Música disco: diferenças entre revisões

|origens estilísticas = [[Funk]]<ref>(2003) ''A history of rock music 1951–2000'', ISBN 9780595295654, p.152: "Funk music opened the doors to the disco subculture"</ref><br /> vários estilos de [[Soul]]<ref>(2003) ''Out of the Revolution'', ISBN 9780739105474, p.398 : "Funk, disco, and Rap music are grounded in the same aesthetic concepts that define the soul music tradition."</ref><br /> [[música psicodélica]]<ref name="philadelphiasoulpsychedelicmusic">(2000) ''Last Night a DJ Saved My Life'', ISBN 9780802136886, p.127: "Its [disco] music grew as much out of the psychedelic experiments … as from … Philadelphia orchestrations"</ref><ref>(2008) ''The Pirate's Dilemma: How Youth Culture is Reinventing Capitalism'', ISBN 9781416532187, p.140: "Disco, which emerged from the psychedelic haze of flower power infused with R&B and social progress that was being cooked up at the Loft"</ref><!-- ref name="philadelphiasoulpsychedelicmusic"></ref --><ref>[http://www.villagevoice.com/2001-07-10/news/disco-double-take/2 Disco Double Take] by [[Village Voice|The Village Voice]]: "And the scene's combination of overwhelming sound, trippy lighting, and hallucinogens was indebted to the late-'60s psychedelic culture". ''Retrieved on November 29, 2008''</ref><br /> [[Música da América Latina|Música Latina]] (especialmente [[Salsa]])<ref name=origins>[http://www.experiencefestival.com/a/Disco_-_Origins/id/1328269 Disco: Encyclopedia II - Disco - Origins] {{Wayback|url=http://www.experiencefestival.com/a/Disco_-_Origins/id/1328269# |date=20090227223028 }}. Experiencefestival.com. '' Retrieved on November 29, 2008''</ref><ref>(2001) ''American Studies in a Moment of Danger'', ISBN 9780816639489, p.145: "It has become general knowledge by now that the fusion of Latin rhythms, Anglo-Caribbean instrumentation, North American black "soul" vocals, and Euro-American melodies gave rise to the disco music"</ref><br /> [[Pop]]<br />'''Secundária'''<br />Música [[Afro-cubano|Afro-cubana]] (mais precisamente [[Soca]])<ref name="motownswingsocamerengue">(2003) ''The Drummer's Bible: How to Play Every Drum Style from Afro-Cuban to Zydeco'', ISBN 9781884365324, p.67: "Disco incorporates stylistic elements of Rock, Funk and the Motown sound while also drawing from Swing, Soca, Merengue and Afro-Cuban styles"</ref> • [[Música clássica]] • [[Gospel]]<ref name="A Change is Gonna Come">(2006) ''A Change is Gonna Come: Music, Race & the Soul of America'', ISBN 9780472031474, p.207: "A looser, explicitly polyrhythmic attack pushes the blues, gospel, and soul heritage into apparently endless cycle where there is no beginning or end, just an ever-present "now"."</ref> • [[Swing (Jazz)|Swing]]<ref name="motownswingsocamerengue" /> • [[Blues]]<ref name="A Change is Gonna Come"/>

O ''fenômeno disco''' também aumentou a popularidade de algumas formas de dançar pré-coreografadas. Durante a febre disco, era comum ver cantores simulando um robô no palco. A popularização do estilo chamado [[Robô (dança)|Robot]], veio depois que o jovem [[Michael Jackson]] do grupo Jackson 5 simulou um robô dançando durante a performance de ''[[Dancing Machine]]'' no [[Soul Train]] de 1973, posteriormente o cantor contou em seu livro [[Moonwalk (livro)|Moon Walk]] que no dia seguinte todos estavam tentando imitá-lo.<ref>{{citar web |url=http://lockerlegends.net/hall-of-honer/ |titulo=The History of Locking |publicado=lockerlegends.net |acessodata=[[7 de Abril]] de [[2010]] |arquivourl=https://web.archive.org/web/20090908013504/http://lockerlegends.net/hall-of-honer/# |arquivodata=8 de setembro de 2009 |urlmorta=yes }}</ref>