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Era Extraña
Neon Indian - Era Extraña.png
Álbum de estúdio de Neon Indian
Lançamento 7 de setembro de 2011 (2011-09-07)
Gravação 2010 – 2011
Estúdio(s)
Gênero(s)
Duração 42:27
Gravadora(s)
Produção Alan Palomo
Cronologia de Neon Indian
The Flaming Lips with Neon Indian
(2011)
Errata Anex
(2013)
Singles de Era Extraña
  1. "Fallout"
    Lançamento: 27 de julho de 2011
  2. "Polish Girl"
    Lançamento: 3 de agosto de 2011
  3. "Hex Girlfriend"
    Lançamento: 28 de maio de 2012

Era Extraña is the second studio album by American electronic music band Neon Indian. It was released on September 7, 2011, by Static Tongues and Mom + Pop Music. The recording took place between the winter of 2010 and 2011 during frontman Alan Palomo's visit to Finland. Containing influences and elements of psychedelic pop, shoegaze, and new wave, the album has the same summery sound as the band's debut studio album, Psychic Chasms (2009), but with a darker and more serious tone.

Era Extraña received generally positive reviews from critics, a number of whom called it more focused, tight, and cohesive than Psychic Chasms, while some praised the songcraft. However, some mixed reviews noted that on this album, Neon Indian lost much of the charm that was apparent on Psychic Chasms. The album peaked at number 74 on the US Billboard 200, the band's first release to appear on the chart. The band toured North America from December 2011 to May 2012 to promote Era Extraña.

Background and production editar

The album was recorded from the winter of 2010 to 2011 at Kalevankatu 45 in Helsinki, Finland, when Palomo lived there for four weeks.[1][2] Palomo primarily wrote the album using a Voyetra-8, a Korg MS-20, and a modified Commodore 64, with the first weeks of production in Helsinki involving him learning this equipment. Palomo first saw the Voyetra-8 in the music video for New Order's "The Perfect Kiss" (1985), saying that he was amazed by its appearance: "It's this bizarre, kaleidoscope interface with these knobs, and it's really physical to use, a strange kind of challenge."[3] Palomo's songwriting on Era Extraña was more influenced by his live performances than his previous projects, and he claimed that he had never expected to perform his songs live before. He said that "it was an influence; not so much something that limited me, but a feeling that lead to longer, more soundscape-driven songs. That was something that was undeniably in my mind: 'What would I want to be playing every night for eight months?' And the album evolved from there."[3]

Unlike Neon Indian's debut studio album Psychic Chasms (2009), which involved creating "microloops" via building up one-bar samples into multiple bars that would make up a full song, Palomo said that in composing Era Extraña, he recorded a riff from a sound he made and tried to "keep that momentum up".[3] For Era Extraña, in order to develop ideas he was having while recording the record, it was necessary for him to have more control of the effects and instruments he was using for the album. Making the album helped him learn how to create synth sounds and become a "gear geek", instead of relying on presets as he did with his previous works.[3] He said that "the more tedious aspects of production do have the capacity to take the wind out of your sails, so you always have to navigate through that as quickly as you can before you start feeling burnt on the song, before you forget that initial spark that made you even want to write it in the first place".[3]

Composition editar

Era Extraña is significantly influenced by psychedelic pop, shoegaze, and new wave.[4][5] Clash reviewer Nick Levine described the album as a loud indietronica record and "chillwave that's not actually that, well, chilled", joking that its genre should be marked as "drillwave".[6] The instrumentation is cluttered with unsteady synth arrangements, as well as stray sounds of rocket-ship noises, phone conversations, laser sounds, and visceral samples of video games, but the music still manages to be tight.[7] As Drowned in Sound reviewer Robert Cooke explained, the retro video game samples are used as "incidental noise, or miniature musical experiments", and Era Extraña also includes the "sparkling synths and wide-eyed wonder" of M83's more pop-sounding material that makes it sound like "a soundtrack for an Eighties teen movie about surfers from space" rather than just "Nintendo-sponsored masturbation".[8] Spin reviewer Nick Murray also compared some of the songs to M83, while describing other tracks as "one Martin Rushent assist away from being genuine synth-pop hits".[9]

Era Extraña has the same "lazy summer feel" as Psychic Chasms, but with a more serious and slightly darker tone.[10] In a PopMatters review, Nathan Wisnicki said that Palomo's introversion is "certainly apparent", citing that even the album's most joyful melodies are "rigidly grafted to both rhythmic thrust and hooks more anxious than comfortable".[11] Pitchfork's Larry Fitzmaurice said that the album is much more serious than Psychic Chasms, but "Palomo isn't always as assured in rendering the darker material". He also noted that while Era Extraña is not exactly a breakup album, it does sound "romantic and lovesick" and uses sounds that emulate these feelings.[7] At the same time, the album also feels "expansive and lonely, like someone staring at the night sky in solitude".[7] Era Extraña also contains the same unsteady synth riffs, filtered drums, and vocal hooks as Psychic Chasms, with the addition of crunchy, fuzzy guitars; thick analog synths; and a lot of reverb, as well as much clearer production.[5]

Songs editar

Era Extraña is connected by three brief, wispy instrumental interludes:[12] "Heart: Attack", "Heart: Decay", and "Heart: Release".[13] "Attack" opens the album "like a 200-foot-tall Game Boy loading up", according to Cooke.[8] It starts with the sound of 8-bit particles coming to a "celestial boil" in the first few seconds, followed up by "what the birth of the universe must have sounded like had the Big Bang occurred inside the original Nintendo Entertainment System", according to Paste critic Wyndham Wyeth.[10] "Decay" starts the "it-has-to-get-worse-before-it-gets-better" phase of the post-breakup period that is explored on Era Extraña, while "Release" ends the album with relief, yet also a fearful first step forward from a breakup.[14] Heather Phares of AllMusic said that out of all of its songs, these three tracks, along with "Future Sick", sound the most similar to Psychic Chasms.[12]

Fitzmaurice found "Polish Girl" to be similar to the song "Reunion" (2004) by Canadian band Stars, seeing a resemblance to its theme of someone trying to recover, and yearning for, young love.[15] Palomo asks questions in the song that are likely to be unanswered, such as "Do I still cross your mind?/ Your face still distorts the time".[15] Cooke noted the "dazzling syncopated pulse" to be similar to the coin sound effect in games from the Mario series, while observing melodies that "splash and slide around sickly-sweet flurries of arpeggios and a family-friendly feel-good beat".[8] Parry Ernsberger of Blurt said that the song includes what sounds like samples from the game Super Mario World (1991), and has the "euphoric energy" of Cut Copy's album Zonoscope (2011).[16] Beats Per Minute writer Aurora Mitchell said the song "sounds like 80s disco distorted through an old computer",[17] while Phares noted the song sounds more like Palomo's other project Vega than Neon Indian.[12] "The Blindside Kiss" includes elements of alternative rock, grunge, and garage rock.[17][18] Club Fonograma writer Blanca Méndez said that "The Blindside Kiss" is about the "staying-at-home-and-staring-at-ceilings early stage" of a breakup, which is "the one in which you allow yourself to wallow in the pain because you deserve at least that much". Méndez noted the song's "tinny layers of sound" and Palomo's "breathy, almost frustrated vocals".[14] The electro-shoegaze song "Hex Girlfriend"[12] addresses an ex-girlfriend,[14] and includes video game synth timbres similar to those on Psychic Chasms opener "(AM)".[18] Both "The Blindside Kiss" and "Hex Girlfriend" are filled with "buzzsaw"-toned guitars, which BBC Music's John Aizlewood compared to the Jesus and Mary Chain.[13]

The Depeche Mode-style[16] "cavernous Anglophile disco"[19] song "Fallout" is about trying to forget a failed relationship, with Palomo asking the subject to "please let me fall out of love with you".[14] Palomo sounds unreachable on this song, like "a lonely planet boy sending out distress signals from the saddest corner of the solar system", said Rolling Stone critic Jon Dolan.[19] Wisnicki said there is "a haunting vagueness" to the slow pace, with the song's "subtle synth-disguised-as-choir tactics used to help the song break unexpectedly from slow Joy Division-esque pummel to a bridge that reaches into bliss...if only for a few seconds".[11] DIY's Dani Beck and Derek Robertson said that the track sounds like music for the opening credits of a late-night Arnold Schwarzenegger B-movie,[20] while Phares stated it could have been recorded by Love and Rockets or Billy Idol back in the 1980s.[12] Both "Fallout" and "Halogen" contain dramatic keyboard riffs inspired by the music of Duran Duran.[4] The title track represents a first post-breakup sign of hope.[14] Dramatic, clattering drums are present on the track,[4] and musicOMH reviewer Ben Hogwood compared its heavy, firm beat to Ultravox's "Vienna" (1981).[21] Aizlewood noted that the song resembles "Out of Touch" (1984) by Hall & Oates.[13]

The three following songs, "Halogen (I Could Be a Shadow)", "Future Sick", and "Suns Irrupt", follow three different types of forgetting a breakup. Reminiscent of music released in the New Romanticism period,[22] "Halogen (I Could Be a Shadow)" was described by Méndez as "a spectacularly enveloping piece," with its somber instrumentation of "steady, comforting percussion, delicate, inviting synths, and vintage girl group-evoking background vocals" resulting in "a gorgeous vessel for ecstatic release".[14] Fitzmaurice described "Halogen (I Could Be a Shadow)" as the "near-double" of "Kim and Jessie" by M83,[7] whereas Aizlewood compared the song to the works of the Thompson Twins,[13] while Phares said it sounds like music that would "play over the credits of a sci-fi teen sex comedy".[12] With its "seasick synths"[7] as well as "bits of arena rock guitar and girlish harmonies", the heavy,[11] playfully sad "Future Sick"[12] manages to convey "the feeling of growing older in a world that's growing faster than you are".[7] It depicts Palomo lamenting "mid-volume under his own creation's drunken abstraction" about wanting to go back into the past, because thinking of the future is making him ill.[7][14] At this point, according to The Observer's Killian Fox, some of the wooziness that Era Extraña takes from Psychic Chasms "veers into nausea".[23] Mitchell described the instrumentation of "Suns Irrupt" as "hypnotic and firework fizzling synths with a woozy synth background".[17] Palomo repeatedly whisper-growls the line "Suns irrupt / I wake up I wake up",[17] and Fitzmaurice compared its repetitiveness to "Someone Great" (2007) by LCD Soundsystem.[7]

Release and promotion editar

Three singles were released from Era Extraña: "Fallout", on July 27, 2011;[24] "Polish Girl", on August 3, 2011;[25] and "Hex Girlfriend", on May 28, 2012.[26] The album was first released in Japan on September 7, 2011.[27] The limited edition package came with the Pal198X, a mini analog synthesizer created by Palomo and the company Bleep Labs. With three oscillators, including two triangle waves and a square low-frequency oscillator, it is a modified version of the company's synth kit Pico Paso, with the addition of swappable controls.[28] Era Extraña was the first Neon Indian album to appear on the US Billboard 200, reaching position 74.[29] It also charted on the same magazine's Independent Albums,[30] Top Alternative Albums,[31] Dance/Electronic Albums[32] and Top Rock Albums.[33] Outside the US, the album also charted on the Japanese Albums Oricon chart.[34] 42-date North American tour for Era Extraña was announced on December 6, 2011. It premiered on December 31 at the Lights All Night festival in Dallas, Texas, and ended with a show at New York City's Terminal 5 on May 12, 2012.[35]

Recepção editar

Críticas profissionais
Pontuações agregadas
Fonte Avaliação
AnyDecentMusic? 7.2/10[37]
Metacritic 76/100[36]
Avaliações da crítica
Fonte Avaliação
AllMusic      [12]
The A.V. Club B−[22]
Clash 8/10[6]
NME 8/10[38]
The Observer      [23]
Pitchfork 7.9/10[7]
PopMatters 5/10[11]
Rolling Stone      [19]
Spin 7/10[9]
Tiny Mix Tapes      [39]

Era Extraña recebeu críticas geralmente positivas dos críticos musicais. No Metacritic, que atribui uma classificação de 100 a críticas de publicações mainstream, o álbum recebeu uma pontuação média de 76, com base em 27 críticas.[36] Com base em sua avaliação do consenso crítico, recebeu uma nota de 7,2 de 10 no AnyDecentMusic?.[37]

Alguns revisores elogiaram Era Extraña por ser mais focado, firme e coeso do que Psychic Chasms.[7][10][12][40] Phares said that while it does not have the same homespun charm as Psychic Chasms, the album proved that the project could be more than just a chillwave group.[12] Fitzmaurice called it "a commitment to tighter, wide-reaching songcraft and appeal", also praising the "kitchen-sink arrangements" for still sounding "taut and defined".[7] Wyeth said that Palomo made a fluid album with Era Extraña, something intended but not properly achieved on the project's last studio album.[10]

Hogwood called the album a "fascinating listen, borne of a man who clearly has an extremely active imagination". He praised the hooks, the witty and thoughtful lyrics, and the unpredictable harmonic structures, also noting that the album turns the building blocks of the tracks from the last album "into very appealing little morsels", aiding listeners with short attention spans.[21] In Consequence of Sound's 4-star review, Mohammad Choudhery wrote that, while Psychic Chasms was "a shy and fragmented collection of songs", a product of the bedroom production era, Era Extraña is "a confident, all-inclusive album" that the public wouldn't be able to "fence into a single, silly-titled subgenre".[4] NME critic Anne T. Donahue labeled the album as "a lesson in how to execute electronic music properly".[38] In Mitchell's 79%-rated review, he called Era Extraña "electronic [music] in its purest form". He said that the flow of the album is not as smooth as Psychic Chasms, but that Palomo's influences are "in all the right places and it seems that [he] is wearing them proudly on his sleeve".[17]

Aizlewood found Era Extraña to be an intriguing yet unusual record, but disliked the lack of "obvious emotion", calling the album overall "easy to admire but hard to love".[13] Tiny Mix Tapes's Guy Frowny called it "an agreeable listening experience with moments of catchiness and beauty throughout, and hints of an evolutionary path that leave future expectations open-ended".[39] Dolan saw the album as an improvement on Psychic Chasms and said it dunks "dreamy early-MTV haircutband balladry in layers of psychedelic schmutz, almost hiding excellent songs in the murk".[19] Olly Parker, a reviewer for Loud and Quiet, also noted an improvement and praised the album's songcraft and interesting sound, but said it fell in the "meh" category and "can't get below the surface".[41] Cooke opined that "it has a lot to offer around the edges, but is difficult to truly connect with at its core", reasoning that the album is not the best example of cutting-edge modern-day pop music, nor does it contribute anything new to electronic music.[8]

Some reviews were more mixed. The A.V. Club critic Steven Hyden wrote that while Era Extraña sounds "fuller" than Psychic Chasms and "still has plenty of hooks to offer", Palomo "has to take both feet out of the bedroom to move his music forward". He also compared it to another chillwave album that was released a few months before, Washed Out's Within and Without, saying, "Where Within is an immaculately conceived graduation from [Ernest] Greene's early lo-fi work, Extraña is a minor refinement that still feels chintzy in places."[22] Beck and Robertson also discussed Washed Out, as well as Toro y Moi, dubbing the album an unfunny parody of chillwave and also criticizing it as "such a strong homage to everything that's cool about retro-chic that you can't help but smell a rat".[20] At PopMatters, Wisnicki wrote that Era Extraña does not have the same quality tunes and aesthetic as Psychic Chasms, declaring that while each song on Psychic Chasms "felt like getting to open another piece of candy", Era Extraña "feels more like opening one of those refrigerated boxed sandwiches from the grocery store".[11]

On year-end lists, Era Extraña came in at number 50 on Under the Radar's list of their top 80 albums of 2011,[42] and number 16 on Stereogum's list.[43]

Track listing editar

Todas as faixas escritas e compostas por Alan Palomo, except where noted. 

Standard edition
N.º Título Duração
1. "Heart: Attack"   0:59
2. "Polish Girl"   4:26
3. "The Blindside Kiss" (writers: Palomo, Joshua McWhirter) 3:35
4. "Hex Girlfriend"   3:18
5. "Heart: Decay"   1:46
6. "Fallout"   3:34
7. "Era Extraña"   2:59
8. "Halogen (I Could Be a Shadow)"   4:37
9. "Future Sick"   4:49
10. "Suns Irrupt"   5:30
11. "Heart: Release"   2:07
12. "Arcade Blues"   4:47
Duração total:
 42:27
Japanese edition[27]
N.º Título Duração
13. "Eras Ending Above Us"   4:48
14. "(AM)"   0:25
15. "Deadbeat Summer"   4:03
16. "Laughing Gas"   1:43
17. "Terminally Chill"   3:34
18. "(If I Knew, I'd Tell You)"   0:48
19. "6669 (I Don't Know If You Know)"   3:21
20. "Should Have Taken Acid with You"   2:21
21. "Mind, Drips"   3:09
22. "Psychic Chasms"   4:06
23. "Local Joke"   3:27
24. "Ephemeral Artery"   2:52
25. "7000 (Reprise)"   0:57

Personnel editar

Credits adapted from the liner notes of Era Extraña.[2]

  • Alan Palomo – production, arrangements, performer
  • Dave Fridmann – additional production, mixing
  • Claudius Mittendorfer – mixing (tracks 1, 2, 7, 8)
  • Joshua McWhirter – guitars (tracks 3, 5–7, 10)
  • Adam Corbesmeyer – bass (track 4)
  • Jason Faries – percussion (track 6)
  • Jezy Gray – guitar (track 6)
  • Aaron Brown – album art
  • Ben Chappell – album art
  • Rob Carmichael – layout, design

Charts editar

Chart performance for Era Extraña
Chart (2011) Peak
position
Japanese Albums (Oricon)[34] 193
Estados Unidos (Billboard 200)[29] 74
Estados Unidos (Billboard Independent Albums)[30] 16
Estados Unidos (Top Alternative Albums)[31] 12
Estados Unidos (Dance/Electronic Albums)[32] 4
Estados Unidos (Top Rock Albums)[33] 21

Release history editar

Release dates and formats for Era Extraña
Region Date Format(s) Label(s) Ref.
Japan September 7, 2011 CD Yoshimoto R and C [27]
Australia September 9, 2011
Popfrenzy [44][45]
Germany September 12, 2011 Digital download Transgressive [46]
United Kingdom [47]
United States September 13, 2011
  • CD
  • LP
  • digital download
[48][49][50]
United Kingdom October 3, 2011 CD Transgressive [51]
Germany October 7, 2011
  • CD
  • LP + CD
[52][53]

Referências

  1. ↑ Dombal, Ryan (12 de setembro de 2011). «Interviews: Neon Indian». Pitchfork. Consultado em 7 de outubro de 2014. Cópia arquivada em 11 de outubro de 2014 
  2. ↑ a b Era Extraña (liner notes). Neon Indian. Mom + Pop Music. 2011. MP033 
  3. ↑ a b c d e Carew, Anthony (7 de setembro de 2011). «Interview: Alan Palomo of Neon Indian». About.com. Consultado em 20 de agosto de 2015. Arquivado do original em 12 de janeiro de 2012 
  4. ↑ a b c d Choudhery, Mohammad (14 de setembro de 2011). «Album Review: Neon Indian – Era Extraña». Consequence of Sound. Consultado em 22 de agosto de 2015. Cópia arquivada em 25 de setembro de 2011 
  5. ↑ a b Fallon, Patric (20 de setembro de 2011). «Neon Indian Era Extraña». XLR8R. Consultado em 3 de setembro de 2015. Cópia arquivada em 21 de setembro de 2015 
  6. ↑ a b Levine, Nick (28 de setembro de 2011). «Neon Indian – Era Extrana». Clash. Consultado em 7 de outubro de 2014. Cópia arquivada em 11 de outubro de 2014 
  7. ↑ a b c d e f g h i j k Fitzmaurice, Larry (15 de setembro de 2011). «Neon Indian: Era Extraña». Pitchfork. Consultado em 16 de novembro de 2011. Cópia arquivada em 23 de novembro de 2011 
  8. ↑ a b c d Cooke, Robert (6 de outubro de 2011). «Album Review: Neon Indian – Era Extraña». Drowned in Sound. Consultado em 22 de agosto de 2015. Arquivado do original em 25 de outubro de 2015 
  9. ↑ a b Murray, Nick (13 de setembro de 2011). «Neon Indian, 'Era Extrana' (Mom + Pop)». Spin. Consultado em 16 de novembro de 2011. Cópia arquivada em 26 de novembro de 2011 
  10. ↑ a b c d Wyeth, Wyndham (12 de setembro de 2011). «Neon Indian: Era Extraña». Paste. Consultado em 22 de agosto de 2015. Cópia arquivada em 24 de setembro de 2015 
  11. ↑ a b c d e Wisnicki, Nathan (2 de outubro de 2011). «Neon Indian: Era Extraña». PopMatters. Consultado em 7 de outubro de 2014. Cópia arquivada em 12 de outubro de 2014 
  12. ↑ a b c d e f g h i j Phares, Heather. «Era Extraña – Neon Indian». AllMusic. Consultado em 7 de outubro de 2014. Cópia arquivada em 11 de dezembro de 2014 
  13. ↑ a b c d e Aizlewood, John (20 de setembro de 2011). «Review of Neon Indian – Era Extraña». BBC Music. Consultado em 22 de agosto de 2015. Cópia arquivada em 25 de setembro de 2015 
  14. ↑ a b c d e f g Méndez, Blanca (26 de setembro de 2011). «Neon Indian – Era Extraña». Club Fonograma. Consultado em 19 de março de 2012. Arquivado do original em 16 de novembro de 2011 
  15. ↑ a b Fitzmaurice, Larry (13 de setembro de 2011). «Neon Indian: 'Polish Girl'». Pitchfork. Consultado em 22 de agosto de 2015. Cópia arquivada em 8 de setembro de 2015 
  16. ↑ a b Ernsberger, Parry. «Neon Indian – Era Extraña». Blurt. Consultado em 23 de agosto de 2015. Cópia arquivada em 27 de dezembro de 2016 
  17. ↑ a b c d e Mitchell, Aurora (14 de setembro de 2011). «Album Review: Neon Indian – Era Extraña». Beats Per Minute. Consultado em 22 de agosto de 2015. Cópia arquivada em 5 de março de 2016 
  18. ↑ a b Woolfrey, Chris (12 de outubro de 2011). «Neon Indian – Era Extraña». The 405. Consultado em 3 de setembro de 2015. Arquivado do original em 4 de março de 2016 
  19. ↑ a b c d Dolan, Jon (13 de setembro de 2011). «Neon Indian: Era Extraña». Rolling Stone. Consultado em 16 de novembro de 2011. Cópia arquivada em 26 de novembro de 2011 
  20. ↑ a b Beck, Dani; Robertson, Derek (12 de outubro de 2011). «Neon Indian – Era Extrana». DIY. Consultado em 22 de agosto de 2015. Cópia arquivada em 16 de agosto de 2016 
  21. ↑ a b Hogwood, Ben (10 de outubro de 2011). «Neon Indian – Era Extraña». musicOMH. Consultado em 22 de agosto de 2015. Cópia arquivada em 4 de março de 2016 
  22. ↑ a b c Hyden, Steven (13 de setembro de 2011). «Neon Indian: Era Extraña». The A.V. Club. Consultado em 7 de outubro de 2014. Cópia arquivada em 11 de outubro de 2014 
  23. ↑ a b Fox, Killian (9 de outubro de 2011). «Neon Indian: Era Extraña – review». The Observer. Consultado em 7 de outubro de 2014. Cópia arquivada em 14 de outubro de 2014 
  24. ↑ Bravo, Amber. «Neon Indian, 'Fallout' MP3». The Fader. Consultado em 27 de setembro de 2021. Cópia arquivada em 12 de abril de 2021 
  25. ↑ Gruen, Margot Cooper. «Listen: Neon Indian 'Polish Girl'». Under the Radar. Consultado em 27 de setembro de 2021. Cópia arquivada em 27 de setembro de 2021 
  26. ↑ «Neon Indian release new single 'Hex Girlfriend' May 28th». Circuit Sweet. Consultado em 27 de setembro de 2021. Cópia arquivada em 27 de setembro de 2021 
  27. ↑ a b c «Era Extrana : Neon Indian». HMV Japan. Consultado em 7 de outubro de 2014. Cópia arquivada em 13 de dezembro de 2014 
  28. ↑ «Neon Indian + Bleep Labs = Pal198X». Bleep Labs. 3 de agosto de 2011. Consultado em 28 de agosto de 2015. Cópia arquivada em 2 de setembro de 2015 
  29. ↑ a b «Neon Indian Chart History (Billboard 200)» (em inglês). Billboard. Consultado em October 7, 2014.
  30. ↑ a b «Neon Indian Chart History (Independent Albums)» (em inglês). Billboard. Consultado em October 7, 2014.
  31. ↑ a b Erro: A tabela não é suportada, não existe ou está sendo utilizado um ID antigo que não é mais suportado pela Billboard. «Neon Indian Album & Song Chart History» (em inglês). Billboard Top Alternative Albums para Neon Indian. Prometheus Global Media. Consultado em October 7, 2014.
  32. ↑ a b «Neon Indian Album & Song Chart History» (em inglês). Billboard Dance/Electronic Albums para Neon Indian. Prometheus Global Media. Consultado em October 7, 2014.
  33. ↑ a b «Neon Indian Album & Song Chart History» (em inglês). Billboard Top Rock Albums para Neon Indian. Prometheus Global Media. Consultado em October 7, 2014.
  34. ↑ a b エラ・エクストラーニャ | ネオン・インディアン [Era Extraña | Neon Indian] (em Japanese). Oricon. Consultado em 23 de abril de 2017. Cópia arquivada em 23 de abril de 2017 
  35. ↑ Hilleary, Mike (6 de dezembro de 2011). «Neon Indian Announce Tour». Under the Radar. Consultado em 28 de agosto de 2015. Cópia arquivada em 17 de abril de 2015 
  36. ↑ a b «Reviews for Era Extrana by Neon Indian». Metacritic. Consultado em 7 de fevereiro de 2012. Cópia arquivada em 7 de janeiro de 2012 
  37. ↑ a b «Era Extraña by Neon Indian». AnyDecentMusic?. Consultado em 21 de agosto de 2015. Cópia arquivada em 23 de setembro de 2015 
  38. ↑ a b Donahue, Anne T. (30 de setembro de 2011). «Album Review: Neon Indian – 'Era Extraña'». NME. Consultado em 16 de novembro de 2011. Cópia arquivada em 5 de novembro de 2011 
  39. ↑ a b Frowny, Guy. «Neon Indian – Era Extraña». Tiny Mix Tapes. Consultado em 22 de agosto de 2015. Cópia arquivada em 4 de março de 2016 
  40. ↑ Boles, Benjamin (22 de setembro de 2011). «Neon Indian – Era Extraña». Now. Consultado em 22 de agosto de 2015. Cópia arquivada em 17 de março de 2017 
  41. ↑ Parker, Olly (novembro de 2011). «Neon Indian – Era Extrana». Loud and Quiet. Consultado em 22 de agosto de 2015. Arquivado do original em 4 de março de 2016 
  42. ↑ «Under the Radar's Top 80 Albums of 2011». Under the Radar. 21 de dezembro de 2011. Consultado em 6 de setembro de 2015. Cópia arquivada em 18 de janeiro de 2016 
  43. ↑ «Stereogum's Top 50 Albums Of 2011». Stereogum. 5 de dezembro de 2011. Consultado em 6 de setembro de 2015. Cópia arquivada em 26 de agosto de 2015 
  44. ↑ «Stream: Listen to Neon Indian's new album, 'Era Extrana'». Inertia. 6 de setembro de 2011. Consultado em 7 de outubro de 2014. Arquivado do original em 12 de outubro de 2014 
  45. ↑ «Era Extraña by Neon Indian». zdigital. Consultado em 7 de outubro de 2014. Cópia arquivada em 12 de outubro de 2014 
  46. ↑ «Era Extraña: Neon Indian: MP3-Downloads» (em German). Germany: Amazon.de. Consultado em 7 de outubro de 2014. Cópia arquivada em 9 de março de 2022 
  47. ↑ «Era Extraña: Neon Indian: MP3 Downloads». Amazon.co.uk. Consultado em 7 de outubro de 2014. Cópia arquivada em 9 de março de 2022 
  48. ↑ «Era Extrana». Amazon.com. Consultado em 7 de outubro de 2014. Cópia arquivada em 9 de março de 2022 
  49. ↑ «Era Extraña – Neon Indian (LP – Mom + Pop Music #33)». AllMusic. Consultado em 7 de outubro de 2014. Cópia arquivada em 23 de abril de 2017 
  50. ↑ «Era Extraña: Neon Indian: MP3 Downloads». Amazon.com. Consultado em 7 de outubro de 2014 
  51. ↑ «Era Extraña». Amazon.co.uk. Consultado em 7 de outubro de 2014. Cópia arquivada em 9 de março de 2022 
  52. ↑ «Era Extrana» (em German). Germany: Amazon. Consultado em 7 de outubro de 2014. Cópia arquivada em 9 de março de 2022 
  53. ↑ «Era Extrana (Lp+CD)» (em German). Amazon.de. Consultado em 7 de outubro de 2014. Cópia arquivada em 9 de março de 2022 

Predefinição:Neon Indian


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