El mariachi desconocid (Tin Tan en La Habana) de Gilberto Martínez Solares
- 1953 – El monstruo resucitado de Chano Urueta
- 1953 – El Paso Stampede de Harry Keller
- 1953 – El rapto de Emilio Fernández
- 1953 – Ella, Lucifer y yo de Miguel Morayta
- 1953 – Era lei che lo voleva! de Marino Girolami e Giorgio C. Simonelli
- 1953 – Escape from Fort Bravo (A Fera do Forte Bravo) de John Sturges
- 1953 – Espaldas mojadas de Alejandro Galindo
- 1953 – Etoiles au soleil (curta) de Jacques Guillon
- 1953 – Eugenia Grandet de Emilio Gómez Muriel
- 1953 – Eva de Maria Plyta
- 1953 – Febbre di vivere de Claudio Gora
- 1953 – Fermi tutti, arrivo io! de Sergio Grieco
- 1953 – Flight Nurse de Allan Dwan
- 1953 – Flight to Tangier de Charles Marquis Warren
- 1953 – Four-Sided Triangle de Terence Fisher
- 1953 – From Here to Eternity (A um Passo da Eternidade) de Fred Zinnemann
- 1953 – Gentlemen Prefer Blondes (Os Homens Preferem as Loiras) de Howard Hawks
- 1953 – Gioventù alla sbarra de Ferruccio Cerio
- 1953 – Gli Eroi della domenica de Mario Camerini
- 1953 – Gli innocenti pagano de Luigi Capuano
- 1953 – Gli uomini, che mascalzoni! de Glauco Pellegrini
- 1953 – Gunsmoke de Nathan Juran
- 1953 – Gycklarnas Afton (Noites de Circo) de Ingmar Bergman
- 1953 – Hay un camino a la derecha de Francisco Rovira Beleta
- 1953 – Hot News de Edward Bernds
- 1953 – Hukum Karakush de Fatin Abdel Wahab
- 1953 – I falsari de Franco Rossi
- 1953 – I gioielli di madame de... de Max Ophüls
- 1953 – I piombi di Venezia de Gian Paolo Callegari
- 1953 – I vinti (Os Vencidos) de Michelangelo Antonioni
- 1953 – I, the Jury de Harry Essex
- 1953 – Ich und Du de Alfred Weidenmann
- 1953 – Il bacio dell’Aurora de Gianfranco Parolini
- 1953 – Il maestro di Don Giovanni de Milton Krims
- 1953 – Il matrimonio de Antonio Petrucci
- 1953 – Il più comico spettacolo del mondo de Mario Mattoli
- 1953 – Il sole negli occhi de Antonio Pietrangeli
- 1953 – Il tesoro del Bengala de Gianni Vernuccio
- 1953 – Il Viale della speranza de Dino Risi
- 1953 – Imbarco a mezzanotte de Andrea Forzano e Joseph Losey
- 1953 – Inferno de Roy Ward Baker
- 1953 – Intriga en el escenario de Feliciano Catalán
- 1953 – Iron Mountain Trail de William Witney
- 1953 – Jack Slade de Harold D. Schuster
- 1953 – Jennifer de Joel Newton
- 1953 – Jeopardy (Vida contra Vida) de John Sturges
- 1953 – Jonny rettet Nebrador (auch als Darsteller) de Rudolf Jugert
- 1953 – Julietta de Marc Allégret
- 1953 – Julius Caesar (Júlio César) de Joseph M. Mankiewicz
- 1953 – Juzgado permanente de Joaquín Luis Romero Marchent
- 1953 – Kabe atsuki heya de Masaki Kobayashi
- 1953 – Kalimat el hak de Fatin Abdel Wahab
- 1953 – Kansas Pacific (Abrindo Horizontes) de Ray Nazarro
- 1953 – Killer Ape de Spencer Gordon Bennet
- 1953 – King of the Coral Sea de Lee Robinson
- 1953 – L’amore in cittá de Michelangelo Antonioni, Federico Fellini, Alberto Lattuada, Carlo Lizzani, Francesco Maselli, Dino Risi e Cesare Zavattini
- 1953 – L’appel du destin de Georges Lacombe
- 1953 – L’esclave de Yves Ciampi
- 1953 – L’età dell’amore de Lionello De Felice
- 1953 – L’incantevole nemica de Claudio Gora
- 1953 – L’urlo dell'inseguito de Joseph H. Lewis
- 1953 – La alegre caravana de Ramón Torrado
- 1953 – La belle de Cadix de Raymond Bernard e Eusébio Fernández Ardavín
- 1953 – La bestia magnifica de Chano Urueta
- 1953 – La carovana del peccato de Pino Mercanti
- 1953 – La corda d’acciaio de Carlo Borghesio
- 1953 – La domenica della buona gente de Anton Giulio Majano
- 1953 – La guerra de Dios de Rafael Gil
- 1953 – La ilusión viaja en tranvía de Luis Buñuel
- 1953 – La lupa de Alberto Lattuada
- 1953 – La mejor del colegio de Julio Saraceni
- 1953 – La mere de Iulian Mihu
- 1953 – La môme vert de gris de Bernard Borderie
- 1953 – La nave delle donne maledette de Raffaello Matarazzo
- 1953 – La provinciale de Mario Soldati
- 1953 – La Tigra de Leopoldo Torre Nilsson
- 1953 – La tratta delle bianche de Luigi Comencini
- 1953 – La Valigia dei sogni de Luigi Comencini
- 1953 – La voce del silenzio de Georg Wilhelm Pabst
- 1953 – La voz de mi ciudad de Tulio Demicheli
- 1953 – Le Carrosse d’or (A Carruagem de Ouro) de Jean Renoir
- 1953 – Le guérisseur de Yves Ciampi
- 1953 – Le infedeli de Mario Monicelli e Steno
- 1953 – Le marchand de Venise de Pierre Billon
- 1953 – Le retour de Don Camillo de Julien Duvivier
- 1953 – Le Salaire de la peur (O Salário do Medo) de Henri-Georges Clouzot
- 1953 – Les amants de minuit de Roger Richebé
- 1953 – Les amants de Tolède de Henri Decoin
- 1953 – Les Amours finissent à l’aube de Henri Calef
- 1953 – Les Orgueilleux de Yves Allégret
- 1953 – Les Vacances de M. Hulot (As Férias do Sr. Hulot) de Jacques Tati
- 1953 – Loose in London de Edward Bernds
- 1953 – Lucrezia Borgia de Christian-Jacque
- 1953 – Lulù de Fernando Cerchio
- 1953 – Madame De… (Desejos Proibidos) de Max Ophuls
- 1953 – Magokoro de Masaki Kobayashi
- 1953 – Man Crazy de Irving Lerner
- 1953 – Mantrap de Terence Fisher
- 1953 – María Dolores de José María Elorrieta
- 1953 – Marshal of Cedar Rock
- 1953 – Mi novio es un salvaje de Carlos Véjar hijo
- 1953 – Mircea de Sergiu Nicolaesku
- 1953 – Miss Sadie Thompson de Curtis Bernhardt
- 1953 – Mission Over Korea de Fred F. Sears
- 1953 – Mogambo de John Ford
- 1953 – Money from Home (A Barbada do Biruta) de George Marshall
- 1953 – Monsieur Ripois de René Clément
- 1953 – Nadando em Dinheiro de Abílio Pereira de Almeida e Carlos Thiré
- 1953 – Nadie lo sabra de Ramón Torrado
- 1953 – Nadie muere dos veces
- 1953 – Ni pobres ni ricos de Fernando Cortés
- 1953 – Niagara (Torrente de Paixão) de Henry Hathaway
- 1953 – Nissae bila regal de Youssef Chahine
- 1953 – No te ofendas, Beatriz de Julián Soler
- 1953 – Noi cannibali de Antonio Leonviola
- 1953 – Non è mai troppo tardi de Filippo Walter Ratti
- 1953 – Novio a la vista de Luis García Berlanga
- 1953 – O Cangaceiro de Lima Barreto
- 1953 – Old Overland Trail de William Witney
- 1953 – Our Girl Friday de Noel Langley
- 1953 – Pane, amore e fantasia de Luigi Comencini
- 1953 – Pellegrini d’amore de Andrea Forzano
- 1953 – Pepe El Toro de Ismael Rodríguez
- 1953 – Per salvarti ho peccato de Mario Costa
- 1953 – Perdonami! de Mario Costa
- 1953 – Personal Affair de Anthony Pelissier
- 1953 – Pickup on South Street (Anjo do Mal) de Samuel Fuller
- 1953 – Piel canela de Juan José Ortega
- 1953 – Pony Express (As Aventuras de Buffalo Bill) de Jerry Hopper
- 1953 – Port Sinister de Harold Daniels
- 1953 – Powder River (Honra Sem Fronteiras) de Louis King
- 1953 – Private Eyes de Edward Bernds
- 1953 – Puccini de Carmine Gallone
- 1953 – Quand tu liras cette lettre (pt: Quando leres esta carta) de Jean-Pierre Melville
- 1953 – Quatorze juillet de Abel Gance
- 1953 – Quiéreme porque me muero de Chano Urueta
- 1953 – Raíces de Benito Alazraki
- 1953 – Raya wa Sekina de Salah Abouseif
- 1953 – Red River Shore de Harry Keller
- 1953 – Reportaje de Emilio Fernández
- 1953 – Retorno a la juventud de Juan Bustillo Oro
- 1953 – Return to Paradise (Volta ao Paraíso) de Mark Robson
- 1953 – Rimorso de Andrea Grottini
- 1953 – Rogue's March de Allan Davis
- 1953 – Roman Holiday (A Princesa e o Plebeu) de William Wyler
- 1953 – Rough Shoot de Robert Parrish
- 1953 – Run for the Hills de Lew Landers
- 1953 – Sadko de Aleksandr Ptushko
- 1953 – Safari Drums de Ford Beebe
- 1953 – Salome de William Dieterle
- 1953 – San Antone de Joseph Kane
- 1953 – Sangaree de Edward Ludwig
- 1953 – Savage Frontier de Harry Keller
- 1953 – Savage Mutiny de Spencer Gordon Bennet
- 1953 – Sayedat al-Qitar de Youssef Chahine
- 1953 – Scandal at Scourie de Jean Negulesco
- 1953 – Scared Stiff (Morrendo de Medo) de George Marshall
- 1953 – Se vincessi cento milioni de Carlo Campogalliani e Carlo Moscovini
- 1953 – Seminole de Budd Boetticher
- 1953 – Shadows of Tombstone de William Witney
- 1953 – Shane (Os Brutos Também Amam) de George Stevens
- 1953 – She’s Back on Broadway (Vivendo Sem Amor) de Gordon Douglas
- 1953 – Si Versailles m’était conté... de Sacha Guitry
- 1953 – Siamo ricchi e poveri de Siro Marcellini
- 1953 – Siete mujeres de Juan Bustillo Oro
- 1953 – Single-Handed de Roy Boulting
- 1953 – Sinhá Moça de Tom Payne
- 1953 – Sky Commando de Fred F. Sears
- 1953 – So This Is Love (Gloriosa Consagração) de Gordon Douglas
- 1953 – Sombrero (México dos Meus Amores) de Norman Foster
- 1953 – South Sea Woman de Arthur Lubin
- 1953 – Spaceways de Terence Fisher
- 1953 – Spartaco (Spartaco, o Gladiador de Trácia) de Riccardo Freda
- 1953 – Split Second de Dick Powell
- 1953 – Stazione Termini (Quando a Mulher Erra) de Vittorio De Sica
- 1953 – Street of Shadows de Richard Vernon
- 1953 – Sul ponte dei sospiri de Antonio Leonviola
- 1953 – Sweethearts on Parade de Allan Dwan
- 1953 – Taiheiyô no washi de Ishirô Honda
- 1953 – Target Hong Kong de Fred F. Sears
- 1953 – The 49th Man de Fred F. Sears
- 1953 – The All American de Jesse Hibbs
- 1953 – The Band Wagon (A Roda da Fortuna) de Vincente Minnelli
- 1953 – The Beast From 20.000 Fathoms de Eugenie Lourie
- 1953 – The Big Heat (Os Corruptos) de Fritz Lang
- 1953 – The Bigamist (O Bígamo) de Ida Lupino
- 1953 – The Blue Parrot de John Harlow
- 1953 – The Caddy (Sofrendo da Bola) de Norman Taurog
- 1953 – The Captain’s Paradise de Anthony Kimmins
- 1953 – The Charge at Feather River (Investida de Bárbaros) de Gordon Douglas
- 1953 – The Clue of the Missing Ape de James Hill
- 1953 – The Cruel Sea de Charles Frend
- 1953 – The Diamond Queen de John Brahm
- 1953 – The Flanagan Boy de Reginald Le Bong
- 1953 – The Gambler and the Lady de Sam Newfield
- 1953 – The Girl Who Had Everything de Richard Thorpe
- 1953 – The Glass Wall (Muralhas da Esperança) de Maxwell Shane
- 1953 – The House Across the Lake de Ken Hughes
- 1953 – The House of the Arrow de Michael Anderson
- 1953 – The Kidnappers de Philip Leacock
- 1953 – The Large Rope de Wolf Rilla
- 1953 – The Limping Man de Cy Endfield e Charles De la Tour
- 1953 – The Long Memory de Robert Hamer
- 1953 – The Magnetic Monster de Curd Siodmak e Herbert L. Strock
- 1953 – The Malta Story de Brian Desmond Hurst
- 1953 – The Man Between de Carol Reed
- 1953 – The Man from the Alamo (Sangue Por Sangue) de Budd Boetticher
- 1953 – The Master of Ballantrae de William Keighley
- 1953 – The Million Pound Note (Loucuras de Um Milionário) de Ronald Neame
- 1953 – The Mississippi Gambler de Rudolph Maté
- 1953 – The Naked Spur (O Preço de um Homem) de Anthony Mann
- 1953 – The Nebraskan de Fred F. Sears
- 1953 – The Net de Anthony Asquith
- 1953 – The Oracle de C.M. Pennington-Richards
- 1953 – The Robe (O Manto Sagrado) de Henry Koster
- 1953 – The Saint's Return de Seymour Friedman
- 1953 – The Square Ring de Basil Dearden e Michael Relph
- 1953 – The Steel Lady de Ewald André Dupont
- 1953 – The Stooge (O Biruta e o Folgado) de Norman Taurog
- 1953 – The Story of Three Loves de Vincente Minnelli e Gottfried Reinhardt
- 1953 – The Sun Shines Bright (Brasil: O Sol Brilha na Imensidão /Portugal: O Sol Nasce Para Todos) de John Ford
- 1953 – The Titfield Thunderbolt de Charles Crichton
- 1953 – The Veils of Bagdad de George Sherman
- 1953 – The Wild One (O Selvagem) de Laszlo Benedek
- 1953 – The Yellow Balloon de J. Lee Thompson
- 1953 – Three Steps to the Gallows de John Gilling
- 1953 – Ti ho sempre amato! de Mario Costa
- 1953 – Time Bomb de Ted Tetzlaff
- 1953 – Tokyo Monogatari (Era uma vez em Tóquio) de Yasujiro Ozu
- 1953 – Touchez pas au grisbi de Jacques Becker
- 1953 – Trouble Along the Way (Atalhos do Destino) de Michael Curtiz
- 1953 – Trouble in Store de John Paddy Carstairs
- 1953 – Uéi Paesano de Manuel Romero
- 1953 – Ugetsu Monogatari (Contos da Lua Vaga) de Kenji Mizoguchi
- 1953 – Uma Pulga na Balança de Luciano Salce
- 1953 – Un ángel sin pudor de Carlos Hugo Christensen
- 1953 – Un giorno in pretura de Steno
- 1953 – Una madre ritorna de Roberto Bianchi Montero
- 1953 – Una ventana a la vida de Mario Soffici
- 1953 – Ung frue forsvunnet de Edith Carlmar
- 1953 – Valley of Head Hunters de William Berke
- 1953 – Vestire gli ignudi de Marcello Pagliero
- 1953 – Viaggio in Italia (Romance na Itália) de Roberto Rossellini
- 1953 – Vicki (Sombras da Loucura) de Harry Horner
- 1953 – Villa Borghese de Vittorio De Sica e Gianni Franciolini
- 1953 – Viva la rivista! de Enzo Trapani
- 1953 – Walking My Baby Back Home de Lloyd Bacon
- 1953 – Wheel of Fate de Francis Searle
- 1953 – White Lightning de Edward Bernds
- 1953 – Wings of the Hawk (Revolta do Desespero) de Budd Boetticher
- 1953 – Winning of the West de George Archainbaud
- 1953 – Woman They Almost Lynched de Allan Dwan
- 1953 – Young Bess (A Rainha Virgem) de George Sidney
- 1953 – Zit kardesler polis hafiyesi de Nisan Hançer
- 1953 – Zoku shishunki de Ishirô Honda
1954Editar
- 1954 – 20.000 Leagues Under the Sea (20.000 Léguas Submarinas) de Richard Fleischer
- 1954 – 3 Ring Circus (O Rei do Circo) de Joseph Pevney
- 1954 – 36 Hours de Montgomery Tully
- 1954 – A Bullet Is Waiting de John Farrow
- 1954 – A Star is Born (Nasce uma Estrela) de George Cukor
- 1954 – About Mrs. Leslie de Daniel Mann
- 1954 – Accadde al commissariato de Giorgio C. Simonelli
- 1954 – Adam est... Ève de René Gaveau
- 1954 – Ah! Les belles bacchantes de Jean Loubignac
- 1954 – Aida de Clemente Fracassi
- 1954 – Alaska Seas Jerry Hopper
- 1954 – Aldri annet enn bråk de Edith Carlmar
- 1954 – Ali Baba et les quarante voleurs de Jacques Becker
- 1954 – Amori di mezzo secolo de Mario Chiari, Pietro Germi, Glauco Pellegrini, Antonio Pietrangeli e Roberto Rossellini
- 1954 – Amoureux de Marianne de Jean Stelli
- 1954 – Athena de Richard Thorpe
- 1954 – Attila (Átila, o rei dos hunos) de Pietro Francisci
- 1954 – Avant le déluge de André Cayatte
- 1954 – Avanzi di galera de Vittorio Cottafavi
- 1954 – Aventuras del barbero de Sevilla de Ladislao Vajda
- 1954 – Bad Day at Black Rock (Conspiração do Silêncio) de John Sturges
- 1954 – Bait de Hugo Haas
- 1954 – Ballata tragica de Luigi Capuano
- 1954 – Bangiku de Mikio Naruse
- 1954 – Beachhead (Cabeça de Praia) de Stuart Heisler
- 1954 – Beau Brummell (O Belo Brummell]] de Curtis Bernhardt
- 1954 – Before I Wake de Albert S. Rogell
- 1954 – Bengal Brigade (Rifles Para Bengala) de Laszlo Benedek
- 1954 – Betrayed de Gottfried Reinhardt
- 1954 – Black Horse Canyon de Jesse Hibbs
- 1954 – Black Thirteen de Ken Hughes
- 1954 – Black Tuesday de Hugo Fregonese
- 1954 – Black Widow de Nunnally Johnson
- 1954 – Blood Orange de Terence Fisher
- 1954 – Border River de George Sherman
- 1954 – Borrasca en las almas de Ismael Rodríguez
- 1954 – Brigadoon (A Lenda dos Beijos Perdidos) de Vincente Minnelli
- 1954 – Broken Lance (A Lança Partida) de Edward Dmytryk
- 1954 – Camelia de Roberto Gavaldón
- 1954 – Camilla de Luciano Emmer
- 1954 – Canaris de Alfred Weidenmann
- 1954 – Cañas y barro de Juan de Orduña
- 1954 – Candinho de Abílio Pereira de Almeida
- 1954 – Canniball Attack (Jim das Selvas – O Homem Crocodilo) de Lee Sholem
- 1954 – Canzoni di mezzo secolo de Domenico Paolella
- 1954 – Canzoni, canzoni, canzoni de Domenico Paolella
- 1954 – Carmen Jones de Otto Preminger
- 1954 – Carnival Story de Kurt Neumann
- 1954 – Carosello napoletano de Ettore Giannini
- 1954 – Casa Ricordi de Carmine Gallone
- 1954 – Casanova’s Big Night (A Grande Noite de Casanova) de Norman Z. McLeod
- 1954 – Cattle Queen of Montana de Allan Dwan
- 1954 – Cento anni d’amore de Lionello De Felice
- 1954 – Chikamatsu monagatari (Os amantes Crucificados) de Kenji Mizoguchi
- 1954 – Cinema d’altri tempi de Steno
- 1954 – Conchita und der Ingenieur de Franz Eichhorn e Hans Hinrich
- 1954 – Cortigiana di Babilonia de Carlo Ludovico Bragaglia
- 1954 – Creature from the Black Lagoon (O Monstro da Lagoa Negra) de Jack Arnold
- 1954 – Crime Wave de André De Toth
- 1954 – Cronache di poveri amanti de Carlo Lizzani
- 1954 – Cry Vengeance de Mark Stevens
- 1954 – Cuore di mamma de Luigi Capuano
- 1954 – Dangerous Mission de Louis King
- 1954 – Dawn at Socorro (Dinastia do Terror) de George Sherman
- 1954 – Deep in My Heart de Stanley Donen
- 1954 – Demetrius and the Gladiators de Delmer Daves
- 1954 – Der schweigende Engel de Harald Reinl
- 1954 – Desiderio ’e sole de Giorgio Pastina
- 1954 – Desiree (Desirée, o Amor de Napoleão) de Henry Koster
- 1954 – Devil Girl from Mars de David MacDonald
- 1954 – Devil’s Harbor de Montgomery Tully
- 1954 – Dial M for Murder (Disque M Para Matar) de Alfred Hitchcock
- 1954 – Días de odio de Leopoldo Torre Nilsson
- 1954 – Dios nos manda vivir de Joaquín Pardavé
- 1954 – Divisione Folgore de Duilio Coletti
- 1954 – Dragonfly Squadron de Lesley Selander
- 1954 – Drive a Crooked Road de Richard Quine
- 1954 – Drums Across the River de Nathan Juran
- 1954 – Drums of Tahiti de William Castle
- 1954 – Duel in the Jungle (Duelo nas Selvas) de George Marshall
- 1954 – Duffy of San Quentin de Walter Doniger
- 1954 – É Proibido Beijar de Ugo Lombardi
- 1954 – Eine Frau von heute de Paul Verhoeven (II)
- 1954 – Eine Liebesgeschichte de Rudolf Jugert
- 1954 – El aguila negra en ’El vengador solitario’ de Ramón Peón
- 1954 – El anessa Hanafi de Fatin Abdel Wahab
- 1954 – El beso de Judas de Rafael Gil
- 1954 – El conde de Montecristo de León Klimovsky
- 1954 – El enmascarado de plata de René Cardona
- 1954 – El río y la muerte de Luis Buñuel
- 1954 – El torero de René Wheeler
- 1954 – El vizconde de Montecristo de Gilberto Martínez Solares
- 1954 – El wahsh de Salah Abouseif
- 1954 – Elephant Walk (No Caminho dos Elefantes) de William Dieterle
- 1954 – En Lektion i Kärlek (Uma Lição de Amor) de Ingmar Bergman
- 1954 – Escuela de vagabundos de Rogelio A. González
- 1954 – Even Al Kol Meel de Aryeh Lahola
- 1954 – Ewiger Walzer de Paul Verhoeven (II)
- 1954 – Executive Suite de Robert Wise
- 1954 – Face the Music de Terence Fisher
- 1954 – Fireman Save My Child de Leslie Goodwins
- 1954 – Five Days de Montgomery Tully
- 1954 – Flame and the Flesh de Richard Brooks
- 1954 – Floradas na Serra de Luciano Salce
- 1954 – Foglio di via de Carlo Campogalliani
- 1954 – Four Guns to the Border (O Derradeiro Assalto) de Richard Carlson
- 1954 – Francis Joins the WACS de Arthur Lubin
- 1954 – François il contrabbandiere de Gianfranco Parolini
- 1954 – French Cancan de Jean Renoir
- 1954 – Garden of Evil (O Jardim do Pecado) de Henry Hathaway
- 1954 – Gefangene der Liebe de Rudolf Jugert
- 1954 – Giorni d’amore de Giuseppe De Santis e Leopoldo Savona
- 1954 – Gli amori di Manon Lescaut de Mario Costa
- 1954 – Gog de Herbert L. Strock
- 1954 – Gojira (Godzilla o Monstro do Mar) de Ishirô Honda
- 1954 – Gorilla At Large de Harmon Jones
- 1954 – Gran varietà de Domenico Paolella
- 1954 – Green Fire (Tentação Verde) de Andrew Marton
- 1954 – Hanno rubato un tram de Sergio Leone
- 1954 – Hell and High Water de Samuel Fuller
- 1954 – Hell Below Zero de Mark Robson
- 1954 – Hell’s Outpost de Joseph Kane
- 1954 – Her Twelve Men de Robert Z. Leonard
- 1954 – Highway Dragnet de Nathan Juran
- 1954 – Hijas casaderas de Gilberto Martínez Solares
- 1954 – His Majesty O’Keefe (Sua Majestade, o Aventureiro) de Byron Haskin
- 1954 – Hoheit lassen bitten de Paul Verhoeven (II)
- 1954 – Huis clos de Jacqueline Audry
- 1954 – Human Desire (Desejo Humano) de Fritz Lang
- 1954 – I cinque dell’adamello de Pino Mercanti
- 1954 – Ihre große Prüfung de Rudolf Jugert
- 1954 – Il Cardinale Lambertini de Giorgio Pastina
- 1954 – Il letto (Secrets d'alcove) de Gianni Franciolini
- 1954 – Il Maestro di Don Giovanni de Milton Krims e Vittorio Vassarotti
- 1954 – Il paese dei campanelli de Jean Boyer
- 1954 – Il segreto delle tre punte de Carlo Ludovico Bragaglia
- 1954 – Il vetturale del Moncenisio de Guido Brignone
- 1954 – It Should Happen to You (Demônio de Mulher) de George Cukor
- 1954 – Jail Bait de Edward D. Wood Jr.
- 1954 – Jivaro de Edward Ludwig
- 1954 – Johnny Dark de George Sherman
- 1954 – Johnny Guitar de Nicholas Ray
- 1954 – Jolanda la figlia del corsaro nero de Mario Soldati
- 1954 – Jungle Gents de Edward Bernds
- 1954 – Jungle Man-Eaters de Lee Sholem
- 1954 – Killer Leopard de Ford Beebe
- 1954 – Killers from Space de W. Lee Wilder
- 1954 – King Richard and the Crusaders de David Butler
- 1954 – Knock On Wood de Melvin Frank e Norman Panama
- 1954 – Kono hiroi sora no dokoka ni de Masaki Kobayashi
- 1954 – Kyriakatiko xypnima de Mihalis Kakogiannis
- 1954 – L’affaire Maurizius de Julien Duvivier
- 1954 – L’air de Paris de Marcel Carné
- 1954 – L’allegro squadrone de Paolo Moffa
- 1954 – L’amante di Paride de Marc Allégret
- 1954 – L’amour d’une femme de Jean Grémillon
- 1954 – L’eroe della Vandea de Richard Pottier
- 1954 – L’ombra de Giorgio Bianchi
- 1954 – L’oro di Napoli (O Ouro de Nápoles) de Vittorio De Sica
- 1954 – La bruja de Chano Urueta
- 1954 – La città canora de Mario Costa
- 1954 – La desconocida de Chano Urueta
- 1954 – La edad del amor de Julio Saraceni
- 1954 – La figlia di Mata Hari de Renzo Merusi e Carmine Gallone
- 1954 – La infame de Miguel Zacarías
- 1954 – La mujer que se vendio de Agustín P. Delgado
- 1954 – La patrouille des sables de René Chanas
- 1954 – La patrulla de Pedro Masó
- 1954 – La paura (O Medo) de Roberto Rossellini
- 1954 – La peccatrice dell’isola de Sergio Grieco
- 1954 – La perversa de Chano Urueta
- 1954 – La pícara molinera de León Klimovsky
- 1954 – La prigioniera di Amalfi de Giorgio Cristallini
- 1954 – La Principessa delle Canarie de Paolo Moffa e Carlos Serrano de Osma
- 1954 – La rafle est pour ce soir de Maurice Dekobra
- 1954 – La rage au corps de Ralph Habib
- 1954 – La Reine Margot de Jean Dréville
- 1954 – La romana de Luigi Zampa
- 1954 – La spiaggia de Alberto Lattuada
- 1954 – La strada (A Estrada da Vida) de Federico Fellini
- 1954 – La visita que no tocó el timbre de Julián Soler
- 1954 – Lacrime d’amore de Pino Mercanti
- 1954 – Lágrimas robadas de Julián Soler
- 1954 – Las tres Elenas de Emilio Gómez Muriel
- 1954 – Le avventure di Cartouche de Steve Sekely e Gianni Vernuccio
- 1954 – Le Collège en folie de Henri Lepage
- 1954 – Le Grand jeu de Robert Siodmak
- 1954 – Le Grand pavois de Jacques Pinoteau
- 1954 – Le Rouge et le Noir de Claude Autant-Lara
- 1954 – Le signorine dello 04 de Gianni Franciolini
- 1954 – Les Intrigantes de Henri Decoin
- 1954 – Lettera napoletana de Giorgio Pastina
- 1954 – Ley fuga de Emilio Gómez Muriel
- 1954 – Life with the Lyons de Val Guest
- 1954 – Lilacs in the Spring de Herbert Wilcox
- 1954 – Living It Up (A Farra dos Malandros) de Norman Taurog
- 1954 – Long John Silver (O Pirata de Porto Belo) de Byron Haskin
- 1954 – Loophole de Harold D. Schuster
- 1954 – Lucky Me de Jack Donohue
- 1954 – Ma and Pa Kettle at Home de Charles Lamont
- 1954 – Madama Butterfly de Carmine Gallone
- 1954 – Madame du Barry de Christian-Jaque
- 1954 – Magnificent Obsession (Magnífica Obsessão) de Douglas Sirk
- 1954 – Malaga (África de Fogo) de Richard Sale
- 1954 – Maldita ciudad (un drama cómico) de Ismael Rodríguez
- 1954 – Mambo de Robert Rossen
- 1954 – Man Crazy de Irving Lerner
- 1954 – Man in the Attic de Hugo Fregonese
- 1954 – Manicomio de Luis María Delgado e Fernando Fernán Gómez
- 1954 – Marchandes d’illusions de Raoul André
- 1954 – Mask of Dust de Terence Fisher
- 1954 – Massacre Canyon de Fred F. Sears
- 1954 – Masterson of Kansas (Ases do Gatilho) de William Castle
- 1954 – Matar ou Correr de Carlos Manga
- 1954 – Me perderé contigo de Zacarías Gómez Urquiza
- 1954 – Men of the Fighting Lady (Esquadrão Heróico) de Andrew Marton
- 1954 – Miseria e nobiltà de Mario Mattòli
- 1954 – Miss Robin Crusoe de Eugene Frenke
- 1954 – Mittsu no ai de Masaki Kobayashi
- 1954 – Mizar de Francesco De Robertis
- 1954 – Morir para vivir de Miguel Morayta
- 1954 – Murió hace quince años de Rafael Gil
- 1954 – Naked Alibi de Jerry Hopper
- 1954 – Nastik de I.S. Johar
- 1954 – Nem Sansão nem Dalila de Carlos Manga
- 1954 – New Faces de Harry Horner
- 1954 – Night People de Nunnally Johnson
- 1954 – Nijûshi no hitomi de Keisuke Kinoshita
- 1954 – O Canto do Mar de Alberto Cavalcanti
- 1954 – Obsession de Jean Delannoy
- 1954 – On the Waterfront (Brasil: Sindicato de Ladrões /Portugal: Há Lodo no Cais) de Elia Kazan
- 1954 – Opinione pubblica de Maurizio Corgnati e Goffredo Alessandrini
- 1954 – Orders Are Orders de David Paltenghi
- 1954 – Outlaw’s Daughter de Wesley Barry
- 1954 – Overland Pacific de Fred F. Sears
- 1954 – Pane, amore e gelosia de Luigi Comencini
- 1954 – Papa, maman, la bonne et moi de Jean-Paul Le Chanois
- 1954 – Passion de Allan Dwan
- 1954 – Peccato che sia una canaglia de Alessandro Blasetti
- 1954 – Phantom of the Rue Morgue de Roy Del Ruth
- 1954 – Phantom Stallion de Harry Keller
- 1954 – Phffft (Abaixo o Divórcio) de Mark Robson
- 1954 – Piccola santa de Roberto Bianchi Montero
- 1954 – Pietà per chi cade de Mario Costa
- 1954 – Playgirl de Joseph Pevney
- 1954 – Por qué ya no me quieres de Chano Urueta
- 1954 – Prince Valiant (Príncipe Valente) de Henry Hathaway
- 1954 – Princess of the Nile de Harmon Jones
- 1954 – Prisoner of War de Andrew Marton
- 1954 – Private Hell 36 de Don Siegel
- 1954 – Pushover de Richard Quine
- 1954 – Quai des blondes de Paul Cadéac
- 1954 – Questa è la vita de Luigi Zampa, Aldo Fabrizi, Mario Soldati e Giorgio Pàstina
- 1954 – Questi fantasmi de Eduardo De Filippo
- 1954 – Racing Blood de Wesley Barry
- 1954 – Radio Cab Murder de Vernon Sewell
- 1954 – Rails Into Laramie de Jesse Hibbs
- 1954 – Raspoutine de Georges Combret
- 1954 – Rear Window (Janela Indiscreta) de Alfred Hitchcock
- 1954 – Red Garters de George Marshall
- 1954 – Rhapsody (Rapsódia) de Charles Vidor
- 1954 – Ride Clear of Diablo (Traição Cruel) de Jesse Hibbs
- 1954 – Ridere! Ridere! Ridere! de Edoardo Anton
- 1954 – Riders to the Stars de Richard Carlson e Herbert L. Strock
- 1954 – Riding Shotgun (Alma de Renegado) de André De Toth
- 1954 – Ring of Fear de James Edward Grant e William A. Wellman
- 1954 – Ripudiata de Giorgio Chili
- 1954 – River Beat de Guy Green
- 1954 – River of No Return (O Rio das Almas Perdidas) de Otto Preminger
- 1954 – Rogue Cop (Pecado e Redenção) de Roy Rowland
- 1954 – Romance de fieras de Ismael Rodríguez
- 1954 – Rose Marie de Mervyn LeRoy
- 1954 – Rosen-Resli de Harald Reinl
- 1954 – Rua Sem Sol de Alex Viany
- 1954 – Sabrina de Billy Wilder
- 1954 – Salt of the Earth (O Sal da Terra) de Herbert J. Biberman
- 1954 – Sanshô dayû (O Intendente Sansho) de Kenji Mizoguchi
- 1954 – Saraba Rabauru de Ishirô Honda
- 1954 – Saskatchewan (Pacto de Honra) de Raoul Walsh
- 1954 – Scarlet Web de Charles Saunders
- 1954 – Schiava del peccato de Raffaello Matarazzo
- 1954 – Se solicitan modelos de Chano Urueta
- 1954 – Seagulls Over Sorrento de John Boulting e Roy Boulting
- 1954 – Secret of the Incas de Jerry Hopper
- 1954 – Secrets d’alcôve de Henri Decoin
- 1954 – Senso (Sedução da Carne) de Luchino Visconti
- 1954 – Serpent Island de Tom Gries
- 1954 – Seven Brides for Seven Brothers (Sete Noivas para Sete Irmãos) de Stanley Donen
- 1954 – Shaytan al-Sahra de Youssef Chahine
- 1954 – She Couldn’t Say No de Lloyd Bacon
- 1954 – Shi zu hen de Wui Ng
- 1954 – Shichinin no samurai (Os Sete Samurais) de Akira Kurosawa
- 1954 – Shield for Murder de Howard W. Koch e Edmond O’Brien
- 1954 – Si Versailles m'était conté de Sacha Guitry
- 1954 – Siege at Red River de Rudolph Maté
- 1954 – Siluri umani de Antonio Leonviola, Marc-Antonio Bragadin e Carlo Lizzani
- 1954 – Silver Lode (Homens Indomáveis) de Allan Dwan
- 1954 – Siraa Fil-Wadi de Youssef Chahine
- 1954 – Solamente una vez de Carlos Véjar hijo
- 1954 – Sophie et le crime de Pierre Gaspard-Huit
- 1954 – Sor Angélica de Joaquín Luis Romero Marchent
- 1954 – Southwest Passage de Ray Nazarro
- 1954 – Susan Slept Here de Frank Tashlin
- 1954 – Tanganyka de André De Toth
- 1954 – Target Earth de Sherman A. Rose
- 1954 – Taza, Son of Cochise (Herança Sagrada) de Douglas Sirk
- 1954 – Tempi nostri de Alessandro Blasetti e Paul Paviot
- 1954 – Teodora, imperatrice di Bisanzio de Riccardo Freda
- 1954 – The Adventures of Hajji Baba de Don Weis
- 1954 – The Bamboo Prison de Lewis Seiler
- 1954 – The Barefoot Contessa (A Condessa Descalça) de Joseph L. Mankiewicz
- 1954 – The Battle of Rogue River de William Castle
- 1954 – The Beachcomber de Muriel Box
- 1954 – The Belles of St. Trinian’s de Frank Launder
- 1954 – The Black Dakotas (Rebelião em Dakota) de Ray Nazarro
- 1954 – The Black Knight de Tay Garnett
- 1954 – The Black Rider de Wolf Rilla
- 1954 – The Black Shield of Falworth (O Escudo Negro de Falworth) de Rudolph Maté
- 1954 – The Bounty Hunter de André De Toth
- 1954 – The Bowery Boys Meet the Monsters de Edward Bernds
- 1954 – The Boy from Oklahoma (Aço de Boa Têmpera) de Michael Curtiz
- 1954 – The Bridges at Toko-Ri (As Pontes de Toko-Ri) de Mark Robson
- 1954 – The Caine Mutiny (A Nave da Revolta) de Edward Dmytryk
- 1954 – The Command (Sob o Comando da Morte) de David Butler
- 1954 – The Constant Husband de Sidney Gilliat
- 1954 – The Country Girl (Amar É Sofrer) de George Seaton
- 1954 – The Crowded Day de John Guillermin
- 1954 – The Divided Heart de Charles Crichton
- 1954 – The Egyptian (O Egípcio) de Michael Curtiz
- 1954 – The Final Test de Anthony Asquith
- 1954 – The Gambler from Natchez (Eu Me Vingarei) de Henry Levin
- 1954 – The Glenn Miller Story de Anthony Mann
- 1954 – The Golden Idol de Ford Beebe
- 1954 – The Good Die Young de Lewis Gilbert
- 1954 – The High and the Mighty (Um Fio de Esperança) de William A. Wellman
- 1954 – The Hindu de Frank Ferrin
- 1954 – The House Across the Lake de Ken Hughes
- 1954 – The Iron Glove de William Castle
- 1954 – The Island Monster de Roberto Bianchi Montero
- 1954 – The Last Time I Saw Paris (A Última Vez Que Vi Paris) de Richard Brooks
- 1954 – The Long Wait de Victor Saville
- 1954 – The Love Lottery de Charles Crichton
- 1954 – The Lyons in Paris de Val Guest
- 1954 – The Mad Magician de John Brahm
- 1954 – The Maggie de Alexander MacKendrick
- 1954 – The Men of Sherwood Forest de Val Guest
- 1954 – The Miami Story de Fred F. Sears
- 1954 – The Other Woman de Hugo Haas
- 1954 – The Outcast (Tropel dos Vingadores) de William Witney
- 1954 – The Outlaw Stallion de Fred F. Sears
- 1954 – The Raid (Vingança Terrível) de Hugo Fregonese
- 1954 – The Rainbow Jacket de Basil Dearden
- 1954 – The Rocket Man de Oscar Rudolph
- 1954 – The Runaway Bus de Val Guest
- 1954 – The Saracen Blade de William Castle
- 1954 – The Sleeping Tiger de Joseph Losey
- 1954 – The Stranger Came Home de Terence Fisher
- 1954 – The Student Prince de Richard Thorpe e Curtis Bernhardt
- 1954 – The Weak and the Wicked de J. Lee Thompson
- 1954 – The Yellow Mountain de Jesse Hibbs
- 1954 – The Yellow Tomahawk (O Machado Sangrento) de Lesley Selander
- 1954 – The Young Lovers de Anthony Asquith
- 1954 – Them! (O Mundo em Perigo) de Gordon Douglas
- 1954 – There’s No Business Like Show Business de Walter Lang
- 1954 – They Rode West (Traição Heróica) de Phil Karlson
- 1954 – Third Party Risk de Daniel Birt
- 1954 – This Is My Love de Stuart Heisler
- 1954 – Three Coins in the Fountain de Jean Negulesco
- 1954 – Three Hours to Kill de Alfred L. Werker
- 1954 – Three Young Texans de Henry Levin
- 1954 – To koritsi tis geitonias de Maria Plyta
- 1954 – Todo es posible en Granada de José Luis Sáenz de Heredia
- 1954 – Touchez pas au grisbi de Jacques Becker
- 1954 – Track of the Cat de William A. Wellman
- 1954 – Tres citas com el destino de Fernando de Fuentes, León Klimovsky e Florián Rey
- 1954 – Tres hombres van a morir de Feliciano Catalán
- 1954 – Trouble in the Glen de Herbert Wilcox
- 1954 – Tua per la vita de Sergio Grieco
- 1954 – Ulisse (Ulisses) de Mario Camerini
- 1954 – Un Caballero Andaluz de Luis Lucia
- 1954 – Un giorno in pretura de Steno
- 1954 – Un hombre cualquiera de Carlos Rinaldi
- 1954 – Uomini ombra de Francesco De Robertis
- 1954 – Uomini senza pace de Saenz de Hereida
- 1954 – Valley of the Kings de Robert Pirosh
- 1954 – Venganza en el circo de Roberto Rodríguez
- 1954 – Vera Cruz de Robert Aldrich
- 1954 – Veraneo en Mar del Plata de Julio Saraceni
- 1954 – Vergine moderna de Marcello Pagliero
- 1954 – Violenza sul lago de Leonardo Cortese
- 1954 – West of Zanzibar de Harry Watt
- 1954 – White Christmas (Natal Branco) de Michael Curtiz
- 1954 – Witness to Murder de Roy Rowland
- 1954 – Woman’s World (O Mundo É das Mulheres) de Jean Negulesco
- 1954 – World for Ransom de Robert Aldrich
- 1954 – Wyoming Renegades de Fred F. Sears
- 1954 – Yama no oto de Mikio Naruse
- 1954 – Yankee Pasha de Joseph Pevney
- 1954 – Young at Heart (Corações Enamorados) de Gordon Douglas
- 1954 – Yukon Vengeance de William Beaudine
1955Editar
- 1955 – 5 Against the House (No Mau Caminho) de Phil Karlson
- 1955 – 52 Wochen sind ein Jahr de Richard Groschopp
- 1955 – A Carrocinha de Agostinho Martins Pereira
- 1955 – A Lawless Street (Obrigado a Matar) de Joseph H. Lewis
- 1955 – A los cuatro vientos de Adolfo Fernández Bustamante
- 1955 – A Man Alone (Um Homem Só) de Ray Milland
- 1955 – A Man Called Peter (Para Todo o Sempre) de Henry Koster
- 1955 – A Prize of Gold (Ouro Maldito) de Mark Robson
- 1955 – Accadde al penitenziario de Giorgio Bianchi
- 1955 – Accadde tra le sbarre de Giorgio Cristallini
- 1955 – Addio Napoli! de Roberto Bianchi Montero
- 1955 – Adriana Lecouvreur de Guido Salvini
- 1955 – Agguato sul mare de Pino Mercanti
- 1955 – Alibi de Alfred Weidenmann
- 1955 – All That Heaven Allows (Tudo o Que o Céu Permite) de Douglas Sirk
- 1955 – Amor en cuatro tiempos de Luis Spota
- 1955 – Apache Ambush de Fred F. Sears
- 1955 – Artists and Models (Artistas e Modelos) de Frank Tashlin
- 1955 – Bad Day at Black Rock (Conspiração do Silêncio) John Sturges
- 1955 – Battle Cry (Qual Será o Nosso Amanhã?) de Raoul Walsh
- 1955 – Battle Taxi de Herbert L. Strock
- 1955 – Bedre enn sitt rykte de Edith Carlmar
- 1955 – Bella non piangere! de Dino Carbonari
- 1955 – Blackboard Jungle (Sementes da Violência) de Richard Brooks
- 1955 – Blood Alley (Rota Sangrenta) de William Wellman
- 1955 – Bowery to Bagdad de Edward Bernds
- 1955 – Break in the Circle de Val Guest
- 1955 – Buruuba de Shigeyoshi Suzuki
- 1955 – Ça va barder de John Berry
- 1955 – Canario rojo de Julio Porter
- 1955 – Canzoni di tutta Italia de Domenico Paolella
- 1955 – Carolina Cannonball de Charles Lamont
- 1955 – Cast a Dark Shadow de Lewis Gilbert
- 1955 – Cavalleria rusticana de Carmine Gallone
- 1955 – Cela s’appelle l’aurore de Luis Buñuel
- 1955 – Cell 2455 Death Row de Fred F. Sears
- 1955 – Cesta do praveku (Viagem à Pré-História) de Karel Zeman e Fred Ladd
- 1955 – Chantage de Guy Lefranc
- 1955 – Chicago Syndicate de Fred F. Sears
- 1955 – City of Shadows de William Witney
- 1955 – Crashout (Liberdade Sangrenta) de Lewis R. Foster
- 1955 – Creature with the Atomic Brain de Edward L. Cahn
- 1955 – Cult of the Cobra (A Maldição da Serpente) de Francis D. Lyon
- 1955 – Cupido pierde a Paquita de Ismael Rodríguez
- 1955 – Da qui all’eredità de Riccardo Freda
- 1955 – Day the World Ended de Roger Corman
- 1955 – Der Himmel ist nie ausverkauft de Alfred Weidenmann
- 1955 – Después de la tormenta de Roberto Gavaldón
- 1955 – Devil Goddess de Spencer Gordon Bennet
- 1955 – Devil Goddess de Spencer Gordon Bennet
- 1955 – Dial Red O de Daniel B . Ullman
- 1955 – Dig That Uranium de Edward Bernds
- 1955 – Don Camillo e l'on. Peppone de Carmine Gallone
- 1955 – Donne sole de Vittorio Sala
- 1955 – Double Jeopardy de R.G. Springsteen
- 1955 – Du rififi chez les hommes (Rififi) de Jules Dassin
- 1955 – East of Eden (Vidas Amargas) de Elia Kazan
- 1955 – El canto del gallo de Rafael Gil
- 1955 – El caso de la mujer asesinadita
- 1955 – El coyote de Joaquín Luis Romero Marchent
- 1955 – El Cristo negro de Carlos Véjar hijo
- 1955 – El inocente de Rogelio A. González
- 1955 – El juramento de Lagardere de León Klimovsky
- 1955 – El médico de las locas de Miguel Morayta
- 1955 – El monstruo en la sombra de Zacarías Gómez Urquiza
- 1955 – El monstruo resucitado de Chano Urueta
- 1955 – El seductor de Chano Urueta
- 1955 – El tren expreso de León Klimovsky
- 1955 – El túnel 6 de Chano Urueta
- 1955 – El vendedor de muñecas de Chano Urueta
- 1955 – Ensayo de un crimen (Ensaio de Um Crime) de Luis Buñuel
- 1955 – Escape to Burma de Allan Dwan
- 1955 – Estafa de amor de Miguel M. Delgado
- 1955 – Female Jungle de Bruno VeSota
- 1955 – Five Guns West (Cinco Revólveres Mercenários) de Roger Corman
- 1955 – Foglio di via de Carlo Campogalliani
- 1955 – Fort Yuma de Lesley Selander
- 1955 – Gas-oil de Gilles Grangier
- 1955 – Gelosia de Pietro Germi
- 1955 – Giv’a 24 Eina Ona (Colina 24 Não Responde) de Thorold Dickinson
- 1955 – Gli sbandati (Abandonada) de Francesco Maselli
- 1955 – Gli ultimi cinque minuti de Giuseppe Amato
- 1955 – Gojira no gyakushû (O Monstro de Fogo) de Motoyoshi Oda
- 1955 – Good Morning, Miss Dove (O Ocaso de Uma Alma) de Henry Koster
- 1955 – Gran varietà de Domenico Paolella
- 1955 – Guys and Dolls (Eles e Elas) de Joseph L. Mankiewicz
- 1955 – Hadassa zata laila de Henry Barakat
- 1955 – Headline Hunters de William Witney
- 1955 – Hell on Frisco Bay (Horas Sombrias) de Frank Tuttle
- 1955 – Hell’s Horizon (Horizontes do Inferno) de Tom Gries
- 1955 – Hell’s Island de Phil Karlson
- 1955 – Historias de la radio de José Luis Sáenz de Heredia
- 1955 – House of Bamboo (Casa de Bambú) de Samuel Fuller
- 1955 – I Died a Thousand Times (Morrendo a Cada Instante) de Stuart Heisler
- 1955 – I giorni più belli de Mario Mattoli
- 1955 – I pinguini ci guardano de Guido Leoni
- 1955 – Ich weiß, wofür ich lebe de Paul Verhoeven (II)
- 1955 – Ikimono no kiroku (Anatomia do Medo) de Akira Kurosawa
- 1955 – Il bigamo de Luciano Emmer
- 1955 – Il conte Aquila de Guido Salvini
- 1955 – Il coraggio de Domenico Paolella
- 1955 – Il falco d’oro de Carlo Ludovico Bragaglia
- 1955 – Il piccolo vetraio de Giorgio Capitani
- 1955 – Il prezzo della gloria de Antonio Musu
- 1955 – Il principe dalla maschera rossa de Leopoldo Savona
- 1955 – Il segno di Venere de Dino Risi
- 1955 – Il tetto de Vittorio De Sica
- 1955 – Illegal (Trágica Fatalidade) de Lewis Allen
- 1955 – Interrupted Melody de Curtis Bernhardt
- 1955 – Io sono la primula rossa de Giorgio Simonelli
- 1955 – Ismail Yassine fil geish de Fatin Abdel Wahab
- 1955 – It Came From Beneath the Sea (O Monstro do Mar Revolto) de Robert Gordon
- 1955 – Jû jin yuki otoko de Ishirô Honda
- 1955 – Jump Into Hell (Um Salto no Inferno) de David Butler
- 1955 – Jungle Moon Men (Jim das Selvas em A Deusa da Lua) de Charles S. Gould
- 1955 – Jupiter’s Darling de George Sidney
- 1955 – Kinder, Mütter und ein General de Laszlo Benedek
- 1955 – King Dinosaur de Bert I. Gordon
- 1955 – King’s Rhapsody de Herbert Wilcox
- 1955 – Kiss Me Deadly (A Morte num Beijo) de Robert Aldrich
- 1955 – Kiss of Fire de Joseph M. Newman
- 1955 – Koi-gesho de Ishirô Honda
- 1955 – Kvinnodröm (Sonhos de Mulheres) de Ingmar Bergman
- 1955 – L’affaire des poisons de Henri Decoin
- 1955 – L’amant de lady Chatterley de Marc Allégret
- 1955 – La bella mugnaia (A Bela Moleira) de Mario Camerini
- 1955 – La città del cinema de Vittorio Sala
- 1955 – La donna del fiume de Mario Soldati
- 1955 – La donna più bella del mondo de Robert Z. Leonard
- 1955 – La engañadora de José Díaz Morales
- 1955 – La fuerza del deseo de Miguel M. Delgado
- 1955 – La Loi des rues de Ralph Habib
- 1955 – La Meilleure Part de Yves Allégret
- 1955 – La otra vida del capitán Contreras de Rafael Gil
- 1955 – La pícara molinera de León Klimovsky
- 1955 – La piccola guerra de Arthur Joffè
- 1955 – La rival de Chano Urueta
- 1955 – La rossa de Luigi Capuano
- 1955 – La Tierra del Fuego se apaga de Emilio Fernández
- 1955 – La tour de Nesle de Abel Gance
- 1955 – La vedova X de Lewis Milestone
- 1955 – La vena d’oro de Mauro Bolognini
- 1955 – Lady Godiva de Arthur Lubin
- 1955 – Land of the Pharaohs (Terra dos Faraós) de Howard Hawks
- 1955 – Last of the Desperados de Sam Newfield
- 1955 – Le amiche de Michelangelo Antonioni
- 1955 – Le avventure di Giacomo Casanova de Steno
- 1955 – Le diciottenni de Mario Mattoli
- 1955 – Le dossier noir de André Cayatte
- 1955 – Le maîtres fous (Os Mestres Loucos) (Curta) de Jean Rouch
- 1955 – Le ragazze di San Frediano de Valerio Zurlini
- 1955 – Les amants du Tage de Henri Verneuil
- 1955 – Les aristocrates de Denys de La Patellière
- 1955 – Les Chiffonniers de Emmaüs de Robert Darène
- 1955 – Les Clandestines de Raoul André
- 1955 – Les Diaboliques (As Diabólicas) de Henri-Georges Clouzot
- 1955 – Les Grandes Manœuvres de René Clair
- 1955 – Les héros sont fatigués de Yves Ciampi
- 1955 – Les Hommes en blanc de Ralph Habib
- 1955 – Les pépées font la loi de Raoul André
- 1955 – Les salauds vont en enfer de Robert Hossein
- 1955 – Lo que le pasó a Sansón de Gilberto Martínez Solares
- 1955 – Lo scapolo, non accreditata de Antonio Pietrangeli
- 1955 – Lola Montès (Lola Montes) de Max Ophüls
- 1955 – Lord of the Jungle de Ford Beebe
- 1955 – Los paquetes de Paquita de Ismael Rodríguez
- 1955 – Los platillos voladores de Julián Soler
- 1955 – Love Me or Leave Me (Ama-me ou Esquece-me) de Charles Vidor
- 1955 – Luna nuova de Luigi Capuano
- 1955 – M’sieur La Caille de André Pergament
- 1955 – Man with the Gun (Armado Até os Dentes) de Richard Wilson
- 1955 – Mañana cuando amanezca de Javier Setó
- 1955 – Many Rivers to Cross de Roy Rowland
- 1955 – Marcelino, pan y vino Marcelino Pão e Vinho) de Ladislao Vajda
- 1955 – Marguerite de la nuit de Claude Autant-Lara
- 1955 – Marty de Delbert Mann
- 1955 – Más pobre que una laucha de Julio Saraceni
- 1955 – Mister Roberts de John Ford
- 1955 – Moonfleet (O Tesouro do Barba Rubra) de Fritz Lang
- 1955 – Muerte de un ciclista de Juan Antonio Bardem
- 1955 – Murder by Proxy de Terence Fisher
- 1955 – Murder is My Beat de Edgar G. Ulmer
- 1955 – N’harak said de Fatin Abdel Wahab
- 1955 – Nana de Christian-Jaque
- 1955 – Napoléon de Sacha Guitry
- 1955 – Necesito un marido de José Díaz Morales
- 1955 – New York Confidential (O Código do Diabo) de Russel Rouse
- 1955 – Night Freigh de Jean Yarbrough
- 1955 – Nuit et Brouillard (Noite e Neblina) (Curta) de Alain Resnais
- 1955 – Oasis de Yves Allégret
- 1955 – Oen-san de Ishirô Honda
- 1955 – Oh, Rosalinda!! de Michael Powell e Emeric Pressburger
- 1955 – Oklahoma! de Fred Zinnemann
- 1955 – One Way Out de Francis Searle
- 1955 – Ordet (A Palavra) de Carl Theodor Dreyer
- 1955 – Out of the Clouds de Basil Dearden
- 1955 – Paixão nas Selvas de Franz Eichhorn
- 1955 – Pájaros de cristal de Ernesto Arancibia
- 1955 – Panayirdaki cinayet de Nisan Hançer
- 1955 – Pane, amore e... de Dino Risi
- 1955 – Para vestir santos de Leopoldo Torre Nilsson
- 1955 – Passage Home de Roy Ward Baker
- 1955 – Pather Panchali (A Canção da Estrada) de Satyajit Ray
- 1955 – Pearl of the South Pacific de Allan Dwan
- 1955 – Pecado mortal de Migue M. Delgado
- 1955 – Pecadora de Enrique Carreras
- 1955 – Peccato che sia una canaglia de Alessandro Blasetti
- 1955 – Pete Kelly’s Blues (A Taberna Maldita) de Jack Webb
- 1955 – Picnic (Férias de Amor) de Joshua Logan
- 1955 – Prigionieri del male de Mario Costa
- 1955 – Queen Bee de Ranald MacDougall
- 1955 – Racconti romani de Gianni Franciolini
- 1955 – Razzia sur la Chnouf de Henri Decoin
- 1955 – Rebel Without a Cause (Juventude Transviada) de Nicholas Ray
- 1955 – Richard III de Laurence Olivier
- 1955 – Rio, 40 Graus de Nelson Pereira Dos Santos
- 1955 – Roman einer Siebzehnjährigen de Paul Verhoeven (II)
- 1955 – Rosen im Herbst de Rudolf Jugert
- 1955 – Rosso e nero de Domenico Paolella
- 1955 – Santa Fe Passage de William Witney
- 1955 – Scapricciatiello de Luigi Capuano
- 1955 – Série noire de Pierre Foucaud
- 1955 – Seven Angry Men de Charles Marquis Warren
- 1955 – Shack Out on 101 de Edward Dein
- 1955 – Shin heike monogatari de Kenji Mizoguchi
- 1955 – Shri Nagad Narayan de I.S. Johar
- 1955 – Si Paris nous était conté de Sacha Guitry
- 1955 – Si tous les gars du monde de Christian-Jaque
- 1955 – Siamo uomini o caporali de Camilo Mastrocinque
- 1955 – Simba de Brian Desmond Hurst
- 1955 – Sincerely Yours (O Semeador de Felicidade) de Gordon Douglas
- 1955 – Smoke Signal de Jerry Hopper
- 1955 – Solange du lebst de Harald Reinl
- 1955 – Solange du lebst de Harald Reinl
- 1955 – Sommarnattens Leende (Sorrisos de Uma Noite de Amor) de Ingmar Bergman
- 1955 – Sophie et le crime de Pierre Gaspard-Huit
- 1955 – Spy Chasers de Edward Bernds
- 1955 – Stella de Mihalis Kakogiannis
- 1955 – Stock Car de Wolf Rilla
- 1955 – Storm Over the Nile de Zoltan Korda e Terence Young
- 1955 – Strange Lady in Town (Uma Estranha em Meu Destino) de Mervyn Le Roy
- 1955 – Sudden Danger de Hubert Cornfield
- 1955 – Summertime (Quando o Coração Floresce) de David Lean
- 1955 – Suor Maria de Luigi Capuano
- 1955 – Tall Man Riding de Lesley Selander
- 1955 – Tam tam mayumbe de Gian Gaspare Napolitano e Folco Quilici
- 1955 – Target Zero de Harmon Jones
- 1955 – Tarzan’s Hidden Jungle de Harold Schuster
- 1955 – Teen-Age Crime Wave de Fred F. Sears
- 1955 – Tennessee’s Partner de Allan Dwan
- 1955 – Texas Lady de Tim Whelan
- 1955 – That Lady de Terence Young
- 1955 – The Beast with a Million Eyes de David Kramarsky e Roger Corman
- 1955 – The Big Bluff de W. Lee Wilder
- 1955 – The Big Combo de Joseph H. Lewis
- 1955 – The Big Knife (A Grande Chantagem) de Robert Aldrich
- 1955 – The Big Tip Off de Frank McDonald
- 1955 – The Blue Peter de Wolf Rilla
- 1955 – The Cockleshell Heroes de José Ferrer
- 1955 – The Colditz Story de Guy Hamilton
- 1955 – The Court-Martial of Billy Mitchell (A Corte Marcial de Billy Mitchell) de Otto Preminger
- 1955 – The Crooked Web de Nathan Juran
- 1955 – The Dam Busters (Labaredas do Inferno) de Michael Anderson
- 1955 – The Dark Avenger de Henry Levin
- 1955 – The End of the Affair de Edward Dmytryk
- 1955 – The Fast and the Furious de John Ireland e Edward Sampson
- 1955 – The Fighting Chance de William Witney
- 1955 – The Girl Rush (O Cassino das Tentações) de Robert Pirosh
- 1955 – The Glass Cage de Montgomery Tully
- 1955 – The Glass Slipper de Charles Walters
- 1955 – The Gold Express de Guy Fergusson e Colin Bell
- 1955 – The Indian Fighter (A Um Passo da Morte) de André De Toth
- 1955 – The King’s Thief de Robert Z. Leonard
- 1955 – The Ladykillers (Quinteto da Morte) de Alexander Mackendrick
- 1955 – The Last Command (A Última Barricada) de Frank Lloyd
- 1955 – The Last Frontier (O Tirano da Fronteira) de Anthony Mann
- 1955 – The Long Gray Line (A Paixão de Uma Vida) de John Ford
- 1955 – The Love Match de David Paltenghi
- 1955 – The Magnificent Matador (O Magnífico Matador) de Budd Boetticher
- 1955 – The Man From Laramie (Um Certo Capitão Lockhart) de Anthony Mann
- 1955 – The Man with the Golden Arm (O Homem do Braço de Ouro) de Otto Preminger
- 1955 – The McConnell Story (Voando Para o Além) de Gordon Douglas
- 1955 – The Naked Street de Maxwell Shane
- 1955 – The Night My Number Came Up (Sonhos do Destino) de Leslie Norman
- 1955 – The Night of the Hunter (O Mensageiro do Diabo) de Charles Laughton, Robert Mitchum e Terry Sanders
- 1955 – The Phantom from 10,000 Leagues de Dan Milner
- 1955 – The Phenix City Story (Cidade do Vício) de Phil Karlson
- 1955 – The Purple Mask (No Reinado da Guilhotina) de H.Bruce Humberstone
- 1955 – The Quatermass Xperiment de Val Guest
- 1955 – The Rawhide Years (O Vício Singra o Mississipi) de Rudolph Maté
- 1955 – The Right Person de Peter Cotes
- 1955 – The Road to Denver (Renegado Impiedoso) de Joseph Kane
- 1955 – The Scarlet Coat de John Sturges
- 1955 – The Sea Chase de John Farrow
- 1955 – The Ship that Died of Shame de Basil Dearden
- 1955 – The Tall Men de Raoul Walsh
- 1955 – The Tender Trap (Armadilha Amorosa) de Charles Walters
- 1955 – The Treasure of Pancho Villa (O Tesouro de Pancho Villa) de George Sherman
- 1955 – The Twinkle in God’s Eye de George Blair
- 1955 – The Violent Men (Um Pecado em Cada Alma) de Rudolph Maté
- 1955 – The Virgin Queen (A Rainha Tirana) de Henry Koster
- 1955 – The White Feather (A Lei do Bravo) de Robert Webb
- 1955 – They Can’t Hang Me de Val Guest
- 1955 – Third-Party Risk de Daniel Birt
- 1955 – This Island Earth de Joseph M. Newman
- 1955 – Three Cases of Murder de David Eady, George More O’Ferrall e Wendy Toye
- 1955 – Three Stripes in the Sun de Richard Murphy
- 1955 – To Catch a Thief (Ladrão de Casaca) de Alfred Hitchcock
- 1955 – To Paris with Love de Robert Hamer
- 1955 – Top Gun (Ágil No Gatilho) de Ray Nazarro
- 1955 – Touch and Go de Michael Truman
- 1955 – Treasure of Ruby Hills de Frank McDonald
- 1955 – Trial (A Fúria dos Justos) de Mark Robson
- 1955 – Tú y las nubes de Miguel Morayta
- 1955 – Ukigumo de Mikio Naruse
- 1955 – Un eroe dei nostri tempi de Mario Monicelli
- 1955 – Un novio para Laura de Julio Saraceni
- 1955 – Un palco all’opera de Siro Marcellini
- 1955 – Un po’ di cielo de Giorgio Moser
- 1955 – Unchained de Hall Bartlett
- 1955 – Uruwashiki saigetsu de Masaki Kobayashi
- 1955 – Value for Money de Ken Annakin
- 1955 – Vendicata! de Giuseppe Vari
- 1955 – Vida nocturna de Leo Fleider
- 1955 – We’re No Angels (Veneno de Cobra) de Michael Curtiz
- 1955 – White Feather (A Lei do Bravo) de Robert D. Webb
- 1955 – Wichita (Choque de Ódios) de Jacques Tourneur
- 1955 – Wiretapper de Dick Ross
- 1955 – Yalis, A Flor Selvagem de Francesco De Robertis e Leonardo Salmieri
- 1955 – Yellowneck (Os Desertores) de R. John Hugh
- 1955 – Yôkihi de Kenji Mizoguchi
- 1955 – You’re Never Too Young (O Meninão) de Norman Taurog
- 1955 – Young at Heart (Corações Enamorados) de Gordon Douglas
1956Editar
- 1956 – A Hill in Korea de Julian Amyes
- 1956 – Back from Eternity de John Farrow
- 1956 – Bob le flambeur de Jean –Pierre Melville
- 1956 – Boy on a Dolphin (A Lenda da Estátua Nua) de Jean Negulesco
- 1956 – Casa Ricordi de Carmine Gallone
- 1956 – Club de femmes de Ralph Habib
- 1956 – Crime et châtiment de Georges Lampin
- 1956 – D-Day the Sixth of June (O Dia D) de Henry Koster
- 1956 – Der Meineidbauer de Rudolf Jugert
- 1956 – Diane de David Miller
- 1956 – Die Fischerin vom Bodensee de Harald Reinl
- 1956 – Ein Herz schlägt für Erika de Harald Reinl
- 1956 – El gato sin botas de Fernando "Papi" Cortés
- 1956 – El protegido de Leopoldo Torre Nilsson
- 1956 – Elena et les hommes (As Estranhas Coisas de Paris) de Jean Renoir
- 1956 – Et Dieu... créa la femme de Roger Vadim
- 1956 – Forbidden Planet (Brasil: O Planeta Proibido /Portugal: Planeta Proibido) de Fred McLeod Wilcox
- 1956 – Graciela de Leopoldo Torre Nilsson
- 1956 – Ham Sab Chor Hain de I.S. Johar
- 1956 – Honoré de Marseille de Maurice Régamey
- 1956 – I doukissa tis Plakentias kai o listarhos Bibisis de Maria Plyta
- 1956 – Il Bigamo de Luciano Emmer
- 1956 – Il suo più grande amore de Antonio Leonviola
- 1956 – Johannisnacht de Harald Reinl
- 1956 – Jubal (Ao Despertar da Paixão) de Delmer Daves
- 1956 – Kronprinz Rudolfs letzte Liebe de Rudolf Jugert
- 1956 – La Fortuna di essere donna de Alessandro Blasetti
- 1956 – La mort en ce jardin de Luis Buñuel
- 1956 – La Sorcière de André Michel
- 1956 – Ladrón de cadáveres de Fernando Méndez
- 1956 – Léon la lune de Alain Jessua
- 1956 – Les Collégiennes de André Hunebelle
- 1956 – Love Me Tender (Ama-me Com Ternura) de Robert D. Webb
- 1956 – Magirama de Abel Gance
- 1956 – Maruzzella de Luigi Capuano
- 1956 – Mi tío Jacinto de Ladislao Vajda
- 1956 – Night School de Ishirô Honda
- 1956 – Nina de Rudolf Jugert
- 1956 – O Gato De Madame de Agostinho Martins Pereira
- 1956 – O Sobrado de Walter George Durst e