Fujiwara no Teika: diferenças entre revisões

'''Fujiwara no Teika''' ({{lang-ja|藤原定家}}), também conhecido por '''Fujiwara no Sadaie''' ou '''Sada-ie''',<ref name="teika-real-name">"Sadaie" é uma outra [[Kanji|leitura]] de 定家; "...there is the further problem, the rendition of the name in romanized form. Teika probably referred to himself as Sadaie, and his father probably called himself Toshinari, but the Sino-Japanese versions of their names were used by their contemporaries, and this practice is still observed." pg 681-692, note 2 of ''[[Seeds in the Heart]]: Japanese Literature from Earliest Times to the Late Sixteenth Century'', [[Donald Keene]]. 1999, Columbia University Press, ISBN 0-231-11441-9</ref><ref name="woman-poet">pg 147 of ''Woman poets of Japan'', 1977, Kenneth Rexroth, Ikuko Atsumi, ISBN 0-8112-0820-6; previously published as ''The Burning Heart'' by [[The Seabury Press]].</ref> (1162 &ndash; September 26, 1241) foi um poeta, [[crítico]],<ref name="teika-as-critic">"The high quality of poetic theory (''karon'') in this age depends chiefly upon the poetic writings of Fujiwara Shunzei and his son Teika. The other theorists of ''tanka'' writing, stimulated by father and son either to agreement or disagreement, contributed also toward the high level of poetic theory, but we may say that Shunzei and Teika were most representative of the age." This quote is sourced to Odagiri Hideo in pg 10 of his "Nihon ni okeru bungei hyōron no seiritsu" (''The Rise of Art Criticism in Japan''), pub. by ''Geijutsuron-shū'' ("Collection of Discussions of Art"), Tokyo 1962; see Shun'ichi H. Takayanagi's review of ''Japanese Court Poetry'' by [[Robert H. Brower]] and [[Earl Miner]] in ''[[Monumenta Nipponica]]'', Vol. 18, No. 1/4. (1963), pp. 352-364. [http://links.jstor.org/sici?sici=0027-0741%281963%2918%3A1%2F4%3C352%3AJCP%3E2.0.CO%3B2-7]</ref> [[calígrafo]], novelista,<ref name="tale">It is generally believed that Teika wrote the ''[[Tale of Matsura]]''</ref> [[antologista]], escriba,<ref name="copyist">"During his last years Teika seems to have composed little poetry, but he was otherwise engaged in copying manuscripts, especially of the major works of Heian literature. It is not much of an exaggeration to say that what we know of the literature of Teika's day and earlier is mainly what he thought was worthy of preservation" pg 673-674 of ''Seeds int he Heart''.</ref> e estudioso japonês do fim da era [[período Heian|Heian]] e início dado [[eraperíodo Kamakura]]. <!--His influence was enormous, and he is even to this day counted as among the greatest<ref name="greatness">"The single most influential figure in the history of Japanese classical poetry, Fujiwara Teika (or Sadaie) 1162-1241, was the supreme arbiter of poetry in his day, and for centuries after his death was held in religious veneration by ''waka'' and [[renga]] poets alike." Robert H. Brower. ''[[Monumenta Nipponica]]'', Vol. 40, No. 4. (Winter, 1985), pp. 399-425. [http://links.jstor.org/sici?sici=0027-0741%28198524%2940%3A4%3C399%3AFTM%3E2.0.CO%3B2-S]).

*[http://www.temcauley.staff.shef.ac.uk/teika.shtml BriefBreve biographybiografia] ofde Teika ande linksligações topara ~41 translatedpoemas poemstraduzidos. (inglês)