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Usuário(a):KemalOliver/Mulato trágico

Predefinição:For O mulato trágico é um estereótipo de personagem ficticio que apareceu na Literatura Americana durante os séculos 19 e 20, dos anos 1840. .[1] O mulato trágico é uma pessoa de raça mista arquetípica (um mulato) que se assume ser depressivo ou até mesmo suicida, porque ele falha completamente em se adaptar ao mundo branco, ou ao mundo negro. [1] Como tal, o mulato trágico é mostrado como uma vítima da sociedade numa sociedade dividida por raça, aonde não há nenhum lugar para aquele que não é negro nem branco.


Mulata TrágicaEditar

A "[[oitavona]trágica ]" era um personagem-tipo da literatura abolicionista: a light-skinned woman raised as if a white woman in her father's household, until his bankruptcy or death has her reduced to a menial position and sold.[2] She may even be unaware of her status before being so reduced.[3] This character allowed abolitionists to draw attention to the sexual exploitation in slavery, and unlike the suffering of the field hands, did not allow slaveholders to retort that the sufferings of Northern mill hands were no easier, since the Northern mill owner would not sell his own children into slavery.[4]

The "tragic mulatta" figure is a woman of biracial heritage who endures the hardships of African-Americans in the antebellum South, even though she may look white enough that her ethnicity is not immediately obvious. As the name implies, tragic mulattas almost always meet a bad end. Lydia Maria Child's 1842 short story "The Quadroons" is generally credited as the first work of literature to feature a tragic mulatta,[1] to garner support for emancipation and equal rights. Child followed up "The Quadroons" with the 1843 short story "Slavery's Pleasant Homes", which also has a tragic mulatta character.[1]

Writer Eva Allegra Raimon notes that Child "allowed white readers to identify with the victim by gender while distancing themselves by race and thus to avoid confronting a racial ideology that denies the full humanity of nonwhite women." The passing character, Clare Kendry, in Nella Larsen's Passing has been deemed a "tragic mulatta".[1]

Generally, the tragic mulatta archetype falls into one of three categories:

  • A woman who can "pass" for white attempts to do so, is accepted as white by society and falls in love with a white man. Eventually, her status as a bi-racial person is revealed and the story ends in tragedy.
  • A woman who appears to be white and thus passes as being so. It is believed that she is of Greek or Spanish descent. She has suffered little hardship in her life, but upon the revelation that she is mixed race, she loses her social standing.
  • A woman who has all the social graces that come along with being a middle-class or upper-class white woman is nonetheless subjected to slavery.

A common objection to this character is that she allows readers to pity the plight of oppressed or enslaved races, but only through a veil of whiteness — that is, instead of sympathizing with a true racial "other", one is sympathizing with a character who is made as much like one's own race as possible. The "tragic mulatta" often appeared in novels intended for women, also, and some of the character's appeal lay in the lurid fantasy of a person just like them suddenly cast into a lower social class after the discovery of a small amount of "black blood" that renders her unfit for proper marriage.

Cultura PopularEditar

Literature featuring "tragic mulatto" and "tragic mulatta" characters in pivotal roles


Films featuring "tragic mulatto" and "tragic mulatta" characters in pivotal roles


Television movies and series featuring "tragic mulatta" characters in pivotal roles


Video games featuring "tragic mulatta" characters in pivotal roles

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ReferênciasEditar

  1. a b c d e f g h i j k l m n o p q r s t u Pilgrim, David (November 2000). «The Tragic Mulatto Myth» (also: [1]). Jim Crow: Museum of Racist Memorabilia. Ferris State University. Consultado em 26 June 2012  Verifique data em: |acessodata=, |data= (ajuda)
  2. Ariela J. Gross, What Blood Won't Tell: A History of Race on Trial in America, p. 61. ISBN 978-0-674-03130-2
  3. Kathy Davis. "Headnote to Lydia Maria Child's 'The Quadroons' and 'Slavery's Pleasant Homes'."
  4. Werner Sollors, Interracialism p. 285 ISBN 0-19-512856-7
  5. http://mauricebroaddus.com/uncategorized/worfs-journey-of-blackness-part-i/
  6. http://tvtropes.org/pmwiki/pmwiki.php/Main/HalfBreedDiscrimination?from=Main.TragicMulatto
  7. http://updates.kotaku.com/post/34760797518/im-surprised-by-how-black-assassins-creed
Sources
  • The Tragic Mulatta Revisited: Race and Nationalism in Nineteenth-Century Antislavery Fiction, by Eva Allegra Raimon


Category:Mulatto Category:Multiracial affairs Category:Stock characters