Usuário:Chinobistar/Testes: diferenças entre revisões
Conteúdo apagado Conteúdo adicionado
Linha 196:
Os cocriadores tiveram sucesso ao apresentar a ideia ao vice-presidente e produtor executivo da Nickelodeon, Eric Coleman, apenas duas semanas depois.<ref>{{citar web|url=http://mag.awn.com/index.php?ltype=pageone&article_no=3428 |título=It's Elementary – Avatar: The Last Airbender |último=Clark |primeiro=Craig J. |data=17 de outubro de 2007 |publicado=Animation World Magazine, Inc. |acessodata=3 de maio de 2008}}</ref>
''Avatar: The Last Airbender'' is notable for borrowing extensively from [[History of Eastern art|East Asian art]] and mythology to create its [[universe]]. The series' character designs are heavily influenced by [[Chinese art]], [[History of China|history]], [[Hinduism]], [[Taoism]] and [[Buddhism]],<ref>{{cite web|url=http://www.nicksplat.com/Whatsup/200510/12000135.html |archiveurl=http://web.archive.org/web/20071217111256/http://www.nicksplat.com/Whatsup/200510/12000135.html |archivedate=December 17, 2007 |title=Interview With The Creators |date=October 12, 2005 |publisher=NickSplat.com}}</ref> and [[Yoga]].<ref name="nytimes">{{cite news|url=http://www.nytimes.com/2005/08/28/arts/television/28lass.html?ei=5090&en=2d9845c5b0133bb9&ex=1282881600&partner=rssuserland&emc=rss&pagewanted=all |title=Kung Fu Fightin' Anime Stars, Bo |author=Mark Lasswell |date=August 25, 2005 |work=New York Times}}</ref> Traditional [[Chinese calligraphy]] styles represent nearly all the writing in the series.<ref name="calligraphy.html"/> For each instance of calligraphy, an appropriate style is used, ranging from [[seal script]] (more archaic) to [[clerical script]].<ref name="calligraphy.html">{{cite web|url=http://www.musogato.com/avatar/calligraphy.html |title=Calligraphy Writing In Avatar |author=KTChong |publisher=Distant Horizon| archiveurl= http://web.archive.org/web/20070108101432/http://www.musogato.com/avatar/calligraphy.html| archivedate= January 8, 2007 | deadurl= no}}</ref> The show employed a cultural consultant, Edwin Zane, and calligrapher Siu-Leung Lee as consultants for the series' cultural influences.<ref name="nytimes"/><ref>{{cite news|url=http://movies.nytimes.com/person/537590/Edwin-Zane/filmography |title=Edwin Zane — Filmography |accessdate=February 14, 2009 |work=New York Times| archiveurl= http://web.archive.org/web/20090221075453/http://movies.nytimes.com/person/537590/Edwin-Zane/filmography| archivedate= February 21, 2009 | deadurl= no}}</ref> The choreographed martial art bending moves were affected by Asian cinema.<ref name="NickMagInterview1"/> In an interview, Bryan revealed that, "Mike and I were really interested in other epic 'Legends & Lore' properties, like ''[[Harry Potter]]'' and ''[[The Lord of the Rings|Lord of the Rings]]'', but we knew that we wanted to take a different approach to that type of genre. Our love for Japanese anime, Hong Kong action and [[kung fu]] cinema, yoga, and Eastern philosophies led us to the initial inspiration for ''Avatar: The Last Airbender''."<ref>{{cite web|url=http://tv.ign.com/articles/818/818284p1.html |title=IGN: Interview: Avatar's Bryan Konietzko and Michael Dante DiMartino |accessdate=September 24, 2007 |date=September 6, 2007 |publisher=IGN}}</ref>
|