Dance alternativo: diferenças entre revisões
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'''Dance alternativo''' ou '''indie dance''' (também conhecido como '''dance underground''' nos Estados Unidos)<ref name=kot96>{{Cite news |author = [[Greg Kot|Kot, Greg]]|title=Picking Up The Beat: Underground Dance Music Steps Into The Spotlight With Chicago Summit|work=[[Chicago Tribune]]|page=1|format=''Tempo''|date=25 July 1996|url=http://articles.chicagotribune.com/1996-07-25/features/9607250070_1_dance-artists-disco-pizazz|accessdate=January 1, 2014}}</ref> é um gênero musical que mistura vários subgêneros do rock com [[electronic dance music|música eletrônica]]. Embora largamente confinado às ilhas britânicas, ganhou exposição estadunidense e mundial através de atos, tais como o New Order em 1980 e The Prodigy na década de 1990.
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==Style==
[[Allmusic]] states that alternative dance mixes the "melodic song structure of [[alternative rock|alternative]] and [[indie rock]] with the [[electronic music|electronic]] beats, [[synth]]s and/or [[sample (music)|samples]], and club orientation of [[post-disco]] [[dance music]]".<ref name=AMG/> ''[[The Sacramento Bee]]'' calls it "[[postmodern]]–[[Europop|Eurosynth]]–[[technopop]]–[[New wave music|New Wave]] in a blender".<ref name=sb>{{Cite news |title=Hot To Trot: A Guide Attitude Included To Sacramento's Alternative Dance Scene|work=[[The Sacramento Bee]]|page=TK14|date=12 October 1990}}</ref>
The genre draws heavily on club culture for inspiration while incorporating other styles of music such as [[synthpop]], [[acid house]], and [[trip hop]]. The performers of alternative dance are closely identified with their music through a signature style, texture, or fusion of specific musical elements.<ref name=AMG>{{cite web |url=http://www.allmusic.com/cg/amg.dll?p=amg&sql=77:2898|title=Alternative Dance: Genre|publisher=[[Allmusic]]|accessdate=27 October 2009}}</ref> They are usually signed to [[independent label|small record labels]].<ref name=ny/>
==20th century conception==
Most alternative dance artists are British, "owing to the greater prominence of the UK's club and [[rave music|rave]] scenes in underground musical culture". [[New Order]] are cited by Allmusic as the genre's first group because of their 1982–83 recordings, which merged [[post-punk]] with electro/synthpop in the style of German collective [[Kraftwerk]]. Alternative dance had a major impact on Britain's late-1980s [[Madchester]] scene (adapted from Manchester, New Order's home city) and 1990s trip hop and rave scenes.<ref name=AMG/> [[The Haçienda]] club in Manchester, founded by New Order and [[Factory Records]], became the hub of the genre in 1980s Britain.<ref>{{cite book |author= Shepherd, John |title= Continuum Encyclopedia of Popular Music of the World: Media, Industry and Society|publisher= [[Continuum International Publishing Group]]|year= 2003 |isbn= 0-8264-6321-5|page=423}}</ref>
[[The Prodigy]] and [[The Chemical Brothers]] are two prominent examples of the 1990s British scene,<ref name=wp/><ref>{{cite web |url=http://www.mtv.com/music/artist/chemical_brothers/artist.jhtml#bio|title=The Chemical Brothers: Full Biography|publisher=[[MTV]]|accessdate=27 October 2009| archiveurl= http://web.archive.org/web/20091027154743/http://www.mtv.com/music/artist/chemical_brothers/artist.jhtml| archivedate= 27 October 2009| deadurl= no}}</ref> while in the US, Chicago's [[Liquid Soul]] to San Francisco's [[Dubtribe]] expanded dance music "beyond its old identity as a [[single (music)|singles]]-driven genre with no identifiable, long-term artists".<ref name=kot96/> The American scene rarely received radio airplay and most of the innovative work continued underground or was [[import]]ed.<ref name=ny>{{cite web |url=http://www.nydailynews.com/archives/entertainment/1995/12/14/1995-12-14_mixed_tapes_a_sticky_matter_.html|title=Mixed Tapes A Sticky Matter Depending On The Spin, Deejays Plying Their Trademarks Are Either Artists Or Pirates|author=Talbot, Mary|work=[[Daily News (New York)|Daily News]]|date=14 December 1995|accessdate=27 October 2009}}</ref> The Prodigy's third [[studio album]] ''[[The Fat of the Land]]'' was the first international alternative dance hit after debuting at number one in 25 countries, including the US, in 1997.<ref name=wp>{{Cite news |author = Harrington, Richard|title=A Spark in Electronica? The Alternative Dance Genre Isn't Saving the Music Industry—Yet|work=[[The Washington Post]]|page=G5|date=24 August 1997}}</ref>
==21st-century developments==
As computer technology and [[music software]] became more accessible and advanced at the start of the 21st century, bands tended to forego traditional studio production practices. High quality music was often conceived using little more than a single laptop computer. Such advances led to an increase in the amount of home-produced electronic music, including alternative dance, available via the Internet.<ref>{{cite journal| title=Electronically produced music and its economic effects on the performing musician and music industry| author = Colonna, C. M.; Kearns, P. M.; Anderson, J. E.| journal = Journal of Cultural Economics| publisher =CABI}}</ref> According to [[BBC Radio 1]] [[DJ]] [[Annie Mac]], part of the strength of the scene in the new millennium was "the sense of community"; she noted, "Websites, [[blog]]s and [[MySpace]] pages all get people talking about records and checking out each other's recommendations. It's not like the old club scene, where these established DJs dictated what would be big. Word-of-mouth is so important now."<ref>{{cite web |url=http://www.telegraph.co.uk/culture/music/3655127/Mix-and-mash-with-Mac-the-magpie.html|title=Mix and mash with Mac the magpie|work=[[The Daily Telegraph]]|author=Muggs, Joe|date=7 September 2006|accessdate=6 April 2010}}</ref>
In the early 2000s, the term "[[electroclash]]" was used to denote artists like [[Fischerspooner]] and [[Ladytron]] who mixed new wave with electronic music. The Electroclash festival was held in New York in 2001 and 2002, with subsequent tours across the US and Europe in 2003 and 2004.<ref>{{cite web |url=http://www.worldwidewords.org/turnsofphrase/tp-ele4.htm|title=Electroclash|publisher=World Wide Words|author=[[Michael Quinion|Quinion, Michael]]|accessdate=6 April 2010| archiveurl= http://web.archive.org/web/20100407191028/http://www.worldwidewords.org/turnsofphrase/tp-ele4.htm| archivedate= 7 April 2010| deadurl= no}}</ref> In the mid-2000s, the British music magazine ''[[NME]]'' popularised the term "[[new rave]]" ("new wave" and "rave") to describe the music of bands like [[Klaxons]], whose rock aesthetic includes paraphernalia from the 1990s rave scene like glowsticks and neon lights.<ref>{{cite web |url=http://www.telegraph.co.uk/culture/music/rockandjazzmusic/3663017/The-Klaxons-the-day-Glo-kings-of-the-new-rave.html|title=The Klaxons, the day-Glo kings of the new rave|work=[[The Daily Telegraph]]|author=Green, Thomas H|date=8 February 2007|accessdate=6 April 2010}}</ref>
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